I’m sure I’m not the only person that after building something will sometimes find a small pile of odds’n’ends that one hopes does not belong in the completed product. This part of the awards is like that pile of parts; as I was arranging awards into the various groups I started accumulating awards that didn’t really fit with the others. Instead of putting these categories in a little bag and forgetting about them until something goes wrong, I decided to add this fourth part to be able to cover them as well.

Before getting to the awards, as a reminder, I’ll try to keep spoilers to a minimum but there’ll be some because of how they’ll relate to specific awards. As for the continuing shows, only the part of the series that ran during this year is under consideration for this year’s awards.

 

Best Villain

Seasonal Winners:

Winter – Kyubey from Puella Magi Madoka Magica

Spring – Heaven from Dororon Enma-kun Meeramera

Summer – CERN from Steins;Gate

Autumn – Ades Federation from Last Exile — Ginyoku no Fam

Wildcard –  Ouroboros from Tiger and Bunny

Overall Winner: Kyubey from Puella Magi Madoka Magica

Kyubey is insidious and dangerous – the truer portrait of evil in the world; without him PM3 would not have been nearly as good. I read in an interview that Shinbou had wanted Kyubey to be animated like a normal cute magic girls mascot but the animators knew too much about Kyubey and could not draw him anyway but creepy.

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Best Dressed Characters

Seasonal Winners:

Winter – Star Driver

Spring – Denpa Onna to Seishun Otoko

Summer – Nichijou

Autumn – Chihayafuru

Wildcard – Hyouge Mono

Overall Winner: Nichijou

I really should just name this the “KyoAni Production Values and Fashion Sense Award” and be done with it but I hold the hope that someday, someone will outmaneuver KyoAni. In all honesty, though, it is slowly becoming more of a competition.

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Best Fight

Seasonal Winners:

Winter – Episode 7 from Puella Magi Madoka Magica

Spring – Episode 12 of Dororon Enma-kun Meeramera

Summer – Episode 16 of Ao no Exorcist

Autumn –Episode 2 of Ben-To

Wildcard –  Episode 10 of Ben-To

Overall Winner: Episode 2 of Ben-To

Ben-to should be required watching for most animators before they try their hand at animating a fight scene. I’m looking at you J.C. Staff and Bones and AIC for starters; Shana and Star Driver and Persona could really be helped by including fights that are actually well done. I’m also going to throw Fate/Zero in as needing help; all the posing and monologuing gets old – spend a little less on the backgrounds and more on animating fights.

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Most Unexpectedly Good Show

Seasonal Winners:

Winter – Level E

Spring – Hyouge Mono

Summer – Mayo Chiki

Autumn – Ben-To

Wildcard –  Dororon Enma-kun Meeramera

Overall Winner: Ben-To

Episode 2 of Ben-to won best fight in part because it helped sale the anime to the viewer because the premise behind Ben-To did not seem like the recipe to create a great anime and we needed the convincing. While Ben-to was the clear winner, it seems like every season of anime includes at least one anime that is shockingly good, the proverbial diamond-in-the-rough, which is why one needs to have an open mind when deciding which anime to try.

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Best Show No One Saw

Seasonal Winners:

Winter – Level E

Spring – Hyouge Mono

Summer – Ikoku Meiro no Croisee

Autumn – Tamayura – Hitotose

Wildcard –  Rio – Rainbow Gate

Overall Winner: Hyouge Mono

Saying that no one watched these shows is stretching the truth since each title had it’s fans but in each case the anime failed to really catch fire on a large-scale (at least initially). Hyouge Mono won because it’s a great show and it’s been basically ignored by the subbing community. I’m thankful that there is at least one group subbing it but the slow speed probably implies a single person is doing everything himself/herself and that makes me worried because something might come up and it’ll never get finished.

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Most in Need of a Sequel

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Denpa Onna to Seishun Otoko

Summer – Kamisama Dolls

Autumn – Un-Go

Wildcard –  Hanasaku Iroha, Ikoku Meiro no Croisee

Overall Winner: Kamisama Dolls

There were flaws with Kamisama Dolls but the first season (see how I’m hoping) accomplished much between the introduction of an interesting setting and the promise of more surprises just waiting to be discovered. It’s also the title that most gains from a sequel. In the case of PM3, the series was perfect by itself but, much like Toy Story, if a story can be created that can equal/surpass the original then it should get made. Un-Go might be better served by redoing it’s 11 episode run into something longer where the defects of the short episode count could be addressed.

