One of the great resources in anime fandom of late has been this guy. His charts have become almost indispensable when trying to figure out what to watch in the upcoming anime seasons. Recently, he’s started to compile these charts for previous years and the information that can be gleaned from these charts are extremely interesting and a real eye opener.

Last year, 2008, was the first year of this blog and as a result I watched many shows I probably won’t have otherwise and tried to make sure that I discovered all the “good” anime of a season so I could help other people discover these anime shows. So one of the first things I wanted to figure out was how much of the 2008 anime did I watch in the end.

Percentage of Shows Watched

This is the chart in question that I’m using; you can find it and more here. It lists 130 total anime shows that begun airing in 2008 and looking over these shows I realize there is a handful of shows that are aimed at very young viewers and these shows are never fansubbed, talked about, or licensed so the first step I’m going to do is remove these shows from consideration. I then tabulated how many shows I’ve watched, dropped and completed and I’ll summarize them here.

• 114 total shows (19 from Winter 07/08, 34 from Spring 08, 21 from Summer 08, 37 from Fall 08, 3 from Winter 08/09)
• 50 shows watched (5, 15, 9, 18, 3)
• 19 shows dropped (0, 9, 3, 5, 2)
• 31 shows completed (5, 6, 6, 13, 1)

I should note that the Winter 07/08 season was a season that I essentially took off. I needed the break and the only new show I watched that season while it was airing was Sayonara Zetsubou Sensei s.2. Yes, It is strange that I decided to start a blog during a season I wasn’t actively watching but that just how I like to do things. Because of this, the only shows I watched from this season where ones that I really wanted to see at a later time. This skews some of the results I’ll highlight below.

• Overall watched percentage by season – 26.3% of Winter 07/08, 44.1% of Spring 08, 42.9% of Summer 08, 48.7% of Autumn 08, 100% of Winter 08/09
• Overall watched percentage of 2008 – 43.8%
• Percentage of watched shows that were dropped by season – 0.0%, 60.0%, 33.3%, 28.8%, 66.7%)
• Percentage of watched shows that were dropped in 2008 – 38.0%

While going over the list of shows, I’ve noted that there were a few shows that I still have some interest in catching and could see myself watching at some point in the future, time willing.

• Possible unwatched shows that may be watched in the future by season – 2 from Winter 07/08, 2 from Spring 08, 0 from Summer 08, 4 from Fall 08, 0 from Winter 08/09
• Total unwatched but still interested in shows for 2008 – 8
• 2008 Total of shows watched and possible shows watched in the future – 58 or 50.9% of all 2008 anime shows

This leaves 49.1% of the entire 2008 year of shows as shows that I have not watched nor am I interested in doing so. Just looking at the raw number, it seems like I’m leaving a huge percentage of shows unwatched but looking over the shows the I’ve missed – I don’t think I’m missing much. I wonder how this compares to other anime fans.

Excellent Shows and Strong Seasons

Next, I compiled a list of shows that I consider being the best of 2008 – the titles that I would recommend to other people and would be worthy series to own on DVDs, if possible. I was curious to see how these shows were distributed and if the general thinking about the spring and fall seasons being the strong seasons seemed justified.

• Excellent shows from Winter 07/08 – Sayonara Zetsubou Sensei S.2 and Spice & Wolf – (2)
• Excellent shows from Spring 08 – Wagaya no Oinarisama, Library Wars, Kaiba, Soul Eater, Kurenai (5)
• Excellent shows from Summer 08 – Natsume Yuujin-chou, Birdy the Mighty Decode, Somedays Dreamer’s S.2, Ryouko’s Case Files (4)
• Excellent shows from Fall 08 – Toradora, Clannad S.2, Shikabane Hime:Aka, Ga-Rei:Zero, Mouryou Hako, Kurozuka, Michiko to Hatchin (7)
• Excellents shows from 2008 – 18

Looking at the pure number totals, it appears that the fall season was the strongest season and that’s definitely on way to look at it but I wanted to see it from another perspective.

• Percentage of overall shows that were excellent by season – 10.5% of Winter 07/08, 14.7% of Spring 08, 19.1% of Summer 08, 18.9% of Autumn 08, 0% of Winter 08/09
• Percentage of overall shows that were excellent for 2008 – 15.8%
• Percentage of watched shows that were excellent by season – 40.0%, 33.3%, 44.4%, 38.9%, 0.0%
• Percentage of watched shows that were excellent for 2008 – 36.0%

Looking at the number of excellent shows in the context of the rest of the season shows, it turns out that the Summer season squeaks in front of the fall season as having the highest percentage of excellent shows. If the saying about how only 10% of anything is worth fighting for and the rest is garbage then one can’t complain about the quality of anime from 2008 since it beat that by a bit.

Why It’s Hard To Be a Fan of Anime Without Resorting to Fansubs

I want to say up front that I’m not writing this to defend fansubs per se nor am I trying to pick a fight – it’s been my observation for a while that oftentimes when an anime is announced as being licensed, I’m disappointed because it’s not one that I felt deserved to get licensed and I want to see if this observation is backed up by the data.

The first thing that needed done was to compile a list of what shows where licensed from 2008. I started with the list that animesuki keeps of shows that are licensed and thus they no longer list and then I checked out the various licensing articles from anime news network and finally I checked crunchyroll. I might have missed a couple but they won’t be enough to change the conclusions that I discovered. Onto some data.

