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Spring 2011 Season Preview

Alright, so we’re pretty much on the eve of the start of the Spring 2011 season, which means it’s time for our previews. Below, you’ll read what each of the 4 of us think of the many many shows that are coming up. It seems that noitaminA is creating great anticipation again with its financial thriller [C] The Money of Soul and Possibility Control, and the much hyped urban fantasy/scifi thriller Steins;Gate has caught our attention. We fork in our interests quite a bit from there, which is expected given the huge number of shows next season, but studio Shaft’s works seem to be on all our radars, a sign of the respect it’s earned over the past 2 years.

Rakuen

I would like to start by saying there is entirely too much anime airing this season. This is both good and bad. On the positive side, with at least 48 series listed on the latest guide I found, there’s a little something for everyone. If you can’t find a show you’re remotely interested in here, anime might not be your thing. On the negative side, it also makes it very difficult for me to watch everything I want to see. Right now, I have 15 series on my list. I am a little enthusiastic about 7 of them, while I’m definitely ready to try out the remaining 8. I expect to see this number dwindle rapidly. 7.5 hours of anime viewing per week is almost impossible to keep up to date, let alone remembering all the characters, plots and so on. Enough of my kvetching. I should get into the meat of my little segment.

I decided to order my lists by airing date, starting with the series I have a little interest in watching. Dog Days occupies the earliest spot on the list. I expect this to quickly devolve into harem territory, but I’ll admit, I’m a sucker for the summoned hero bit. Next up is the new season of Kaiji. The titular character participates in a gambling event where the stakes are his life. Joojoobees piqued my interest in his post about the first season, but I haven’t gotten to it. So, this go on the Want to Watch list by default. Then, we have Hidan no Aria, which gets a first episode watch based solely on adorable girls with lethal weapons.

A Channel seems to be going with a typical four-girl band for a school comedy, but it is a school comedy, so I’ll give it a shot. The little one, Tooru, also has a baseball bat that shows up all over the promo art… so it could be interesting. Next, we have Denpa Onna to Seishun Otoko, or in shorter terms, a new Shaft show. I loved Soredemo, but didn’t like Arakawa. This seems to lean more towards the latter, what with the main girl insisting she’s an alien. Ao no Exorcist continues the “son of Satan will fight his fate” trend. I wonder if this theme comes up because many people have a desire to fight their own fates. What better example is there than the son of evil trying to do good? Finally, The World God Only Knows rounds out this portion of the list. I went back to finish the first season, which means the series did hold some interest for me. I just don’t know if it can do it for another 12 episodes.

The rest of my list comprises of shows I have stronger interest in, and Moshidora has the “earliest” airdate. Giant Killing got me into sports anime, and Big Windup has continued to strengthen my view of the genre. Like Big Windup, we have a female manager trying to lead a baseball club to victory. However, its airdate has been postponed, so it might have to wait for a later season. KyoAni’s Nichijou also airs this season, but I didn’t even realize they animated it until I started writing this. The synopsis itself got me hooked. A principal might wrestle a deer? This is a school comedy I’ve got to see! Hana-Saku Iroha kind of reminds me of Love Hina with the hot springs centric plot, but that’s where the similarities end. It looks like it completely lacks the male lead, meaning no harem, and the plot sounds more focused on drama. I think both of those aspects are Good Things. Showa Monogatari adds another drama to my list with its family orientation and historical setting. This is a more tentative entry on my list, but the Olympic setting piqued my interest.

Now we’re to two of my most anticipated shows. First, STEINS;GATE, which just looks phenomenally awesome in both the artwork and the synopsis. It has the whole time-travel thing, as well as the struggle for survival with the SERN organization on their tails. I get a little Persona vibe from it too, but it might only be me. Sket Dance is yet another school series, but this one stood out from the pack. The premise reminds me of Haruhi, except with less aliens, time travelers, and espers. Unlike the rest, this has the best chance of a strong overarching plot, which I’m really hoping happens. If someone who’s read the manga could confirm it, it’d be much appreciated. Returning to the outlier series on my list, there’s C, plus its long title. It’s got an economically crapsack Japan and a main character who gets sucked into the shuffle. Sounds interesting, and with its noitaminA slot, I’ve got hopes for it. Last, but not least, is Deadman Wonderland. The fight for survival premise fittingly relates to the old Coliseum. It could have a bit too much violence for my tastes, but want to give it a good shot.

Looking back at my list, there’s plenty of comedy, action, and drama with a variety of premises. This could very well be my most anticipated season since I first got into currently airing shows. I hope school and work don’t kick my ass too hard, so I can have the time to watch all these shows.

Top 3: Steins;Gate, Sket Dance, C

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There sure are a lot of shows coming out next season, but somehow the only ones I’m looking forward to are the sequels: The World God Only Knows, Maria+Holic Alive, and the Kampfer specials.

Just kidding; besides those 3, We Still Don’t Know the Name of the Flower We Saw That Day (AnoHana) on noitaminA’s block sounds like it has potential, simply for being a real-life drama on noitaminA. Oh, and it also contains a character type that’s near and dear to the hearts of everyone here on this site, a hikikomori. Then again, noitaminA has been really hit or miss lately, with the trainwreck that is Fractale and the hugely disappointing Kuragehime, even if AIC’s Wandering Son is absolutely knocking it out of the park this season. AnoHana is being made by A-1 Pictures, which is responsible for some pretty poor shows such as Kannagi and last year’s Anime no Chikara duo Sora no Woto and Occult Academy, so I’m very prepared to be disappointed. Still, the director has A Certain Scientific Railgun on his resume, and that didn’t suck too much, and I’ve heard his Toradora! did drama well.

Besides that, only 2 other non-sequels have caught my eye: Denpa Onna to Seishun Otoko and Steins;Gate. Denpa Onna because it’s Shaft, even if it sounds just like another version of Arakawa Under the Bridge, which turned out… alright. Steins;Gate because I’ve read some other people really excited about it. Plus, I like modern-day scifi stories.

But really, the sequels are what I’m looking forward to.

The World God Only Knows was a surprisingly entertaining show for which didn’t have a bit of faith in going in. But Keima’s cynical, almost nihilistic personality combined with his occasional outbursts made for good comedy. A show that was as meta as that could have been a lot more meaningful, sure, but it was a fine source of dumb laughs. The 1st season ended on a planned cliffhanger, and though I doubt the pickle Keima got into will last more than an episode, I look forward to seeing how he will continue to add to his transient harem.