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Best Anime Extra

Nominees:

Young Animators Training Program

Ikoku Meiro no Croisée Episode 4.5

Shiki Episodes 20.5 and 21.5

Umi Kara no Shisha

Overall Winner: Young Animators Training Program

The four shorts that comprise the Young Animators Training Program are the result of a Japanese government program to help ensure the continued health of the local animation industry. How successful such an idea will ultimately be is open to debate but judging by the end result, there’s definitely much worse ways to spend other people’s money. An even more obscure nominee is Umi Kara no Shisha (trailer seen here). I happened to come across it, decided to watch it sight unseen, and was blown away by equal measures of WTF?! and awesome. At only 8.5 minutes long it’s well worth a watch or three.

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Best Anime OVA Seen in 2011

Nominees:

Yozakura Quartet OVA

Hidamari Sketch SP

Kara no Kyoukai – Epilogue

Katte ni Kaizo

Carnival Phantasm

Toradora OVA

Overall Winner: Yozakura Quartet OVA

A dim memory of watching the Yozakura Quartet anime series – released several years ago – and finding it completely boring, generic, and forgettable stopped me from bothering with the Yozakura Quartet OVA. That is until I read a review of the third episode and it was mentioned that Ryo-timo was animating and directing this OVA series. That name had recently became meaningful when I realized some of my favorite animation scenes from Noein and Birdy: The Mighty Decode had their key animation done by Ryo-timo. I decided that I had to watch it and was pleasantly surprised to find the OVA turned the boring, generic, and forgettable anime into a pretty good anime. The animation was the big draw but the story and plot were given a boost at well.

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Best Anime Movie Seen in 2011

Nominees:

Redline

Evangelion 2.22

Summer Wars (English Dub)

Sengoku Basara: The Last Party

Lupin III: Blood Seal – Eternal Mermaid

Overall Winner: Redline

There are a few anime movies that I didn’t see this year that appear to be worth a nomination from what I’ve been reading . One such movie, The World of Arriety, I’m purposely waiting on the chance to see it in theaters. As such those movies will most likely show up on next year’s nominee list but it’s not like I’m left to pick from a list of second-tier movies. The winner, Redline, is a feast for the eyes and a feast for the little kid inside that thinks driving a fast car is the most awesome thing in the world. It’s a memorable experience; the type that comes only once in a blue moon.

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That’s part 4 of my retrospective look at the 2011 year in anime. Next will see a shift from award categories to counting down the top anime of the year.

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Top anime 2011 Awards Part 0: Introduction and Anti-Awards
Top anime 2011 Awards Part 1: Cast and Character Awards
Top anime 2011 Awards Part 2: Genre and General Awards
Top anime 2011 Awards Part 3: VMA Awards
Top anime 2011 Awards Part 4: The Misfit Awards <- you are here
Top anime 2011 Awards: Top 13 Anime – #13 – #7
Top anime 2011 Awards: Top 13 Anime – #6 – #1

Filed under: anime, awards

Step three for awesome anime – after creating memorable characters and giving them a worthy stage – is to use every part of the production process to bring-out/enhance the positive aspects of the anime and hide the negative aspects. Getting the right seiyuu can be the difference between a character being a success or failure. Inappropriate music can ruin the climax of a series and nothing can make a whole anime series fail as assuredly as poor animation quality. Conversely, in the right hands, a small budget can be overcome through creating the right animation style. Stellar OP/ED with it’s combination of music and animation can build excitement and anticipation for the anime and ensure viewers come back next week.

There’s other parts to an anime’s production – like script writing, cinematography, sound editing, etc. – that won’t gets awards here because I’m not knowledgeable enough in these areas to put any confidence in picking winners. Which is why I call this set of awards the Voice, Music, and Audio awards. I’m hoping next year I’ll be able to include a few more areas of the production to these awards.

Before getting to the awards, as a reminder, I’ll try to keep spoilers to a minimum but there’ll be some because of how they’ll relate to specific awards. As for the continuing shows, only the part of the series that ran during this year is under consideration for this year’s awards.