• Total number of anime shows licensed from 2008 – 32
• Total number of licensed shows that I watched from 2008 – 13
• Total number of licensed shows that I completed from 2008 – 9
• Total number of licensed shows that I consider excellent shows from 2008 – 5
• Total number of excellent licensed shows that will come out on DVD – 3
• Total number of excellent licensed shows that will be dubbed on DVD – 2

I’ll note here that of the 19 licensed shows that I have not watched, none are on my list of shows that I might be interested in watching so those figures are final. Without running the exact numbers it’s pretty apparent what can be concluded but let’s run the numbers for completeness sake.

• Percentage of total anime shows that were licensed from 2008 – 28.1%
• Percentage of total anime shows that were not licensed from 2008 – 71.9%
• Percentage of licensed shows that I watched – 40.6%
• Percentage of licensed shows that I completed – 28.1%
• Percentage of licensed shows that I consider excellent – 15.6%
• Percentage of excellent licensed shows that will be released on DVD – 9.4%
• Percentage of excellent licensed shows that will be dubbed and released on DVD – 6.25%

The one glaring conclusion that I have to conclude is that the “anime fan” that the North American companies are going after is not me. If they were, I’d expect to see almost all of my excellent shows as having been licensed. (Afterall they should be picking the best titles to maximize the number of DVDs bought.) That’s not the case, though, and looking over the shows that did get licensed I find a lot of shounen/fighting shows, fan-service shows, and shoujo shows. I can’t help but feel that one of the results of a licensing pattern like this is that once an anime fan has been sated with enough shounen, fan-service, and/or shoujo shows that these fans discover they are no longer anime fans because anime has become either too childish or repetitive.

The reason I took the category down to excellent licensed shows that will dubbed and put on DVD even when I’m not the biggest dub fan is because there’s a segment of anime fandom that are people who like anime but don’t want to read subtitles and also want to watch on a TV. My one sister is like this and in the end she buys almost exclusively manga because she can find so little anime that interests her. When I was starting up my blog she told me that she’d read my site to find shows to buy but she quickly realized that this was not possible. I don’t blame her, of all the shows that I’ve watched and blogged about in 2008 there is a total of two shows – Soul Eater and Spice & Wolf that I could possibly recommend to her to buy and I don’t think she’d like Soul Eater. That leaves Spice & Wolf as the only anime out of the 114 anime that started airing in Japan during 2008 that I could recommend her to buy.

I feel like I should repeat that; for the entire 2008 year of anime, there is only one anime that I could recommend to my sister as being good enough that it’s worth buying on DVD. And these companies complain about the fans – maybe it’s not the fan’s fault.

I realize that 2009 saw a large increase of shows getting quasi-licensed on crunchyroll so by now it’s possible that my title about having to almost having to resort to fansubs may not hold as much water but I’ll leave that to a follow-up article in the future to see how the numbers work out. I want to hold off for a while to see how many of the 2009 shows get physically licensed and which ones will get dubs. Also left for a later article is my thoughts on how exactly to get the North American anime scene going in the right direction; here’s a hint, I don’t think there will be many people who will become fans of anime from having crunchyroll stream subtitled anime.

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As an aside, if you happen to be looking to buy a good anime series on DVD (maybe for a Christmas present) and want a quality show that will get rewatched more than once, let me point out that Bamboo Blade is coming out soon. And there’s Spice & Wolf as well but it’s coming out the week of Christmas.

Posted in anime, anime rants/views

In the rush at the end of the fall season and the start of the winter season, I just couldn’t find the time to write up several series reviews of shows I had finished. In this time before I start getting the spring preview ready and working on the winter season awards, I’m going try to get to some of these done. The first is the gory action anime Kurozuka from Madhouse.

Final Series Score: 11/12 A+
Rewatchablity: low-med
Pros: stylish and slick animation, knows it’s an action title and doesn’t bog itself down with needless story and exposition, interesting setting, well done action scenes, recap and previews were done as Noh theather which was unique and cool
Cons: The story is very disjointed at the beginning, making it very difficult to figure out what’s happening; the very ending (last 7 minutes or so) is profoundly confusing because it creates a huge list of questions about the show and what really is going on

Awards given to this show by this blog

• Best Action Anime for 2008
• Best Animation for 2008

Story

Around a thousand years ago, in feudal Japan, the brother of the Emperor is fleeing for his life and happens to find a cottage in the deep woods. The young and attractive woman living there allows him to stay on the condition that he never enters the room in the back of the cottage. The guy slowly falls deeply in love with the mysterious woman, for if he wasn’t deeply in love – then what he finds in the back room should have terrified him. Instead, he allows her to initiate him into the same dark secret and this starts a love affair between the two that will last over a thousand years.

Thoughts and impressions

Most of the time, for a show to be liked by me it needs good character development and an interesting story but sometimes a series can come along and skip these items (or have a very minimal amount) and still succeed. Kurozuka is one such title. For most of the series, we are as clueless as the main character as to what’s going on. The thing we and the main character latch onto is the need to find Kuromitsu, his beloved, because she must know what’s going on. Nor during this time do the characters show any sort of character development, they’re too busy fighting for their lives. Yet, this show remained riveting from start to finish.

Another thing that sets this show apart is how bloody and gory it is, which might turn some people off. I didn’t feel it was gratuitous for what the show was but they certainly didn’t shy away from showing these scenes. I was just really glad they didn’t use censoring like we’ve seen in other shows like Nabari no Ou because it’s a cheap tactic to try to up DVD sales and it hurts the show artistically.