What I liked about Maria+Holic was Asami Sanada‘s Kanako, the perverted lesbian man hating protagonist. Her smooth, soft voice is unique, and seeing her character constantly abused somehow didn’t get old. Didn’t hurt that it was Yuu Kobayashi as Maria doing the abusing. She plays male characters well, and she does crazy well, too. Then there’s Marina Inoue as Matsurika. I like to think of it as a gay Stalker-tan being forced to live with an abusive Kaere and her snarky maid Symmetrical-tan. What more whacky antics will these 3 and the rest of the cast get into?

And bottom of the sequel list is Kampfer. Now here’s a show that was pure guilty pleasure. Looking for things like action, plot, character development, or meaningful relationships was a fruitless endeavor. I just loved seeing Natsuru and his/her thick head be dragged around by his psychotic harem. And this show’s cast is pretty much a who’s who list of female voice actors right now. I wish they’d do a 2nd season instead of just a couple episodes, but I suppose they’ll do.

Top 3: The World God Only Knows, Maria+Holic Alive, We Still Don’t Know the Name of the Flower We Saw That Day

Raphael

Pleasantly, there’s a good bit of original anime in this crop. Tiger & Bunny is among them and has received more press for the large amount of product placement it’ll employ than for the fact that Sunrise is doing a superhero show. I’m hoping it will be fun and won’t drag. Another of these original shows is Dog Days by the team behind Nanoha. The setting and premise don’t appeal to me, but I may well give it a whirl; it’ll probably at least look nice. The most promising of this lot in my eyes is C. Strong staff, very interesting premise, noitaminA. Unfortunately, the trailer didn’t meet my expectations, with the wonderful character designs not translating as well as I’d hoped and the animation looking a tad under par. It’s still the season’s series I’m most eagerly awaiting. The last two original anime, Hana-saku Iroha (which, judging by trailers, will look stunning) and AnoHana seem to fall squarely into the slice of life/drama genre zone. They also have the same head writer in Mari Okada. Both could be enjoyable if done well, but I feel like both could also try my patience, especially given that Hana-saku Iroha is reportedly 26 episodes. I’ll give them a go.

Moving onto the adaptations, we have manga-based slice-of-life comedies in A Channel and Nichijou. I’ve read the source of the former, and I was expecting to discard it quickly… but I found myself really enjoying it. It’s nothing new, but the humor has a slightly mean bent and I got several good laughs out of it. I’m curious to see how it translates to anime, as there’s a fairly new studio on board but also the director and series composition guy who did Saki. The latter is Kyoto Animation’s spring offering and, like Hana-saku Iroha, is supposedly two-cour. I found the prequel OVA nowhere near as funny as I do A Channel’s manga, but I definitely felt it had charm to it. I’ll give both of these series a try. Other comedies include Xebec’s entries Hen Zemi and Softenni. I’ll be watching Hen Zemi because I liked its OVA for its disgusting humor, but I do wonder if things will get cleaned up for TV. In addition, the OVA’s director will not be returning for the series; instead he’s been replaced by the director who did Rio – Rainbow Gate! and To Love-Ru. Meanwhile, the man behind the OVA will be working on Softenni, which I get big Saki vibes from. I’m also a massive tennis fan, so – though I’m sure I’ll feel silly for thinking there might be actual tennis-playing involved – while I really, really doubt I’ll enjoy it anywhere near as much as Saki, I’ll give it a shot. Hopefully I won’t want to be shot because of it/need several shots of something to get through it. (Punning is hard, give me a break (ha!).) Shaft will also have two comedies airing: the sequel to Maria+Holic, and the bizarre enough for me to check out Denpa Onna to Seishun Otoko.

To the action/adventure side of things, Steins;Gate stands out as having potential to be very entertaining and entertainingly technobabble-filled. Premise sounds great, art looks great, and Jukki Hanada is at the writing helm. Really looking forward to this. We also have Ao no Exorcist, Deadman Wonderland, and Hidan no Aria. The first has good buzz and the director of Darker than Black going for it, and it could be interesting. As for the latter two, I’m up to date with what’s been translated of the manga of both. Deadman Wonderland is packed full of gore, action, good characters, and plot twists, and I love it. I’m unsure whether it’ll get the treatment it deserves, though, as Manglobe will be dividing its efforts between it and the second season of The World God Only Knows. But I’m hoping for the best. Hidan no Aria has been less fun for me to get through. I would’ve dropped it very quickly (for its mix of mostly-loli fanservice, poor art, and storm of cliches) if I hadn’t found the concept of a school for armed detectives so enticing. I plan to be watching the anime too, even though Rie Kugimiya as yet another flat-chested tsundere should’ve deterred me, and – despite my grumbling – I’m sure I’ll have some fun. Interestingly, this (along with Gosick) will make two shows airing simultaneously that focus on a foreign-loli-Holmes/Japanese-high-school-boy-Watson duo.

As for the rest? Moshidora‘s unusual premise has piqued my interest, and I plan to check it out; Hyouge Mono, Toriko, Sket Dance, and Showa Monogatari don’t appeal to me; OreTsuba (We Don’t Have Wings) and HoshiKaka (A Bridge to the Starry Skies) look very similar and similarly uninteresting; and Astarotte no Omocha! does not exist. And finally, though I’m almost certain I’ll be unable to get through an episode, I feel obligated to check out Sekaiichi Hatsukoi because BL anime adaptations are just so rare.

Top 3: C, Steins;Gate, Deadman Wonderland

CPAnime

Despite the overwhelming amount of new anime coming out, it feels like most of the stuff out there is either for teens or a generic (adult) drama. Thankfully, there are enough shows out there that choosing which anime I will be watching will still be a difficult task. The following are a few of the anime that I have the most interest in for varying reasons.

It has been about two years since I started watching anime on a season by season basis, and one of the first shows I watched in this way was Maria+Holic. So, with the benefit of two years of full time anime watching experience, it will be interesting for me to see if I find Alive anywhere as interesting as the original was in 2009. Sometimes I wonder if the only reason I tuned in on a week to week basis was to see the OP and ED, so it will be interesting to see if my tastes have changed, or if this show is actually as awesome as I remembered.