 

Top Seiyuu “Discovered”

Nominees:

Aoi Yuuki as Madoka from Puella Magi Madoka Magica

Kanae Itou as Ohana from Hanasaku Iroha

Mamoru Miyano as Takuto from Star Driver

Overall Winner: Aoi Yuuki

Very rarely does a new voice actor/actress get the chance to start their career with voicing a main character or even a memorable supporting character; instead they work on small parts, improving their skills, and waiting for their chance. Therefore, it might take a while for these seiyuu to come to the attention of a moderately well-versed anime fan like myself but when they do, it’s always like a bolt of lightning – where has this person been hiding, I ask myself. This year saw three such seiyuu appear. All three display a wide range of ability that served them well for these break-out roles and newer roles as well but the winner just had to be Aoi Yuuki.

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Best Performance by a Seiyuu

Seasonal Winners:

Winter – Chiwa Saitou as Homura from Puella Magi Madoka Magica

Spring – Kanae Itou as Ohana from Hanasaku Iroha

Summer – Mamoru Miyano as Rintarou Okabe  from Steins;Gate

Autumn – Akio Ohtsuka as Rider aka Iskander from Fate/Zero

Wildcard –  Hiroaki Hirata as Tiger from Tiger and Bunny

Overall Winner: Mamoru Miyano as Rintarou Okabe

Instrumental in making Okabe the epic character he became was the talent of Mamoru Miyano. The role required being able to do positively everything and he was able to do it and make it look easy. Right behind him was Chiwa Saitou. Her performance as Homura going from doe-eyed innocent into the brittle, empty killer in the span of one episode allowed episode 10 of PM3 to be the single best episode of anime in 2011. I sometimes forget how versatile she can be.

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Best Male Seiyuu

Seasonal Winners:

Winter – Mamoru Miyano as Takuto from Star Driver

Spring – Mamoru Miyano as Rintarou Okabe  from Steins;Gate

Summer – Mamoru Miyano as Rintarou Okabe  from Steins;Gate

Autumn - Hiro Shimono as You Satou from Ben-To

Wildcard –  Hiroshi Kamiya as Natsume from Natsume Yuujinchou 3

Overall Winner: Mamoru Miyano

There were plenty of great roles that Mamoru Miyano played in 2011; the ones listed above were just his best. He also starred in Dog Days (and was one of principal draws to that anime) as well as in Chihayafuru – to name but two more. While no danger to Mamoru Miyano here, both Hiroshi Kamiya and Hiro Shimono are no slouches themselves.  Hiroshi Kamiya was even my 2008 best male seiyuu pick after his roles in the first season of Natsume Yuujinchou and Sayonara Zetsubou-Sensei and continues to be one of my favorites.

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Best Female Seiyuu

Seasonal Winners:

Winter – Aoi Yuuki  as Madoka from Puella Magi Madoka Magica and Victorique from Gosick

Spring – Aoi Yuuki  as Victorique from Gosick and Tooru from A Channel

Summer – Kanae Itou as Ohana from Hanasaku Iroha

Autumn – Miyuki Sawashiro as Kuripaka from Hunter × Hunter and Fujiko from Lupin III

Wildcard –  Asami Imai as Christina from Steins;Gate, Marina Inoue as Rio from Rio – Rainbow Gate and Yozora from Boku wa Tomodachi ga Sukunai and Matsurika from Maria+holic Alive

Overall Winner: Aoi Yuuki  

I fear that I’m starting to sound like a broken record with my seiyuu winning picks but putting anything else would be dishonest. On the other hand voice acting seems like a volatile profession with who gets roles and who doesn’t being arbitrary (or more likely it’s a very political process and to this outsider it appears arbitrary) so I don’t feel bad about celebrating the stellar work of Aoi Yuuki this year. This year also saw Marina Inoue getting more roles than she’d been getting  – or, at least, more roles in anime that I watch – which was another good thing that happened in 2011 because she’s very talented.

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Best Seiyuu Cast

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Tiger and Bunny

Summer – Hanasaku Iroha

Autumn – Boku wa Tomodachi ga Sukunai

Wildcard –  Mawaru Penguin Drum

Overall Winner: Hanasaku Iroha

This is another category that was tough to pick and in the end I handed the award to the anime with a larger cast – Hanasaku Iroha – on the idea that it was more difficult to cast a large number of people versus a smaller cast. Shaft/Shinbou has for a long time reused voice actors from one anime to the next (PM3 is no different) and I think this is a practice more animation studios should adopt because Shaft/Shinbou seems to get a better performance from their seiyuu.