I wanted to give Kurozuka a perfect score and if the only problem I had with it was the disjointed first couple of episodes it might have earned a perfect 12 but the ending really bugged me. It was almost like they wanted to give themselves an out that would allow a sequel to be made. To accomplish this though, they had to make the viewer question much of what they have learned about the show over the past 11 ½ episodes. It let the show end on a sour note and was completely unnecessary – they could have just ended it with him waking up once again on the hilltop.

I’d definitely recommend this title to anyone looking for a well-produced action anime or just looking for something different to watch with the caveat that it is violent and bloody.

Essential Information

• 12 episodes
• genre: Action
• animation studio: Madhouse
• director: Tetsuro Araki
• OP: “Systematic People” by Wagdug Futuristic Unity featuring Maximum The Hormone
• ED: “Hanarebanare” by Shigi
• Seiyuus of note: Mamoru Miyano, Romi Paku, Toshiko Fujita, Miyu Irino, Kazuhiko Inoue, Houko Kuwashima

Posted in anime, series review

Or if I rearranged the words, the VMA Awards or the AMV Awards .

It is certainly possible for an anime show to be good or at least watchable without stellar music, voice acting, or animation; however, it does definitely help. For example, for the first half of Shana 2, the only redeeming features of the show was the well-done OP/ED, Rie Kugimiya as Shana, and the good animation. So this part celebrates those components of an anime that aren’t vital but significantly help it along.

Before I get to the awards I wanted to mention that I’ve been having computer troubles with the computer that’s connected to the internet. Between spending a day trying to fix it so it wouldn’t need a reformat, moving all the important files off so we can reformat and taking this opportunity to finally back up our digital pics onto dvd discs, I haven’t had the time to finish writing these or watch much anime. Luckily, I have an old laptop (it has a Pentium 3 chip in it ) that I can use to keep connected to the internet until it’s fixed.

Top Seiyuu “Discovered”

Winner: Marina Inoue

Yes, Marina Inoue is not a new seiyuu and I’ve liked characters she’s done in the past like Yoko from Gurren Lagann. What’s different is that before this year I never really paid attention to how well she voices her roles and recognizing when it’s her. It was the perfect match of her voice to the character of Kana in Minami-ke that really started my deeper appreciation of her work. From that point, I started to look for her roles and I continued to be impressed with how well she can match her voice with the character’s thoughts and actions.

Best Performance by a Seiyuu

Winner: Rie Kugimiya as Taiga from Toradora

Runner-up: Rikiya Koyama as Kogarashi from Maid Guy

Rie Kugimiya often will play the short tsundere with violent tendencies character in a show. It’s a combination that always will spice a show up and is one of the reasons why she’s one of my favorite voice actors. I figured before Toradora started that she really couldn’t surprise me by doing another short tsundere with violent tendencies role but it became readily apparent that I was wrong. While it’s still obviously her doing Taiga, she’s never been this good before. Some of excellence with Taiga is due to the great story but she’s definitely been a huge factor in taking a well-worn character type and making it feel authentic. When she’s tsun-tsun, her anger fits the situation and when she’s dere-dere, her love-sick attitude is realistic as opposed to when she was Louise in Zero’s Familiar where her personality was artificial and lacked vivacity.

Best Seiyuu

Male: Hiroshi Kamiya

Since no single male voice actor really stood out from the crowd this year, I decided to prepare of a list of favorite performances to see if I could find any overlapping names. Two roles on this list were Natsume from Natsume Yuujinchou and the Sensei from Zoku Sayonara Zetsubou Sensei. I was surprised when I found that Hiroshi Kamiya did both roles. The pair of characters are polar opposites; one’s theatrical, loud, likes to over-react and is prone to huge emotional swings whereas the other is calm, cool under pressure, mature, and considerate of other people. The fact that I didn’t realize or even think to myself that either performance sounded familiar speaks highly of his ability. As does the way he was able to fit his performance and delivery to impeccably match the type of character he’s playing.

Female: Marina Inoue

Marina Inoue kept appearing in shows I watched and kept impressing me with her voice work this year. Often the characters that Marina Inoue voices have to have a very scary and imposing “I’m ticked off” voice in their repertoire. Marina has one of the best angry voices around. When you hear it it’s easy to understand why the other characters wither when being subjected to it. And yet when these same characters are supposed to be happy, Marina can infuse their demeanor with such boisterous happiness that it’s contagious to the viewer. What really impressed me and helped her earn this award is that, even though it’s relatively easy to recognize a Marina Inoue role, each character is distinctly different from each other. For example, Kana from Minami-ke is the sneaky middle sister but Iku Kasahara is the energetic idiot in Library War and Chiri Kitsu is the angry perfectionist in Zoku Sayonara Zetsubou Sensei.

Best Seiyuu Cast

Winner: Zoku Sayonara Zetsubou Sensei

Runner-up: Toradora

Zoku Sayonara Zetsubou Sensei inherited a large number of characters from the first season and added even more characters during it’s run. One of the things that is needed for shows with big casts like this is many distinct voices so it’s easy to pick out who’s saying what. With every additional voice used, though, the chance of duplicating a voice or picking a bad one increases. This problem didn’t plague this show though; in truth, almost every single voice used was unique and well done. I already mentioned Hiroshi Kamiya’s Mr. Despair and Marina Inoue’s character but the list goes on. Of particular note is the illegal immigrant Maria and the student that’s known as Kafuka.

Best Overall Opening

Winner: Kaiba

Runner-up: Zoku Sayonara Zetsubou Sensei

Tastes in music are really subjective to begin with and for me this is compounded even more in regards to anime because I don’t know Japanese. Therefore any category that relates to music is going to subjective.