Denpa Onna to Seishun Otoko

I am also pretty interested in the other Shaft show, Denpa Onna to Seishun Otoko, but mainly because I don’t know anything about it. Shaft has built up some serious street cred over the past few months with Madoka Magica, but there is also the possibility that this could turn into an Arakawa under the Bridge 2 situation, especially given the synopsis. Another thing that worries me is that Shaft is doing two shows this season, and seeing as how they can barely manage one most of the time, I think the quality is inevitably going to suffer. Still, girls with mysterious pasts are kind of one my things, so I’ll be checking this one out for sure.

C is another interesting show for me, but for some different reasons. It reminds me a lot of Madoka in that there is a contract being made, though I doubt that the main character will be naive as some of the characters in Madoka, as the show doesn’t seem to be hiding its cards. From the previews I’ve read up to this point, it seems like the show might have a difficult time with its first few episodes as there looks to be a lot going on. Hopefully, a deeper understanding of economics or business won’t be needed for this show, as that could turn off some viewers. Personally, I have confidence that this shouldn’t be a problem as it is part of the noitaminA time slot, but even that is no longer a guarantee.

Moshidora

Staying on the business end of things, the one show I am looking forward to the most this season is Moshidora. While its broadcast schedule kind of seems up in the air, I’m looking forward to watching this during the baseball season. Since I’m a business student and a baseball fan, this show is kind of a no brainer for me, and I can potentially see myself blogging this. Still, I do have my doubts as to whether this will work, despite its popularity in Japan. Mainly, I am concerned that the translation of the material into an anime will fail to jump off the page, if you will, and just become another boring class lesson, though I doubt it.

Finally, the one show that will undoubtedly be my guilty pleasure is Hen Zemi. I recently watched the first episode of the OVA and was pleasantly surprised at how much I enjoyed it. The only real criticism I could levy against it, besides the obvious, was that it took too long to get to its punch lines. I am a bit concerned that the TV broadcast will be impeded by those god forsaken censors (Kiss X Sis‘s OVAs, for example, were and are infinitely better than the censored TV broadcast), but as long as the staff is witty enough, it can probably work around this. Though, it is XEBEC. So… that could be good or bad, depending on your preferences (btw, where is my LxB sequel?).

Top 3: C, Moshidora, A Channel

And that about wraps it up. Which of the dozens and dozens of shows are you looking forward to this spring?


[Filler] Kampfer Made Enjoyable

Posted by Author | Anime, Anime Review, Kampfer, LOL, Manga Review, parody | Sunday 21 March 2010 3:30 am
Hey, did you ever think Kampfer sucked…well here’s an alternative abridged version for you to enjoy: OH MAN MAJOR LULZ RIGHT HERE!!!

Semi-Final Impressions for the Fall Anime Season and Checking if My First Impressions Turned Out Right or Wrong


Blue Literature was super-awesome but outside the scope of this post :(

The idea for this post came from the result of several shows from the season either over performing or under performing after my first impression post and my desire to ensure the readers of The Null Set knew of my updated (and more accurate) opinion of those shows.

Listed below are the fall shows that I wrote about, sorted by grade and I’m going to start at the top and work down, giving some final/almost final impressions and say how well my first impression of the show held up.

Natsu no Arashi! Season 2

First Impression Score – 10.5/12 after 3 episodes
Seasonal Ending Score – 7/12 B
In Short – Every now and again the show lived up to the first season but those moments where few and far between

The first season of Arashi was a wonderful blend of comedy and drama that kept me enthralled and I was very excited about this season and after 3 episodes of this season, I was sure that this season would be another winner. It didn’t turn out that way; pretty much the entire rest of the season was fluffy comedy without the seriousness that helped make the first season so good. Now I don’t have anything against the fluffy comedy but what helped set this show apart from other shows was the time-travel aspect of the show and for this season, it was like this part was no longer important.

It really felt like Shaft was treading water with this season – not willing to finish the plot but desperate to fill the episode count up. This was a very disappointing turn for a show that I had felt was one of the overlooked gems of the year. I assume Shaft will be doing a third season and I will watch it because I like the characters but it’ll be far down on my list of priorities when it does air.

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Kobato

First Impression Score – 9.8/12 after 3 episodes
Seasonal Ending Score – 10/12 A
In ShortKobato’s slowly deepening story is just icing on an already delicious cake

This is one show that has started off strong and has kept on performing at the same high level. Kobato is still the charming, genki girl that warms our heart as she tries to help the people around her and that’s plenty to make this a must watch show. I can’t wait to see the second half of Kobato.

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Sasameki Koto

First Impression Score – 9.6/12 after 6 episodes
Seasonal Ending Score – 11/12 A+
In Short – A character-driven and character-focused show that knew when to be serious and when to be funny

I waited awhile to write my first impression post for Sasameki Koto because I wanted to sure that the show was as good as I thought it was so my final impression of the show matched up with my first impression very closely. One of the reasons I really liked this show was how character driven and centered it was. The result was that the characters and their problems felt real and I wanted to see what happened to them. It would have rated even higher but the very non-ending ending was a bit of a letdown – easily remedied if AIC does a second season.

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Sora No Otoshimono

First Impression Score – 8.4/12 after 5 episodes
Seasonal Ending Score – 11.5/12 Near Perfect
In Short – Epic!

Remember in The Matrix how at the end when Neo had his powers fully awakened and he was operating on such a higher level than the agents that killing them was easier than squishing a bug. That was the level that Sora no Otoshimono was operating on by the final episodes. I feel sorry for all the fan service shows coming out in the coming seasons because I highly doubt any of them will hold a candle Sora no Otoshimono and I’ll have a hard time justifying the time spent on watching these inferior shows when I could rewatch Sora no Otoshimono. I also feel sorry for any other type of show that comes out that doesn’t display the creativity and energy that this mere fan service show was able to display. I’m really hoping 2010 brings another season of Tomoki and crew.

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Kimi ni Todoke

First Impression Score – 7/12 after 6 episodes
Seasonal Ending Score – 3/12 D, dropped after 11 episodes
In Short – What could have been a great show was tripped up by the lack of a compelling story and reason to watch

I had hoped that something would come along that would shake up the show’s formula and make me want to watch this but that wasn’t the case. Instead the effort needed to watch the next episode became exponentially greater as the series continued and after 11 episodes it became too much and I dropped it for good. One of the big problems, I think, was that Kazehaya – the boy who likes Sadako and is the boy who Sadako likes – had about as much testosterone flowing in his veins as Mikuru from the Melancholy of Haruhi has. Another big problem was the complete lack of a realistic reason why the two of them hadn’t started dating by the end of episode 2.