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Best OP

Seasonal Winners:

Winter – Level E

Spring – Maria+Holic Alive

Summer – Nichijou OP2

Autumn – Shakugan no Shana III

Wildcard – Kamisama Dolls, Mawaru Penguin Drum OP2

Overall Winner: Nichijou OP2

Some awards are more subjective than others and this category definitely falls hard into the subjective pile. Deciding on how to balance the mix of music and the animation sequence plus accounting for what “best OP” actually means makes it tough to be subjective. To make this even more subjective I’ll add that I think Nichijou OP2 is probably the best OP that KyoAni ever made.

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Best ED

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – AnoHana

Summer – Episode 7 of Nekogami Yaoyorozu

Autumn – Un-Go

Wildcard –  Denpa Onna to Seishun Otoko, Hidamari Sketch SP

Overall Winner: Puella Magi Madoka Magica

Ditto that idea for this award. One time I played with the idea of splitting this award and the last into two separate like this “Best ED – Music” and “Best ED – Visuals” but decided I was making too many awards as is. So, instead, I balance it all out beforehand and hope no one asks to see the rubric I used . For this award both Un-Go and Denpa Onma to Seishun Otoko had stronger visuals than the eventual winner but the song for PM3 made up more than enough to win.

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Best Background Music

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Nichijou

Summer – Nichijou

Autumn – Ben-Tou

Wildcard –  Ikoku Meiro no Croisee, Ao no Exorcist

Overall Winner: Nichijou

If those reading could see me at this moment of writing they’d see someone grimacing over the dread that a person with actual expertise in the area of anime background music won’t come along and explain why Nichijou was the wrong choice. Actually, I’ve been trying to listen to the background music more this year and I have slightly more confidence with this pick this year then I have had in the past. I thought Nichijou’s BGM perfectly complemented the show and helped heighten the enjoyment of the series as a whole.

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Best Animation Style

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Denpa Onna to Seishun Otoko

Summer – Mawaru Penguin Drum

Autumn – Chihayafuru

Wildcard –  Ikoku Meiro no Croisee, Steins;Gate

Overall Winner: Puella Magi Madoka Magica

Puella Magi Madoka Magica was the culmination and perfection of the Shaftian anime style. (Of course the Shaft/Shinbou style was an outgrowth of older animators but since they’ve been the ones pumping out the series of late they get credit for the Shaftian style of animation. How Penguins is connected to Shaft/Shinbou and vice versa is a fascinating topic to anyone that noticed the similarities.) Scholars and fans alike in future will probably point to this anime as influencing the growth of anime over the coming years and the proof will be seen in the adoption of elements of Shaft’s animation style, which we’re already seeing.

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Best Animation

Seasonal Winners:

Winter – Star Driver

Spring – Nichijou

Summer – Nichijou

Autumn – Fate/Zero

Wildcard –  Hanasaku Iroha, Tiger and Bunny

Overall Winner: Nichijou

I remember reading an interview given by someone at KyoAni saying that Nichijou contains the most animation cuts (I think that was the technical term) of any series that KyoAni has worked on. I believe it, the proof of this appears in Nichijou winning an award like best action. The other contenders all fielded efforts that 5-6 years ago would have made an anime fan salivate but in 2011 they all came up a little short. Hanasaku Iroha comes in second and might have beaten Nichijou had it been given a slightly larger budget to work with.

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Top Animation Studio

Seasonal Winners:

Winter – Shaft

Spring – A-1 Pictures

Summer – Brain’s Base

Autumn – David Production

Wildcard –  Kyoto Animation, P.A. Works

Overall Winner: Brain’s Base

This year marked a big step for Brain’s Base when it animated not one, not two, but three series at once during the Summer season and having two become top titles of the year and the third being above average. Before this point they’d only handle one series at a time and this limited the number of series that they could get too – to the mumbling of fans that want various sequels like Baccano 2 or Spice and Wolf 3. I can’t wait to see what 2012 holds for Brain’s Base.

