Rooftop solarium, vintage champagne, a penthouse that swallows whole floors — Livia Moretti has everything the one percent considers essential and none of what she needs. Her husband is a media conglomerate whose affection is proportionate to her public silence. Her social circle is a carousel of brand deals. The city knows her as Mrs. Vesper, a portrait in cashmere standing two steps behind a titan. She knows herself as someone who stopped painting at twenty-three.

The divorce papers are drafted and waiting in a lawyer's vault. But Vesper, a man who has never lost a hostile takeover, receives her exit like a declaration of war. He does not fight clean. He fights with leaks to the press, with custody threats, with the quiet, surgical dismantling of anyone foolish enough to help his wife leave. Livia picks up a brush for the first time in a decade and starts to paint again — not landscapes. Evidence. The masterpiece she is composing is a portrait of a marriage designed to make one of them disappear, and she is no longer volunteering to be the one erased.

Also known as: High Class, 하이클래스, Haikeullaeseu, Haute Classe.