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Nyan Koi

First Impression Score – 7/12 after 7 episodes
Seasonal Ending Score – 9/12 A-
In Short – Good characters but a somewhat weak story – the cat curse needed to be a more important component to the show

Nyan Koi slowly wormed it’s way into my heart; it wasn’t perfect but it was good enough. Yuu Kobayashi was one of this year’s best seiyuu and her character here – Nagi – was easily my favorite of the show and much like Hosaka from Minami-ke was able to put a smile on my face by just getting onscreen. A second season was confirmed at the end of the final episode and I’ll be sure to tune in when it airs.

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To Aru Kagaku no Railgun

First Impression Score – 7/12 after 4 episodes
Seasonal Ending Score – 11.5/12 Near Perfect
In Short – Vastly superior to it’s parent show Index, Railgun finishes a year that has repeatedly show J.C. Staff at the top of it’s game

After 4 episodes of Railgun I wrote my first impression post and mentioned that the show had the potential to become a decent show. It turns out I was underestimating J.C. Staff by a large margin and Railgun turned into one of the best new shows of the season. One way to prove the prowess in the storytelling is to point out how both my sister and I felt that we should have completely hated Kuroko (the girl with an overly affectionate attachment to Railgun) but somehow neither of us did. I have high hopes for the second half of this series and I’m dying to see Uiharu’s power.

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Tatakau Shisho

First Impression Score – 6/12 after 6 episodes
Seasonal Ending Score – 8/12 B+
In Short – Storytelling continues to be very disjointed which makes it hard to really get into but it also continues to be interesting and different

If the story arcs flowed together better and if the show had a better feeling of the overall story going somewhere, I think I’d be raving about it; instead, I’ve just been mildly positive about it. Watching Tatakau Shisho, or Armed Librarians, has been worth the time and I remain interested to see what happens as we move into the new season.

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Seitokai no Ichizon

First Impression Score – 6/12 after 6 episodes
Seasonal Ending Score – 7/12 B
In Short – At best Studio Deen can make a mildly entertaining show and Seitokai no Ichizon is Studio Deen at it’s best

From the time of my first impression post to the end Seitokai no Ichizon got a little better but it never really hit the zone like an A level show would. Slightly entertaining but very forgettable.

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The Sacred Blacksmith

First Impression Score – 5/12 after 6 episodes
Seasonal Ending Score – 4/12 C, dropped after 9 episodes
In Short – The completely generic show was completely generic and a waste of time (which makes it perfect for the domestic anime market, never mind Manglobe’s vastly superior Michiko to Hatchin remains unlicensed)

As long as it was relatively painless I was going to try to keep watching The Sacred Blacksmith but when my preferred sub group dropped it, I figured that I would take it as a sign to drop it for good since it didn’t show any improvement. And I’ve had absolutely no urge to pick it back up. If Manglobe wanted to do an anime on the cheap to try to make money there’s still plenty of good material that could have been adapted; they didn’t need to settle for the mediocre.

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Miracle Train

First Impression Score – 4/12 after 6 episodes
Seasonal Ending Score – 5/12 C+
In Short – Never a great show, Miracle Train improved in the second half and at times was a pretty decent show

Another title that I said I’d drop but I kept watching and actually finished. There was one episode, I think it was the eleventh, that was genuinely good and I remember thinking if only the rest of the series could have been this good. This is in no way an endorsement to watch Miracle Train but I did want to say that it did get a little better later on.

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Kampfer

First Impression Score – 2.8/12 after 5 episodes
Seasonal Ending Score – 1/12 Epic Fail
In Short – Garbage

I finished this just so that I could have at least one really low series review. Watching Kampfer was about as much fun as getting a root canal without any Novocaine.

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Trapeze

First Impression Score – 2/12 after 5 episodes
Seasonal Ending Score – 6/12 B-
In Short – After finding some actual nice characters to feature and showing that there was some connection between the different people, Trapeze didn’t turn out as bad as I first thought it would

The second half resurgence to Trapeze was something I wanted to mention since I gave it such a low first impression score. I had thought that 5 episodes was enough to be sure that Trapeze lacked redeeming qualities but, of course, the next episode didn’t suck as much. Which lead to my continued watching of this show and I was shocked when, by the end, I was actually getting into the show. I credit how it was revealed that many of the patients where actually connected in some way and having more sympathetic patients to my increased liking of the show (and the Christmas episode didn’t hurt either). I’m actually on the cusp of recommending this to other people, especially if they’re looking for something a bit different. At the very least, I’d suggest giving this a shot if a person is looking for something different and won’t mind watching half the series before it starts to come together.

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Well that’s a general look at the fall season, expect my award picks shortly and my overall 2009 picks in a couple of weeks (I’m going to try to finish up a couple series from 2009 first).

Posted in anime, general anime interst, series review

[12 Days of Christmas] Day 7 – Note To Self: Watch Kampfer

Posted by Author | 12 Days of Christmas, Anime, Anime Review, CJ, Kampfer, Manga Review | Sunday 20 December 2009 11:57 pm

While writing the Fall 2009 Season Preview, I wrote off Kampfer as “crap.” (Understandably so, some would argue, but that’s not the point…) Despite having bunches of well-known seiyuu in its cast, the series didn’t seem worth watching for a girl like me. But after having an undue number of Kampfer-related posts from a variety of blogs show up in my Google Reader, I finally began poking around the blogosphere to see what everyone was so excited about.

“Poking around” turned out to be a bad idea. Sorta, anyway.

The first coverage of Kampfer I really noticed was the furor surrounding episode 5,  which had inane amounts of fanservice and comedy and…. French kissing. No, the Frenching wasn’t what caught my attention, what are you talking about? I knew nothing about the plot, at that point, other that it was a harem series with fighting and stuff. Eventually, I started stalking the blogs that were covering the series, but I was hesitant to start watching it myself for obvious reasons. It took me a while to figure out various plot points like the gender-bending (yeah, had an epic lightbbulb moment for that) but the series truly began to seem more and more appealing to me, especially with Shizuku and the utter BALLS she has. By the end of the series’ 12-episode run, I pretty much knew the plot and characters as well as the bloggers who wrote about them.

And yeah, that was without even watching it.

Now I have the first 3 episodes sitting on my hard drive, and I will watch them (and possibly more) as a little Christmas present to myself. I’m honestly a little scared to, but really, what’s the worst that could come of it? A nosebleed or two? Or maybe I’ll just waste ~75 minutes of my precious time, but I somehow doubt that.