Kaiba’s opening was great on many levels. It had a song that was good all by itself and it helped get the viewer ready for the show by getting them in the proper state of mind. The animation used showcased many of the characters of the series and helped reinforce some of the core concepts of the series. It was also pretty to look at, which always helps as well.

Best Overall Ending

Winner: Kaiba

Runner-up: Someday’s Dreamers Season 2

The ending got picked for essentially the same reasons that the opening got picked. I do think it’s a bit funny that the same singer of the OP/ED also did the ending to Chaos;Head and just about no one liked that song.

Best Overall Music

Winner: Kaiba

Runner-up: Clannad

If the music in the series is average then I’ll not even notice it enough to form an opinion about it. Therefore, any show that I can remember some of the background music after the fact means it’s above average. The music to both Kaiba and Clannad are used to good effect but it was only Kaiba that had music that actively wowed me while I watched it.

Best Music Soundtrack

Winner: Somedays Dreamer’s Season 2

I often don’t like anime soundtracks even to shows that I liked the music because the full versions of the songs aren’t as good as the parts used in the show. However, I found that I liked the soundtrack to Somedays Dreamer’s Season 2 better then when the pieces where used in the show. One reason why I like this soundtrack is the wide variety of instrumental music genres on it. There’s a couple Celtic songs, a blues rock one and a synth-pop track to name but a few. I also think it’s entirely possible to like this album without ever watching the anime which is another way it’s different from most albums.

Best Animation Style

Winner: Kaiba

Runner-up: Zoku Sayonara Zetsubou Sensei

I think the reason most people thought Kaiba was an experimental anime was because of the odd animation style employed. It certainly does appear odd when looking at screenshots but it’s a totally different story when watching it in motion. I found that the style of the animation works very well with the story, it’s ideas and the overall tone. If the creators had decided on a more realistic or detailed animation style then I really think that it would have been an impediment to the show.

Best Animation

Winner: Kurozuka

Runner-up: Xam’d: Lost Memories

I mentioned earlier that I liked Kurozuka even though it was almost a purely action show. To successfully pull off that type of show and not rely on character development and plot, the action needs to wow us almost continuously. In anime, that also means the animation needs to impress and Madhouse’s Kurozuka impressed. It looked good, it moved good and it was artistic, detailed and imaginative.

Top Animation Studio

Winner: Madhouse

There’s no question that Madhouse deserves this award. No other animation studio had the sheer number of quality shows this year that Madhouse had. Some of there shows included Kaiba, Maid Guy, Kurozuka, Mouryou no Hako, and Chaos;Head. I’m surprised how infrequently their name comes up in the anime community when talking about great animation studios. And I hope 2009 sees more great shows from Madhouse.

Posted in anime, awards, youtube      

Soldiering on, this next set of awards cover some of the many different types of anime out there. I enjoy many of these types of anime and this sometimes leads to odd pairings; for example, I remember watching Kaiba and Maid Guy back-to-back on several occasions. There are a few categories you won’t see like best shounen or best shoujo because I just don’t watch enough to feel confident in those picks. Though I can say that in matters of shounen, Soul Eater is superior to Bleach and probably Naruto but I only watched the first 25 or so episodes of Naruto before I was bored of it – maybe it got better. As for shoujo, I liked Earl and Fairy and Skip Beat so maybe I should watch more.

Best Action

Winner: Kurozuka

Runner-up: Shana 2

Kurozuka is a bit of aberration for me because it never took the time to really do much character development and the story was only the barest of skeletons for most of the series; and yet, I didn’t mind because I was too busy enjoying the polished, pure action series that Kurozuka was. The fights where excellent and I loved when Kuro slipped into vampire bullet-time because I knew he was about to cleave a path of destruction through those around him.

Best Fight

Winner: The Sabrac fight from Shana 2

The best overall fight went to the Sabrac fight towards the end of Shana 2. Anytime a fight lasts for two episodes, it’s going to either feel epic or boring and drawn out; this fight was a stellar example of the first. The first reason is that all the characters where going all out, none of this “I’ll use 43.25 % of my full power” that artificially extends a fight. Another reason is that the good guys had to out-think and plan actual strategy to beat Sabrac and when they did get him, it wasn’t because Sabrac did something stupid to allow them to win. It also helped that by this point in Shana we’ve gotten to really like the good guys so it was like we we’re personally invested in the outcome. And the final thing that really made this an awesome fight was the way Shana and friends finally beat Sabrac, it was unexpected, theatrical, and just plain cool.

Coolest Weapons

Winner: Ga-rei: Zero

Runner-up: Soul Eater

Ga-Rei: Zero had one of the most diverse set of weapons I’ve ever seen. We had the standard sword and guns but we also had a guy wield two suitcases that shot small missiles, a guy that used a weapon that turned his hands into drills, a woman that had a Gatling gun for an artificial leg, a motorcycle that had anti-monster incantations in the tread of the tires – just to name a few. There was several more spare weapons that are shown like an iron that used holy water steam. And even some of the more standard weapons had their own twist like a sword that would use the recoil of discharging a bullet to speed up the user’s swing and also allow the wielder to change directions mid-swing very quickly.