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That’s it for part 3 of my 2011 anime awards. Stay tuned for part 4: The Misfit Awards.

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Top anime 2011 Awards Part 0: Introduction and Anti-Awards
Top anime 2011 Awards Part 1: Cast and Character Awards
Top anime 2011 Awards Part 2: Genre and General Awards
Top anime 2011 Awards Part 3: VMA Awards <- you are here
Top anime 2011 Awards Part 4: The Misfit Awards
Top anime 2011 Awards: Top 13 Anime – #13 – #7
Top anime 2011 Awards: Top 13 Anime – #6 – #1

Filed under: anime, awards

Step 2 in making extraordinary anime is to take your cast of memorable characters and give them a stage that lets them shine.

I’m not fussy about which stage is chosen nor do I think one type is inherently superior to another. A well-done comedy is as difficult to make as a well-done drama and both deserve the same level of praise for succeeding in their respective spheres of influence. With a competent execution, a shoujo anime is as good as a shounen anime and/or a slice-of-life anime and/or a sports anime and/or a science fiction anime and/or romantic comedy anime and so on and so forth.

This bit of enlightenment was something I learned after starting my anime blogging and pushing myself to watch a wider variety of anime. Which is one of the reasons I’d suggest giving anime blogging a chance to people that want to deepen their appreciation of the art form.

Before getting to the awards, as a reminder, I’ll try to keep spoilers to a minimum but there’ll be some because of how they’ll relate to specific awards. As for the continuing shows, only the part of the series that ran during this year is under consideration for this year’s awards.

 

Best Action

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Nichijou

Summer – Nichijou

Autumn – Ben-To

Wildcard –  Tiger and Bunny, Last Exile — Ginyoku no Fam

Overall Winner: Nichijou

Yes Nichijou is a comedy but no other anime of 2011 could match KyoAni’s level of talent and commitment that made Nichijou’s numerous action segments attention-grabbing, entertaining, and pleasing to the eye. It’s closest competitor was Ben-to and with a little larger budget it might have been able to make this award competitive.

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Most Entertaining

Seasonal Winners:

Winter – Rio – Rainbow Gate

Spring – Dororon Enma-kun Meeramera

Summer – Mayo Chiki

Autumn – Ben-To

Wildcard –  Hyouge Mono

Overall Winner: Ben-To

What Ben-to lacked in budget didn’t stop it from being supremely entertaining. It started with a quirky idea – people willing to trade blows over the chance to snag a half-priced meal – and just kept running with it. Ben-to’s toughest competitor was Rio – Rainbow Gate. This was another show that stuck (some might say courageously) to it’s silly premise and never stopped offering something new/bizarre/absurd.

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Most Interesting Setting

Seasonal Winners:

Winter – Rio – Rainbow Gate

Spring – Hyouge Mono

Summer – Ikoku Meiro no Croisee

Autumn – Last Exile — Ginyoku no Fam

Wildcard –  Ben-to

Overall Winner: Ikoku Meiro no Croisee

I love anime (and basically any type of TV/movie) set in a historical time period because I find the differences between then and now interesting to see. This probably makes me a bit bias towards picking Ikoku Meiro no Croisee but, even so, late 19th century Paris is not a common subject in anime and makes a great change of pace from the usual.

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Best Plot

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Steins;Gate

Summer – Steins;Gate

Autumn – Mawaru Penguin Drum

Wildcard –  Hyouge Mono

Overall Winner: Puella Magi Madoka Magica

This turned out to be a very close thing for PM3 in the end; back last winter I thought for sure that it had this award sewed up but then came Steins;Gate and then Penguins. Up until the beginning of PM3 I respected Shaft/Shinbou for the ability to tell a good story but being able to handle a show that was plot heavy seemed beyond their grasp. (Look at Vampire Bund, for example.) Then PM3 comes along and suddenly Shaft/Shinbou is handling the plot to perfection and not skimping on the storytelling. I know the credit largely goes to Gen Urobuchi who was behind the script but it still was a shocking thing to see.

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Best Story

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – AnoHana

Summer – Ikoku Meiro no Croisee

Autumn – Ben-to

Wildcard –  Hanasaku Iroha, Steins;Gate

Overall Winner: AnoHana

AnoHana’s win in this category is closely tied to their win in the Best Character Development for Cast category. I actually thought PM3 would win this award as well back last winter but AnoHana was too built from the ground up to win this award to not win this award.