The real issue is whether or not I’ll have time to finish the series after December 25th…

~CJ

Fall 2009 Anime Impressions – Kampfer and Sora No Otoshimono – There’s a Right Way to do Fan Service and a Wrong Way

Posted by Author | Anime, Anime Review, Kampfer, Manga Review, Sora no Otoshimono, fall 2009, first impressions | Sunday 8 November 2009 7:20 am

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Sora No Otoshimono

The majority of the professional, paid anime critics will insist upon putting every single fan service show in the same pile and labeling the whole lot as garbage – their existence being a personal affront to anyone with even just a hint of sophistication much like how English teachers feel about most popular books. They forget that people like Shakespeare ran his theater and wrote his plays for the common folk of the time – not for the intellectually “elite” of the times. If he did, I’d be willing to bet that no one would remember his name today.

The fact of the matter is that it’s possible to create a fan service show that’s entertaining and full of fan service and still displays the creative spark that separates quality shows from the generic shows. One of these shows does a pretty good job of displaying this spark whereas the other is exactly the type of rubbish that many think of when you mention fan service. Can you guess which series I’m talking about?

The Scores

Kampfer

Rating: episode 1 – 4/12 C
Rating: episode 2 – 3/12 D
Rating: episode 3 – 2/12 F
Rating: episode 4 – 3/12 D
Rating: episode 5 – 2/12 F
Anticipation Level: 0.5/5 – Very Low

Sora No Otoshimono

Rating: episode 1 – 9/12 A-
Rating: episode 2 – 9/12 A-
Rating: episode 3 – 7/12 B
Rating: episode 4 – 9/12 A-
Rating:
episode 5 – 8/12 B+
Anticipation Level: 3/5 – Average to Medium

fall0908632

Kampfer - I'm still waiting for some character to comment on the dorky jewelery Kampfers have to wear.

The Story

In Kampfer, a typical loser high school boy wakes up one day with the ability to change into a girl. All Kampfers have to female – though no one knows why and the show doesn’t bother to explain it – and as a blue bracelet Kampfer, he has to fight red bracelet Kampfers – though, once again, no one knows why and the show doesn’t bother to explain it. Wacky hi-jinks supposedly occur.

In Sora no Otoshimono, a typical loser high school boy falls into a sweet situation, namely he becomes the owner of an angel that can fulfill any request – money, the ability to turn invisible, to become the world’s emperor, or to create new types of life from women’s undergarments. Wacky hi-jinks ensue and some not-so-wacky hi-jinks as well (with a few veiled hints at some sort of more serious storyline).

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Sora No Otoshimono

The Fine Print

Kampfer is a terrible show, plain-and-simple, it’s not funny or entertaining or imaginative and it’s fan service is “service” in name only.

The original creator and the animators of Kampfer fell for the line of thinking that not much is expected from fan service shows and so they don’t have to put much work into it to be successful. It’s wrong thinking, it’s entirely possible to find creative thinking in fan service shows and when it’s done the result is a superior product and when one comes along (Sora No Otoshimono), it displays how big a waste of time shows like Kampfer are.

Another thing that I realized with Sora No Otoshimono is that because the story was well thought-out, the animators don’t have to work at including the fan service. This makes a difference; much like how in baseball, the best players make the sport look easy, the better quality shows make the genre look good. The animators don’t have to continually create contrived situations over and over again – all you have to do is give a typical high school boy an all-powerful wish granting entity and the show can pretty much write itself. And to see the difference in this point just watch Kampfer for how hard the show has to work and strain for it’s fan service.

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Sora No Otoshimono

Other differences between the two shows include Sora No Otoshimono having a more interesting set of characters (Eishirou Sugata’s character is worth the price of admission by himself), better production values (so far every single episode ending of Sora No Otoshimono has featured a different song and different animation), and vocal work (Tatsuhisa Suzuki and Saori Hayami to name a couple pluses for Sora No Otoshimono). And on the topic of vocal work, I love Marina Inoue as a vocal actor (I gave her my top female seiyuu award for 2008) but she can’t quite sound manly enough to make the main character on Kampfer sound right. Hayate’s vocal actor, Ryoko Shiraishi, would have been a better pick since she can do Hayate the Combat Butler as well as Arashi from Natsu no Arashi.

In closing, I’m not saying that Sora No Otoshimono is Shakespeare (though Shakespeare makes about as much sense to me as when I try to understand Japanese). It is, however, a good example of how even in a genre not known for creative writing can, in fact, produce quality shows if people are willing to work at it.

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Sora No Otoshimono - love the extensive use of chibis

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Sora No Otoshimono

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Sora No Otoshimono

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Sora No Otoshimono

Posted in anime, first impressions

Kampfer – Yuri all Around

Posted by Author | Anime, Anime Review, Kampfer, Manga Review | Saturday 17 October 2009 5:58 am
Apparently, Natsuru spews some type of pheromone that attracts the ladies! And I hear it smells nice~ Too bad it only happens when he’s in female form…well, bad for him, as a dude he spews girl repelling pheromone [which Akane is immune to]! The rest of us are treated with some pseudo weirdo yuri…can’t be fully [...]

Kampfer – Guilty Pleasure GET!

Posted by Author | Anime, Anime Review, Gender Bending, Kampfer, Manga Review | Saturday 3 October 2009 3:56 am
Because everyone is using this cap… I just gotta get this out first…LOL THIS FIRST EPISODE WAS F.CKING AWESOME!!! Kampfer had me at “genderbend”, but with all these other little guilty pleasures crawling around the first episode, it was more than enough to call it a definite watch. I may be jumping the gun here, and I [...]

Fall 2009 Anime Preview and Watchlist


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With the fall season starting in a couple of weeks, I figured it was about time for me to get this done. :)

Two things happened that delayed this post. The first was that I formed the opinion that there wasn’t much to look forward to in this season and, as a result, I didn’t feel excited enough to want to do this post. I still think this is probably the weakest looking season in at least a year but I also think there’s at least a few good shows. The other thing that delayed this post was that I became addicted to playing a video game – Europa Univeralis 3 – but after playing it for well over a week, I’ve started to burn the game interface onto my computer monitor (something I’ve been told is impossible to do) and I figured I need to get back to my neglected blog. By reading this, you can be assured that I finished writing this post but even right now, I really want to pick up where I left off with my game which was having the Polish empire kick the Mamluks out of the Mid-East.