Best Comedy

Winner: Zoku Sayonara Zetsubou Sensei

Runner-up: Maid Guy

The year didn’t have many pure comedy shows that were genuinely funny but it did have many non-comedy shows like Clannad, Toradora, and Natsume Yuujinchou that used humor for great affect. Instead, many of the comedy shows like Kemeko DX and Kannagi tried too hard to either be different or be more then just a comedy show. Maid Guy was one show that did a good job remembering it was a comedy show and if the ending had been stronger, it could have won. Another show that never forgot it was a comedy and still found the time to comment on society and poke fun at people was this year’s best comedy, Zoku Sayonara Zetsubou Sensei. I will admit that this comedy isn’t meant for everybody but it’s unique blend of comedy was something I just love.

Best Slice-of-Life

Winner: Natsume Yuujinchou

Runner-up: Someday’s Dreamers Season 2

You really can’t go wrong with either show but I gave the slight edge to Natsume Yuujinchou, aka Natsume’s Book of Friends, because it gave me a better relaxed slice-of-life feeling and I like the ending more. Natsume excelled at those areas that you’d expect a slice-of-life show to do so such as: interesting characters that develop over time and a story that can make the viewer feel a wide range of emotions. One little thing I particularly enjoyed was how everyone had a different name for Nyanko-sensei.

Best Science Fiction

Winner: Kaiba

Kaiba is a really good example of what’s possible with science fiction. It extrapolated a future to tell a story that would be impossible using our current level of technology but at the same time it was able to make the story resonant with us, the viewers. Another reason I was impressed with Kaiba was that most SF shows can’t match print SF in terms of depth, intellectual complexity, and creativity but Kaiba was able to.

Most Entertaining

Winner: Library War

Runner-up: Wagaya no Oinari-sama

For any type of show to be successful, it needs to entertain on some level so I’m going to define “Most Entertaining” as the show that the best at making me feel good after watching it. Library War wins because I enjoyed the characters and how they interacted with each other. I also thoroughly enjoyed when the Library forces where able to beat the censorship thugs, if only it was so easy in real life.

Best Mind Trip

Winner: Zoku Sayonara Zetsubou Sensei

Watching Zoku Sayonara Zetsubou Sensei is a rather unique experience.

Every aspect of the show seems designed to give the viewer a very surreal feeling. There’s the animation – at times it’s very standard looking and other times it’s hyperstylized or made using various other mediums. Add to that the amount of text we see. Some of it on signs in the background, telling jokes and making references that oftentimes has nothing to do with what’s going on in the foreground. Other text is conjured by the characters to prove a point and will often fly by so quick that it’s only possible to read by pausing individual frames. And let’s not forget the use of a real picture of some guy’s hairy face. (I know he’s connected to the manga but can’t quite remember how right now.) He pops up multiple times in an episode and in various locations; though, he is frequently used when they want to censor something. The show also has a touch of ADD to itself and can feel like the show’s creators are randomly switching channels in their minds. I do mean all this, in the best possible sense because I like the uniqueness of the show – as you’ll see when I get to my actual top ten shows of the year.

Best Story

Winner: Kaiba

Runner-up: Xam’d: Lost Memories

The story of Kaiba accomplished a lot in the time it had. The first half of the show focused on the main character, Kaiba, as he tried to figure out who he was. A more complex question when a person can swap bodies and add/subtract memories from their mind. It also introduced to the viewers many of the problems that mind uploading would present to society. The second half of the show focuses on the efforts of a terrorist group to usurp the king and Kaiba’s effort to reconnect with the woman he loves after her memories have been altered to further the terrorist group’s agenda. One of the things that surprised me was that I had thought, based on the rather experimental animation, that the story would be too artsy for me but it turned out to be very accessible and down-to-earth.

Most Interesting Setting

Winner: Kurozuka

Runner-up: Kaiba

The mix of the familiar with the alien that post-apocaleptic worlds often have is something that has greatly interested me since I was very young. In this case, the world of Kurozuka helped set the proper mood and make the show feel plausible instead of pure fantasy. I’m not saying Kurozuka was plausible; but, like how the recent Batman movies feel more realistic then the previous movies and series, the setting helped give the show a more realistic feel.

Posted in anime, awards      

Let’s get this out of the way before I get back to the top picks of the fall season.

This was another good week of anime watching. Two shows I didn’t list below but I did want to mention was that I finished up a re-watch of Library War and the first season of Minami-Ke with my sister. The first thing that struck me was that hearing Marina Inoue featured prominently in both really drove home how much I enjoy listening to her voice and the roles she plays. Also it reinforced my belief that Library War was one of the most entertaining shows of the year and the first season of Minami-Ke is one of the best anime comedies of all-time.

The scores:

To Aru Majutsu no Index, episode 9 – 10/12 A

Toradora!, episode 9 – 12++/12

Soul Eater, episode 33 – 11/12 A+
Soul Eater, episode 34 – 12/12
Soul Eater, episode 35 – 12/12

Kannagi, episode 9 – 10/12 A

Yozakura Quartet, episode 9 – 11/12 A+
Yozakura Quartet, episode 10 – 10/12 A

Chaos;Head, episode 8 – 11/12 A+

Somedays Dreamer’s S.2, episode 10 – 12+++/12

Skip Beat, episode 8 – 10/12 A
Skip Beat, episode 9 – 12/12

Earl and Fairy, episode 8 – 11/12 A+
Earl and Fairy, episode 9 – 10/12 A

Shikabane Hime: Aka, episode 7 – 11/12 A+

Clannad S.2, episode 10 – 12+/12

Xam’D: Lost Memories, episode 17 – 12/12

Ga-Rei Zero, episode 8 – 12+/12 A

Kurozuka, episode 8 – 11/12 A+

Kemeko DX, episode 9 – 10/12 A

Which shows have momentum this week

Up – Ga-Rei Zero : The second most surprising good show of the season

Down – Kurozuka : Still a great show but it’s been living off it’s style and it’s beginning to let it’s weakly developed story drag it down

Thoughts and Highlights

After the first two episodes of Ga-Rei Zero, I really had no clue where the show was going and a sinking feeling that the animators where too ambitious by opening the show how they did and would be unable to keep the viewers interesting. It appears that I was wrong because I’m liking this show week-in and week-out. One thing that I thought would hurt this show, like the Star Wars prequels, was that I know one of the main characters ends up evil. In the Star Wars case, this prevented me from sympathizing with Anakin because I know he becomes Darth Vader but not so with Ga-Rei Zero. I got to really like Yomi in these flashback episodes and when we get back to the present, I’m going to feel very sad if they can’t save Yomi somehow.