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Best Final Episode

Seasonal Winners:

Winter - Puella Magi Madoka Magica

Spring – Dororon Enma-kun Meeramera

Summer – Nichijou

Autumn – Ben-to

Wildcard –  Hanasaku Iroha, Natsume Yuujinchou 3

Overall Winner: Puella Magi Madoka Magica

PM3 had the plotting and the storytelling that assured the epic awesomeness of the final episode. The most interesting nominee in this category is Natsume Yuujinchou 3. As a slice-of-life series it seems counter-intuitive to expect a good final episode from a series that doesn’t have a clearly defined structure but somehow Natsume finishes another season with an episode that manages to give a sense of accomplishment and completeness. (And conversely makes one yearn for just “one more season”.)

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Best Ending

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – AnoHana

Summer – Steins;Gate

Autumn – Mawaru Penguin Drum

Wildcard –  Tiger and Bunny

Overall Winner: Puella Magi Madoka Magica

Getting the ending right is a tricky thing and is where so many anime (and other forms of media) fail. This year, with so many quality original anime series, we had many series that actually got it right. PM3 did it the best and so they win this category.

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Best Slice-of-Life

Seasonal Winners:

Winter – nothing I watched qualified

Spring – Hanasaku Iroha

Summer – Natsume Yuujinchou 3

Autumn – Tamayura – Hitotose

Wildcard –  Ikoku Meiro no Croisee

Overall Winner: Natsume Yuujinchou 3

Hanasaku Iroha finally clicked with me when I realized it wasn’t a drama but a slice-of-life series about a dramatic girl with an interesting family. Even so, nothing could really compete with Natsume. I would have argued that the first two seasons was a display of probably the absolute very best of the slice-of-life genre but the third season came along and somehow found the room to improve upon the first two seasons.

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Best Science Fiction

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Steins;Gate

Summer – Steins;Gate

Autumn – Last Exile — Ginyoku no Fam

Wildcard –  Tiger and Bunny

Overall Winner: Steins;Gate

This was a very tight race between PM3 and Steins;Gate which would have surprised me more then a year ago, before the start of PM3. On one side there’s a magic girl anime and on the other there’s a visual novel adaptation. However, PM3 impressed me with it’s meditation on the three laws of thermodynamics and Steins;Gate was able to feel fresh and new in the crowded sub-genres of time travel and parallel time lines. It was a tough decision but I finally chose Steins;Gate for feeling more like a SF series and because it showed that there’s still room for new ideas in time travel and parallel time lines.

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Best Comedy

Seasonal Winners:

Winter – Level E

Spring – Nichijou

Summer – Nichijou

Autumn – Boku wa Tomodachi ga Sukunai

Wildcard –  Fireball Charming, gg’s fansub of Hidan no Aria

Overall Winner: Nichijou

Nothing in 2011 made me laugh louder, longer and more often then Nichijou. I’m surprised not more people found it funny but I understand that comedy is a tough business. Second was gg’s fansub of Hidan no Aria; this is how you take a very mediocre anime and make it enjoyable.

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Best Drama

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – AnoHana

Summer – Steins;Gate

Autumn – Mawaru Penguin Drum

Wildcard –  Un-Go

Overall Winner: AnoHana

Some people might say that AnoHana was the best (worse?) melodrama this year but I never felt it crossed the line into melodrama and, instead, was the best drama of the year. (Though, I also like the Key/KyoAni anime series so these same people might find my judgment impaired .) Not that it had a chance but Un-Go earned the wildcard spot for turning out to be a pretty interesting drama series which is somewhat surprising when the series was billed as a mystery/SF series and the mysteries were poorly done and the SF was shallow and generic. I’m glad that I decided not to drop Un-Go early on.

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That’s it for part 2, the next part is the VMA awards.

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Top anime 2011 Awards Part 0: Introduction and Anti-Awards
Top anime 2011 Awards Part 1: Cast and Character Awards
Top anime 2011 Awards Part 2: Genre and General Awards <- you are here
Top anime 2011 Awards Part 3: VMA Awards
Top anime 2011 Awards Part 4: The Misfit Awards
Top anime 2011 Awards: Top 13 Anime – #13 – #7
Top anime 2011 Awards: Top 13 Anime – #6 – #1

Filed under: anime, awards

The first step to making extraordinary anime (at least to me) is to populate the anime with a stellar cast of memorable characters and 2011 was full of anime that took this idea to heart.