My criteria for picking shows is the same as last time. I’m looking for which animation house is doing it, if the summary/source material sound very enticing and if one of my favorite seiyuus will be involved. This won’t turn up all the good shows of the season; Cross Game is an example from the spring season of a show that I missed until it’s great character driven story was pointed out to me – but, using this criteria, I normally get most of the shows that are worthwhile to watch.

Some other previews that I found helpful include these here: hashihime, Metanorn, Simplicity, Sea Slugs!, That Anime Blog and Rabbit Poets.

One group of shows that I won’t cover are sequels to shows that I haven’t watched or shows that I have watched but don’t intend to waste my time watching the sequel. For completeness sake I’ll mention them here:

  • Asura Cryin’ 2: I can’t believe I took the time to finish the first season but I won’t make that mistake again.
  • Inuyasha – Final Act: I wasn’t taken by Inuyasha when I saw a couple episodes of it on Cartoon Network so I’ll pass on this one.
  • White Album Final: Didn’t see the first season
  • Tenshi Senshi Sunred Second Season: Didn’t see the first season but the odd artwork kinda makes me want to
  • Shugo Chara Party!: Haven’t watched the first 100+ episodes so I’ll miss this season as well but I do hear good things about the series so I sometimes wonder if I should have tried watching it
  • Darker then Black – Gemini of the Falling Star: I wonder how I missed this Bones show, yet somehow I have so I’ll have to skip this season as well
  • Shin Koihime+Musou – A sequel to a show that I don’t even recognize as existing so it’s safe to say I won’t be picking this one up either
  • Nogizaka Haruka no Himitsu: Purezza – I almost watched the first season but at the time, I had enough shows and never got around to it. Now it’s time for the sequel and I’ll have to pass because I haven’t seen the first season.
  • Kiddy Grade – And: Bizarre uses of English 4TW; couldn’t they just call it season 2. Anyways, missed the first season and will almost assuredly miss this season.

And with that, I knock 25% of the new season’s shows from my radar. There’s probably a few good shows in there but if you’ve seen the first season, then you probably don’t need me to do more then mention their existence.

So with that out of the way, let’s head to preview/watchlist proper.

This first group is made up of the shows I’m really excited to see as well as being very good bets at being great – I’ll start calling them Tier 1 shows. Last season I had 3 Tier 1 shows: Taishou Yakyuu Musume, Tokyo Magnitude 8.0, and Bakemonogatari. Two of the three where definite homeruns and the last one (Tokyo Magnitude 8.0) still turned out well. This time, there’s a total of one show in this first group and it’s a sequel, meaning that as long as it can hold up well it’s a guaranteed hit.

Natsu no Arashi 2

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Director: Akiyuki Shinbo
Studio: SHAFT – Sayonara Zetsubou Sensei, Maria+holic, Hidamari Sketch, Bakemonogatari
Seiyuu: Ryoko Shiraishi, Chiaki Omigawa, Yuko Sanpei, Ai Nonaka, Yui Horie

I was in the small minority of anime fans that actually watched the first season and I was treated to a surprising good show. I say surprisingly because even after watching the first episode – I was sure this show was a bomb. I couldn’t help but compare Natsu no Arashi to other shows from the SHAFT/Shinbou combo and the character designs looked so ugly and poor that I was sure it was reflection of the quality of the series. Then there was the first episode that I flat out hated. And it would have ended there if I was just a fan watching the show but since I want to be accurate with what I write for this blog I decided to watch a couple more episodes and it was a complete turnaround. True, I never got to the point of actually liking the character designs but the story reeled me in. I’ll spoil a bit of the first season in the hopes of getting more people interested in this show.

Arashi is a ghost of a high school girl that died in a WW2 air raid. Every summer something happens that allows her to take corporal form and thus she can enjoy the season in the small town that she lived in. And every summer she gets a job at The Ark (a small café) because it’s one of the few places that has not changed since the war. The show starts when a middle school aged boy, Yasaka, meets the older Arashi at The Ark and falls in love. Luckily for him, he “connects” with Arashi which allows the pair to time travel. What they do with this power ranges from visiting an arcade in 1980’s to saving people that Arashi knows will die in the air raids.

I liked how Natsu no Arashi was able to balance the comedy and seriousness that different aspects of the show had. I also liked how the time traveling allowed for a bit of reflection about how Japanese society has changed since the war years. The first season ended at a good point and it was obvious that it was going to get a sequel but I’m happy to see that it’s being done so soon. I just hope that the trouble SHAFT had during the summer with animating Sayonara Zetsubou Sensei and Bakemonogatari at the same time won’t spill over to this series

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The small number of shows that rank in the top tier when compared with last season is a bit of let down, especially since the summer season is traditionally thought of as an off-season.

The next group of shows rank a bit lower in my expectations but I still think these shows have a real possibility in being good shows and let’s call these Tier 2 shows. My picks for last season’s Tier 2 shows (Sayonara Zetsubou Sensei S.3, Spice and Wolf II, Umineko no Naku Koro ni, Aoi Hana) turned up some real gems with the least one of the bunch (Umineko no Naku Koro ni) still was an enjoyable watch.

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Nyan Koi

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Director: Keiichiro Kawaguchi
Studio: AIC – Bamboo Blade, Oh! My Goddess, Asu no Yoichi, Ga:Rei – Zero –
Seiyuu: Shintaro Asanuma, Yuka Iguchi, Yu Kobayashi, Jun Fukuyama, Rina Satou

My “sleeper hit” senses tingled when I read the write up and looked at who was working on this one. The story is about a boy, Junpei Kosaka, who dislikes cats but accidentally angers the local cat deity. He is punished by this cat deity with the ability to understand cats and the task of fulfilling 100 wishes from cats with the penalty for failure being that he will get turned into a cat. A very promising summary since I absolutely love talking cats and this set-up provides a fertile field for comedic situations.

However, it’s important to remember that a set-up is just a set-up and without a good group of people working on the show – the show will still stink. In this department I like what I see. The director did the first season of Hayate, Zettai Karen Children and Getsumen Miina. The writer did the first season of Hayate and Ristorante Paradiso. And the studio is AIC, who doesn’t get a lot of credit but shows like Bamboo Blade, Asu no Yoichi, and Ga:Rei – Zero – show that it’s very capable of turning out a good show.