I feel bad about picking Kurozuka for losing momentum this week but I have to at least try to be objective and these last few episodes have felt very underwhelming. I think it’s safe to point to the shows padding of a thin storyline as the culprit. Hopefully, episode 8 will be the last of this padding as we transition to the conclusion.

As awesome as episode 9 of Toradora was, the best episode of the week was episode 10 of Somedays Dreamer’s S.2 which earned the absolutely highest rating I can give out for a single episode. There was a big revelation, which I won’t spoil, and it caught me totally off-guard. It really shouldn’t have since there had been a few hints but I really didn’t expect the show to go in the direction it now seems to be going. Nor was the revelation the sole reason for the high score, the way in which the show went about revealing it was perfect and the character’s actions throughout the episode were just right.

Episode 9 of Yozakura Quartet finally did something that made me really interested in this show. The Nana-gou trees that help protect the city were being altered and this caused the Youkai of the city to have a harder time controlling their Youkai powers. So, for example, the pair of vampire children had to start using umbrellas to walk around in the daytime. A little touch but it was the first original thing this show has done so far.

The past two episodes of Clannad have really covered a lot of territory and watching Tomoya trying to succeed post-H.S. is something that I haven’t seen much in anime and a nice change of pace. There was a small scene that encapsulated this so well – he was worrying over finding a cheap apartment and we see a high school girl with her friends worrying about her hair. The huge gulf between the two worlds couldn’t have been articulated any better and the use of shadows and also Tomoya’s loneliness only reinforces this.

And finally, if you dropped Soul Eater before episode 20, you should give the show another chance. The show’s pacing has picked up dramatically around then and it has been going full tilt ever since. I’m really enjoying just about everything about this show right now – we where introduced to a few more characters, the fights are awesome, and they’re intertwining many plot threads right now. Soul Eater is really showing why it’s the best shounen title right now.

Posted in anime, weekly anime review      

I was hoping to get this out on Monday but I ended up putting up the Christmas tree instead, which can see pics of over at my personal blog.

As we’re nearing the midpoint of the season, it’s getting to be that time when I get to look ahead at the next anime season and reflect on the current season. Due to the high number of quality shows, I think it’s prudent to wait a few more episodes before posting my reflections but I hope to write my winter preview this week. Right now it’s time to look at the scores.

The scores:

Soul Eater, episode 31 – 12/12
Soul Eater, episode 32 – 12/12

To Aru Majutsu no Index, episode 6 – 10/12 A
To Aru Majutsu no Index, episode 7 – 9/12 A-

Kannagi, episode 6 – 11/12 A+
Kannagi, episode 7 – 10/12 A

Skip Beat, episode 5 – 10/12 A
Skip Beat, episode 6 – 12/12
Skip Beat, episode 7 – 12/12

Shikabane Hime: Aka, episode 4 – 11/12 A+
Shikabane Hime: Aka, episode 5 – 11/12 A+

Kemeko DX, episode 5 – 11/12 A+
Kemeko DX, episode 6 – 10/12 A
Kemeko DX, episode 7 – 11/12 A+

Earl and Fairy, episode 5 – 8/12 B+

Ga-Rei Zero, episode 6 – 12/12

Kurozuka, episode 5 – 11/12 A+
Kurozuka, episode 6 – 12/12

Chaos;Head, episode 5 – 12/12
Chaos;Head, episode 6 – 12+/12

Toradora!, episode 7 – 12+/12

Xam’D: Lost Memories, episode 14 – 12/12
Xam’D: Lost Memories, episode 15 – 11/12 A+

Clannad S.2, episode 7 – 12/12
Clannad S.2, episode 8 – 12++/12

Hyakko, episode 5 – 8/12 B+

Michiko to Hatchin, episode 4 – 11/12 A+

Yozakura Quartet, episode 7 – 9/12 A-

Somedays Dreamer’s S.2, episode 9 – 12++/12

Which shows have momentum this week

Up – Kannagi, Kemeko DX : Both shows seem to have gotten their acts together.

Down – To Aru Majutsu no Index : It lost any momentum that it had when it decided to reset the show at the end of the sixth episode.

Thoughts and Highlights

I guess I shouldn’t be shocked that To Aru Majutsu no Index continued it’s downwards momentum. I’ve totally given up on my initial thought that the Shana-group of J.C. Staff had finally learned how to adapt a light novel properly. It’s still an enjoyable series and as long as Yoshida’s clone doesn’t show up – it still might end up a better series then Shana. On the other hand Kemeko DX and Kannagi have been gaining momentum by making the story more compelling , fleshing out it’s characters, and making the viewer laugh more.