One general trend that seems to be really gathering steam of late is creating male main characters who have an actual backbone. There are still shows that cling to the tired character type of the lame/weak male main character but, on balance, they are mainly the cheaper, lower-tier anime series. For this I think we have to thank Tomokazu Sugita and his performance as Kyon from The Melancholy of Haruhi. He might not have been first one to staunch the tide of wet noodle “guys” but with every snarky remark (and DVD sale) he created a counter-image of what a male main character could be.

Another trend, albeit a bit on the meta side, among characters I noticed this year was during the Saimoe competition. I didn’t cover this annual net competition of Japanese (and whoever else could sneak in) anime fans for the most popular female “moe” character but I lurked on an almost daily basis at the places that covered Saimoe. What I was surprised by was the near-total failure of the incumbent franchises to win against the new anime series. I don’t know if this anti-establishment fervor was merely a display of fatigue towards the older anime franchises or was this a signal of a shift in anime fandom. Maybe it’s a sign that 2012 will be the end of the world .

Before getting to the awards, as a reminder, I’ll try to keep spoilers to a minimum but there’ll be some because of how they’ll relate to specific awards. As for the continuing shows, only the part of the series that ran during this year is under consideration for this year’s awards.

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Best Female Main Character

Seasonal Winners:

Winter – Madoka from Puella Magi Madoka Magica

Spring – Nano and The Professor from Nichijou

Summer – Christina from Steins;Gate

Autumn – Chihaya from Chihayafuru

Wildcard –  Ohana from Hanasaku Iroha, Homura from Puella Magi Madoka Magica

Overall Winner: Madoka from Puella Magi Madoka Magica

I confess that I have weakness for characters that are heroes and those that are willing to sacrifice for someone else or for some “greater” good. Madoka is both all while being a normal kid so it was a forgone conclusion that she was winning this award the moment PM3 finished airing last spring. The race for second, meanwhile, would not have been clear cut if I had to pick.

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Best Male Main Character

Seasonal Winners:

Winter – Prince Baka  from Level E

Spring – Rintarou Okabe  from Steins;Gate

Summer -Rintarou Okabe  from Steins;Gate

Autumn – You Satou from Ben-to

Wildcard –  Tiger from Tiger & Bunny, Furuta Sasuke from Hyouge Mono

Overall Winner: Rintarou Okabe  from Steins;Gate

This was another easy pick to make. From episode 1 I could tell Okabe – the Mad Scientist of Tokyo – was special; he is the type of character that seems almost supernatural in comparison to even the best male characters from the other anime series. The only problem was that after Chaos;Head I feared the story for Steins;Gate would ruin any chance for Okabe to shine (or maybe even sparkle). Thankfully, that fear proved unfounded and Okabe takes his place among the great anime characters of all-time.

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Best Supporting Character(s)

Seasonal Winners:

Winter – Mami from Puella Magi Madoka Magica

Spring – Grandma Sui from Hanasaku Iroha

Summer – Nyanko-sensei from Natsume Yuujinchou 3

Autumn – Rider aka Iskander from Fate/Zero

Wildcard – Oda Nobunaga from Hyouge Mono, Dio from Last Exile — Ginyoku no Fam

Overall Winner: Grandma Sui from Hanasaku Iroha

A couple years ago I lamented the lack of old people in anime. I pointed out that when an anime does include an old person, he or she is often the most awesome character in the entire cast. Hanasaku Iroha is but the latest example of why there needs to be more old people in anime. Grandma Sui beat a roster of very tough opponents, most particularly Rider from Fate/Zero. He is literally 75% of the reason to keep watching Fate/Zero and makes a strong argument for cutting everyone else out of the show and just focus on Rider and his master Weaver.

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Best Screen-grabber

Seasonal Winners:

Winter – Madoka’s Mom from Puella Magi Madoka Magica

Spring – Meme from Denpa Onna to Seishun Otoko

Summer – The Penguins from Mawaru Penguin Drum

Autumn – Matsukaze from Maji de Watashi ni Koi Shinasai!!