To Aru Kagaku no Railgun

Aka: A Certain Scientific Railgun

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Director: Tatsuyuki Nagai
Studio: J.C. Staff – Hatsukoi Limited, Toradora, Potemayo, Shana
Seiyuu: Atsushi Abe, Rina Satou, Kanae Itou, Satomi Arai, Aki Toyosaki

Last fall saw J.C. Staff adapt To Aru Majutsu no Index with mixed results. Outside of the initial few episodes, the only story arc that I really liked was the one that centered on Misaka Mikoto, the clones of Misaka Mikoto and the use of the clones in a science experiment. So the idea of more anime being made from this universe didn’t really excite me, even though J.C. Staff was going to use the spin-off series, To Aru Kagaku no Railgun that featured Misaka Mikoto.

If no changes had been made with the personal working on this show, I would have put this in a lower tier because I’d almost be positive that the show wouldn’t turn out that good; however, there has been some personal changes. This time around the director is the guy that did the second season of Honey and Clover as well as Toradora and the series composition is done by the person who did the second season Birdy as well as Asatte no Houkou. These two changes give me a fair amount of hope that the second season will be much improved. And I do hope it’s good because when J.C. Staff does an action series and that series “clicks”, like the second half of Shana 2, then it’s a truly enjoyable experience.

Kimi ni Todoke

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Director: Hiro Kaburaki
Studio: Production I.G. – Ghost in the Shell:SAC, Eden of the East, Kemono no Souja Erin
Seiyuu: Daisuke Namikawa, Mamiko Noto, Aya Hirano, Miyuki Sawashiro, Yuko Sanpei, Yuuichi Nakamura

The story for this one kinda reads like the premise of a female version of Toradora. Kuronuma Sawako is a typical high school girl that has a crush on a boy in her class and the desire to live a normal life but she has a problem. She, unfortunately, was born with a face that creeps people out, so much so that her nickname is Sadako – i.e. the super-creepy girl from The Ring. The series will, presumably, focus on how she works to overcome this obstacle and get her classmates to like her and win the heart of the guy she likes.

I don’t know if it’ll play out like Toradora but I do know that it’s a very rare day when Production I.G. misses with a show. Throw in a pretty strong vocal cast and I’m almost sure that this’ll turn out to be a hit.

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The third group of shows are ones that I think have a decent chance of being good shows but there’s too many variables involved to get really excited about them. These are the Tier 3 shows and last time I had 3 shows in this level – GA: Geijutsuka Art Design Class, Needless, Canaan. For me there was only one winner out of that group and it wasn’t Needless or Canaan.

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Seiken no Blacksmith

Aka: The Sacred Blacksmith

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Director: Masamitsu Hidaka
Studio: Manglobe – Michiko to Hatchin, Samurai Champloo
Seiyuu: Ayumi Fujimura, Nobuhiko Okamoto, Aki Toyosaki, Hideki Tasaka, Kazuhiko Inoue

The story to this one (ancient war on evil that supposedly sealed away the evil but it’s now on the loose so queue the band of plucky young would-be heroes) sounds fairly generic to me but even generic shows can sometimes be great. That fact alone wouldn’t be enough to get itself listed here but what does interest me is that Manglobe is doing this series. They don’t do many series but the ones they do always seem unique; so, while the shows sounds generic and the publicity pics make the animation style look ordinary, I think there’s a good chance that this show won’t be generic.

Kobato

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Director: Mitsuyuki Masuhara
Studio: Madhouse – Death Note, Kaiba, Kurozuka, Rideback
Seiyuu: Kana Hanazawa, Tetsu Inada, Chiwa Saito

I’ll start off by saying that I think I fall far from the target demographic of this show. Even from the summary of the show – Kobato is a sweet, perky, and really naïve but she’s charged with a mission to collect people’s sufferings in a mysterious bottle and she can’t fall in love with a boy she works with and who’s heart she must heal – it’s clear that this belongs to a genre I don’t really watch.

Astute readers will probably ask why I’m listing Kobato then. Well, there’s three reasons. The first is that I’ve picked up some of the giddy enthusiasm that other bloggers have over this title and it makes me want to see. The second is that Madhouse is doing this and, if the publicity shots are any indication, then this’ll be well-animated. The third is that I’ve been a life-long fan of marshmallow peeps (it’s not Easter without them) and it appears that Kobato likes them too since she’s got a blue peep handbag.

Those three things are good enough to get this show listed and pushed up to being the second listed of the third tier shows. And if the show can create good characters and stick to a story without too much filler – I might really like this show.

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Here's my peeps!

Winter Sonata

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Director: Yoon Suk-ho
Studio: G&G Entertainment and JM Animation
Seiyuu:

Apparently, this anime is based off of a Korean live action tv drama series that’s hugely popular in Japan and around the world. I’ve never heard of it, nor have I ever watched any Korean series so I have no real strong way to gauge if I should be looking forward to it. As a result, I have to use what other people say and from what I gather, Korean dramas are notorious for being tear-jerkers on the level of Clannad ~After Story~. I really liked Clannad so that makes me think I might enjoy this show. I probably would have ranked this higher if the anime was coming from an animation house I was familiar with or they where using voice actors I knew since that could help me gauge how well I could expect the adapting will be done. I probably shouldn’t worry since this type of project normally means that there’s been a lot of money put into the project to ensure that it’s a success.

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The fourth and final group of shows are the real wildcards of the season and – unsurprisingly at this point – are called Tier 4 shows. There might be a winner in this group but these titles will probably just struggle to become watchable. Last time, of the 3 Tier 4 shows that aired, Umi Monogatari and Sora no Manimani turned out to be pretty good. Which is why I think it’s important to give all the shows a fair shot by watching a couple of episodes before deciding if I’ll keep watching them or not.

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Tatakau Shisho – The Book of Bantorra

Aka: Armed Librarians – The Book of Bantorra

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Director: Toshiya Shinohara
Studio: David Production – Ristorante Paradiso
Seiyuu: Romi Paku, Akira Ishida, Ayako Kawasumi, Miyu Irino, Miyuki Sawashiro

This is also where I put the wtf? shows of the season that interest me enough that I’ll watch them but I really have no idea what they’re about. This is one such series.

The Bantorra Library contains a repository of all humans that have died because when people die in this world, their essence is crystallized into the form of a “Book”. This library is maintained by an armed staff of librarians as various groups would like to get there hands on what’s inside. One such group turns a boy into a suicide bomber but instead of killing the top librarian, he falls in love and finds himself joining the world of the Armed Librarians.