The best episode of this bi-week period comes from Somedays Dreamer’s Season 2 though Clannad gave it a good run. One reason for it’s placement above Clannad this week is, whereas Key’s story twists aren’t as surprising as they once were (not that I’m complaining), Somedays Dreamer’s actually shocked me with it’s twist towards the end of the episode. Too many people, it seems to me, judged this show early based on it’s art style and not on it’s content. With each episode my estimation of the show increases and I’m getting to the point that deciding between Natsume and Somedays Dreamer’s is becoming difficult.

A look at the other end of scale displays the potential difference between two shows, Hyakko and Earl and Fairy, that scored the same. In Hyakko’s case, I was positive that after the fifth episode, I could safely drop it and know that I wasn’t missing anything; instead, the episode was much better then I hoped and gained the show a week reprieve from being cut. On the other hand, after the horrible fourth episode of Earl and Fairy, I’m not sure that I can get back to enjoying this show as much as I initially was. The fifth episode was better but I currently don’t have much interest in watching the sixth but probably will, only to give the show one last chance before dropping it.

One of the things that I hoped to show when I did my ten most influential animes was to show that I end up having many different types of shows that I enjoy. I point this out because it feels kinda wrong to give both episode 32 of Soul Eater, an Excalibur episode, and say episode 6 of Kurozuka the same score but both excelled at the type of show they are.

And finally, there’s a few brief comments I wanted to make:

• Michiko to Hatchin seems to be shaping up to be a more serious show then what I was expecting. One thing that has struck me so far has been it’s very realistic portrayal of pain and hardship in the characters. My gut is telling me this series could end up being one of the top shows of 2008.
• Yozakura Quartet continues to be enjoyable but at the same time it feels like a lightweight when compared to the other shows.
• Chaos;Head is starting to prove that it has more to offer then just being a poor mixture of suspense and harem elements
• Skip Beat seems to not be impressing many that know and love the manga but for a first-timer like myself, I’m really enjoying it. For some reason, I’m already wondering how they plan to end the anime series. On one hand, we all want to see her get her revenge but on the other, once she does – is there any reason to continue the series? If I know anime, they’ll probably create some sort of small milestone that she has to accomplish in the episode count that’s been allotted.

Posted in anime, weekly anime review      

I think one of the great things about watching anime is that each season offers different types of shows. I am, personally, surprised by many of the shows that are my favorites of the season. Which just strengthens my conviction that it’s important to keep an open mind when trying to pick anime to watch.

The scores:

Earl and Fairy, episode 3 – 10/12 A

Kannagi, episode 4 – 10/12 A

Somedays Dreamer’s S.2, episode 7– 12/12

Clannad S.2, episode 4 – 12++/12
Clannad S.2, episode 5 – 12+/12

Shikabane Hime: Aka, episode 3 – 12/12

To Aru Majutsu no Index, episode 4 – 10/12 A

Kurozuka, episode 3 – 12+/12

Mouryou no Hako, episode 3 – 11/12
Mouryou no Hako, episode 4 – 12/12

Ga-Rei Zero, episode 3 – 11/12 A+

Ga-Rei Zero, episode 4 – 11/12 A+

Skip Beat, episode 4 – 12/12

Hyakko, episode 4 – 7/12 B

Toradora!, episode 5 – 11/12 A+

Chaos;Head, episode 2 – 12/12
Chaos;Head, episode 3 – 12/12

Yozakura Quartet, episode 5 – 10/12 A

Thoughts and Highlights

The first thing that jumps into my mind when reviewing the scores above is that a pair of shows – Mouryou no Hako, and Ga-Rei Zero – are doing better overall then their episodic scores would indicate. Both have shown very tantalizing hints of being awesome shows but at the same time they both are very ambitious in what they want to accomplish. How this will play out, will they ultimately succeed or come up short, is unknown at this time.

The best episode of the week was episode 4 of Clannad which was the conclusion to the Sunohara/Mei arc. The addition of a second male character and all that he adds to the show is one way that Clannad is superior to the past Key shows. Just look at the fight between Sunohara and Tomoya in this episode. It was emotionally real and different from what we’re used to see in shows like these and my sister and I couldn’t help but be glued to the screen. I will admit that, once the fight started, I wanted to see a Tomoya beating of Sunohara because as an older brother to four sisters, Sunohara’s actions made me very angry – you always protect your family.

On the flipside, Hyakko got put on probation this week, which means that if I don’t think the next episode is good enough and points to the series being good, then I’m going to drop it. I realized while watching this episode that my big problem with this show is that I actively dislike 2 of the 4 main characters and don’t have a good opinion of the other two. I want to compare this show to Manabi Straight since the set-up seems fairly similar and the character types match up almost perfectly and when I do the differences are stark. Just look at Mei from Manabi Straight and the aloof-girl on Hyakko. Mei is likeable and it’s apparent that she does have a nice side whereas the aloof-girl on Hyakko has not be anything but mean and aloof and frankly I wish the other three would just leave her alone.

Toradora has finally introduced the fifth main character and she’s a doozy. She has a real annoying helpless-blond personality around people she likes but a real curt and unfriendly personality around people she dislikes. I’m not sure how these five characters fit together but so far their relationships have been interesting and different and a bit Honey and Clover-esque.

And finally, one show that I’m starting to become slightly optimistic that it will turn out to be a good show is Yozakura Quartet. They’ve been developing the characters through these episodes which is always a plus and the world that this anime inhabits is also starting to intrigue me. I wonder if this will turn out like Wagaya no Oinari-sama where the animation isn’t that great but the story and characters are enough to make the show a success.

Posted in anime, weekly anime review      

The fall season continues to wow with even more awesome shows this week. I might be biting off more then I can chew by trying to watch them all but I’m willing to try. Also this week, I was able to finish one my favorites from the spring season.

The scores:

Soul Eater, episode 27 – 12+/12

Toradora!, episode 3 – 12/12

Kemeko DX, episode 2 – 8/12 B+

Clannad S.2, episode 2 – 12++/12
Clannad S.2, episode 3 – 12++/12

To Aru Majutsu no Index, episode 2 – 12+/12

Kannagi, episode 2 – 9/12 A-

Shikabane Hime: Aka, episode 2 – 12/12

Maid Guy, episode 12 – 9/12 A- (end)

(previously reviewed)

Kurozuka, episode 1 – 12/12

Skip Beat, episode 1 – 11/12 A+

Mouryou no Hako, episode 1 – 11/12 A+

Thoughts and Highlights

As you can see in the scores, I was able to finish Maid Guy this week so I’d like to thank the joint effort from [Yakuza T-K] in doing this great series. Expect my series review soon. This final episode was of the type that signaled to the viewers that a second season will be forthcoming if they think it will make money. Therefore, this episode didn’t have any sense of closure and we were even introduced to a maid that looked like a worthy adversary to Maid Guy. I like the idea of someone on Maid Guy’s otherworldly level but I’m really ambivalent about another season. For the episode itself, it contained enough Awesome Kogarashi Moments to keep me happy.

The best episode of the week was actually the pair of episodes from Clannad. It’s like KyoAni was psychic or something – how else can you explain how they knew to start off the season with a baseball episode and then go into an arc about my favorite character – Sunohara and his younger sister, Mei. As an aside, if Mei doesn’t finish in the top 8 for Saimoe next year – I’ll be supremely surprised. So far Clannad has been delivering that perfect blend of comedy and drama that so epitomizes a Key/KyoAni show.

There really wasn’t a disappointing episode this week. The lowest scoring show of the week, Kemeko DX, was because the show took the time to do character introductions and not the comedic craziness that the show is promising. It’s always important to take the time to introduce and flesh out a character but this episode didn’t quite charm me like I was hoping it would. I still have relatively high expectations for this show so I’ll keep watching.

Soul Eater continues to keep me on the edge of my seat. This episode we got to see Justin fight and more of Crona being awesome. Another bad guy (actually a woman with really freaky eyes) appears and Stein continues to battle his temptation to give into the madness. Also, while, I wasn’t really impressed with the seconding ending, this new ending is awesome. The song is perfect – upbeat and snazzy – for the animation and the animation fits the feel of the song and even takes the time to showcase more of the main characters. On a side note, if how Death the Kid’s way of holding his guns bothered you, I was watching a show on History Channel that showcased a few of the great trick shooters living now and it included a guy that held his shotgun like Death the Kid holds his guns – so it is possible.

The pair of J.C. Staff shows, Index and Toradora, continue to be very good. We got character building in Toradora and they were able to make it interesting. Even though Rie Kugimiya’s Taiga is in many ways very similar to her other tsundere roles there is differences that make Taiga a much more likable character. It makes it hard not to root for her. In the case of To Aru Majutsu no Index, we get an awesome fight that shows off Tohma’s null-power right hand as well as his intelligence in finding ways to win. I have the feeling that the guy Tohma fought really isn’t a bad guy but one that has a temper and is more concerned about the safety of magic books then their carrier – Index.

The final show I wanted to talk about was Kannagi. In my impression post for episode 1, I mentioned that a lot of fanservice was added to that episode and I didn’t think it was warranted. This episode once again adds in needless, and definitely implausible, fanservice. Implausible because if the main character is worried about people seeing Nagi’s underwear, why does he walk to the front door, holding them, where she is obviously talking with someone. Needless because I think in an episode that’s meant to be more serious with a mother cat and her two baby kittens dieing – the fanservice cheapens their deaths and frankly I wonder what the director was thinking. I have already seen the next episode and liked it more so maybe I’ll end up liking this anime a lot.

Posted in anime, weekly anime review, youtube      

Let’s continue with another batch of fall anime impressions and the first will be Madhouse’s Kurozuka. The only I knew about this show was that it involved a thousand year old swordsman so I was pretty much a tabula rasa with this one.

Rating: 12/12

Once again my curiosity in a title has seemingly paid off this season – this was an awesome show from start to end. It literally had everything that you’d want in a serious action anime show.

Our story starts with two men, one being the brother of the shogun, fleeing trouble in the form of armed warriors. The pair is pretty sure that these warriors are not from the shogun, even though the shogun wants his brother dead, because these warriors are not actually human. After fending off the latest attack they come upon a house set on a hill deep in the forest and the lady of the house allows them to stay. She tells the two of them that they can stay as long as they’d like, on one condition – that neither of them goes to the back room and look inside. The friend goes off to the local town for medicine, leaving the injured brother under the care of the lady. We know that whenever someone says not to do something then someone will go and do it and this time it’s no different. To the show’s credit, even though I knew we’d probably see something disturbing, I was still disturbed (in a good way).

Like I said earlier, this show had everything. The beautiful, lush animation was used to it’s fullest in this episode – helping the already well-done fight scenes look even more impressive as well as heightening the suspense that was felt throughout the show. The animators also did a good job teasing us with scenes of the modern day before shifting the show back a thousand years; I’m very interested in why he’s in a city that looks like it’s nearly destroyed as well as how the story connects the two.

Posted in anime, first impressions