I absolutely loved Ristorante Paradiso, the first series done by David Production and if they can do as good with this title as Ristorante Paradiso, then I’ll probably like this series a lot, especially since I like the idea of armed librarians (I want more Library War!). And the idea of a library full of people’s memories is a very interesting idea that I hope they do something cool with.

Romance of the Three Kingdoms

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Director:
Studio: Beijing Glorious Animation and Future Planet
Seiyuu:

I realize that there’s been tons of adaptations of this already from many different angles (and videos games as well) but so far I haven’t been exposed to any yet which is a bit strange if I think about it because I love historical shows. So, I’m thinking I might just try to catch at least a few episodes to see what the hubbub is about in regards to this franchise.

This is going to run 52 episodes which almost made me decide against even giving this show a chance but then I remembered that I complained about Kemono no Souja Erin running for 50+ episodes back in my winter preview. If I come to like Romance of the Three Kingdoms like I did Kemono no Souja Erin then I’ll like that it’s going to run for awhile. Now I just got to hope someone actually subs this.

Sasameki Koto

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Director: Eiji Suganuma
Studio: AIC – Bamboo Blade, Oh! My Goddess, Asu no Yoichi, Ga:Rei – Zero –
Seiyuu: Ayahi Takagaki, Megumi Takamoto, Chiwa Saito, Emiri Katou

A yuri school romance show is probably all I need to say for most people to decide one way or the other if they’re going to catch this. I’m normally in the camp of not bothering if that’s the sole draw for a show (probably because asking me to suspense disbelief over having so many girls that like girls in one place is a bit too much) but I liked Aoi Hana and I’m currently giving AIC the benefit of the doubt on their shows based on recent successes that’ll continue until I get to one that I don’t like. So, I’ll be sure to watch at least a couple episodes and see how it turns out.

Sora no Otoshimono

Aka: Heaven’s Lost Property

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Director: Hisashi Saito
Studio: AIC – Bamboo Blade, Oh! My Goddess, Asu no Yoichi, Ga:Rei – Zero –
Seiyuu: Saori Hayami, Souichiro Hoshi, Ayahi Takagaki, Tatsuhisa Suzuki

I normally steer clear of shows when I get the impression that the show is just about how much fan-service can be crammed into it with no regard to trying to tell a coherent story – which is the feeling I get when I look at publicity pics of this show.

And I was about to pass it over except I noticed that the director of Bamboo Blade is directing this show. Now, I’d really much prefer a second season of Bamboo Blade but since I can’t have that (at least not yet), I’ll give this show a small chance to wow me because, while, I’m sure this’ll be full of fan-service, there’s a chance that it’ll have something that makes it worth watching.

Kampfer

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Director: Yasuhiro Kuroda
Studio: Nomad – Rozen Maiden, Yozakura Quartet
Seiyuu: Marina Inoue, Yui Horie, Kaori Nazuka, Kana Asumi, Megumi Nakajima, Michiko Nomura, Yuko Goto

It’s not too often that I’ve read a manga before it’s made into an anime. The last time was Kannagi and I think knowledge of the manga hurt my liking of the anime since I didn’t like the additions the director (the guy that KyoAni fired over the lackluster start to Lucky Star) made. On second thought, saying that I read the manga to Kampfer is probably an overstatement; I looked at the first 10 chapters and I wasn’t impressed. If it’s adapting a manga that I’ve read, why not do FrankenFran, The World Only God Knows, or Rabbit Doubt?

The story is about a normal high school boy that one day wakes up and finds that he’s been changed to an attractive high school girl and is now a “Kampfer” and must now fight other Kampfers – though I can’t remember if they gave a reason why they had fight or why all Kamfers have to female.

My interest in catching this stems wholly from the fact that the seiyuu cast as a rather strong one (I just love Marina Inoue’s voice) and the slight interest to see if the anime adaptors can improve upon the manga. I’ve seen it done, Asu no Yoichi the manga was very forgettable but Asu no Yoichi the anime turned out pretty good.

Miracle Train: Ooedo-sen e Youkoso

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Director: Kenichi Kasai
Studio: Yumeta – La Corda D’Oro ~primo passo~ , Neo Angelique Abyss
Seiyuu: Hiroshi Kamiya, Hiroyuki Yoshino, Miyu Irino, Daisuke Ono, Keiji Fujiwara, Masakazu Morita

A comedy show about Tokyo subway stations personified as beautiful guys? Why not? This is anime and even the bizarre can be used for inspiration. Umi Monogatari was based off of a line of pachinko machines and Hetalia Axis Powers used countries as people.

What does interest me is the director, Kenichi Kasai, who was last seen being the director for Aoi Hana and has also done Honey & Clover S1, KimiKiss, Nodame Cantabile. This seems to lend a level of quality to this show that makes it worth checking out.

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There’s a couple of series (Aoi Bungaku and Kuuchuu Buranko) that I can’t seem to find enough information about to see if they’re worth adding here but I might catch them later if someone subs them.

Also, I normally don’t mention OVAs but I did want to call attention to the 4 episode OVA that J.C. Staff is doing with the Shana franchise before they do a supposed final season of Shana. I’ve actually gotten to point that I miss this series so I’m glad to see that J.C. Staff is getting back to it.

So, there you go. Even with what I consider a weak slate of shows, I still manage to write a 3,800+ word preview and watchlist. I tried to highlight all the shows that I believe are worth highlighting but I’m sure I missed a few so check out my first impression posts when the new season starts to air (which is in about 10 days).

And if this list of shows don’t inspire a lot of interest and you’re looking for something to watch this season – you might want to try one of the great shows that will continue into this season:

  • Full Metal Alchemist
  • Kemono no Souja Erin
  • Cross Game

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Finally, here’s a chart of all the series and OVAs that are running this season.

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Awesome chart comes from here.

Posted in anime, season preview

Top 5 Anime Picks for Fall 2009 Season

Posted by Author | 11eyes, Anime, Anime Review, Kampfer, Kobato, Manga Review, To Aru Kagaku no Railgun | Sunday 20 September 2009 2:01 am
Chartfag For the upcoming season, I’m planning on watching less anime than ever so I can have time to do other stuff, mostly studying {Japanese, PhotoShop, Blender, among other things}. I dunno if it’ll be only these five picks, but I’m planning on watching a minimum of 10. That’s about half of what I usually watch…heh, [...]



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