Wildcard –  Momoka from Mawaru Penguin Drum

Overall Winner: The Penguins from Mawaru Penguin Drum

This award is for the character(s) that best maximizes the small amount of screen time given them to leave an indelible mark on the show and on the viewers. Mom’s are a rare commodity in anime due, in part, to their ability to stop wacky hi-jinks and shenanigans. Madoka’s Mom and how she interacted with the plot was one of the reasons PM3 reached such a height of greatness as it did. It was difficult to pick someone else but the Penguins just deserved this award too much. Without them I don’t think Mawaru Penguin Drum would have been nearly as good or as entertaining or as comprehensible.

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Best Couple

Seasonal Winners:

Winter – Takuto and Wako from Star Driver

Spring – Prince Enma and Princess Yukiko from Dororon Enma-kun Meeramera

Summer – Christina and Rintarou Okabe  from Steins;Gate

Autumn – Shouma and Ringo from Mawaru Penguin Drum

Wildcard –  Aunt Touko and Uncle Shigeru from Natsume Yuujinchou 3, Madoka’s Mom and Dad from Puella Magi Madoka Magica

Overall Winner: Christina and Rintarou Okabe from Steins;Gate

With everything else that happens in Steins;Gate it’s kinda surprising that the animators where able to fit the development of Chistina’s and Okabe’s relationship into the show as well, even finding the space to make it feel so natural and heartwarming to see. This component also played an important role in making the viewers care about what happened with the plot of the show.

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Best Character Ability/Power

Seasonal Winners:

Winter – The ability to beat entropy from Puella Magi Madoka Magica

Spring – Rintarou Okabe’s ability to remember past world lines from Steins;Gate

Summer – The scarf that can make animals talk from Nichijou

Autumn – The ability to make a person answer one question truthfully and completely from Un-Go

Wildcard –  Seeing ghosts and spirits from Natsume Yuujinchou 3

Overall Winner: The ability to beat entropy from Puella Magi Madoka Magica

I think I was first introduced to entropy and how the universe will eventually wind-down many years ago with a story by Isaac Asimov called “The Last Question”. Personally, I don’t often think about the need to reverse entropy because I probably won’t be around to care but it is a problem that will eventually need addressing by someone. Beating entropy as Kyubey’s motivation made sense for an emotionless alien species and was another facet that showed the quality of thought put into PM3.

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Best Cast of Characters

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – AnoHana

Summer – Natsume Yuujinchou 3

Autumn – Mawaru Penguin Drum

Wildcard –  Hanasaku Iroha, Tiger and Bunny

Overall Winner: Mawaru Penguin Drum

This was the toughest category to pick in this section of awards because each of these series had such great casts of characters. Even when I decided that Penguins was a hair above the other choices due to the high quality of even it’s very minor characters in a cast as large as Penguins had – I still feels like I’m slighting the other choices.

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Best Character Development for Cast

Seasonal Winners:

Winter – Star Driver

Spring – AnoHana

Summer – Ikoku Meiro no Croisee

Autumn – Mawaru Penguin Drum

Wildcard –  Hanasaku Iroha

Overall Winner: AnoHana

AnoHana was built to win this award and it’s not really a shocker that it did so. The most surprising nominee was Ikoku Meiro no Croisee because on the surface it looked like a mere “cute girls doing cute things” anime but a great deal of character development was tucked into the show. A sequel that further explores the cast would be something I’d love to see.

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Best Character Development of a Single Character

Seasonal Winners:

Winter – Madoka from Puella Magi Madoka Magica

Spring – Rintarou Okabe  from Steins;Gate

Summer – Rintarou Okabe  from Steins;Gate

Autumn – Maon Sakurada from Tamayura – Hitotose

Wildcard –  Ringo from Mawaru Penguin Drum

Overall Winner: Rintarou Okabe from Steins;Gate

After going through the level of tragedy and pain that forced him to change from the wannabe mad scientist punk with delusions of grandeur to an emotionally scarred adult that’s been forced to make tough decisions and then had to watch those decisions hurt his family and friends over’n’over – I do not begrudge Okabe the happy ending he got at the end of Steins;Gate. This helped push Steins;Gate from being just a generic SF series about time travel into something exceptional.

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That’s the end of part 1; I hope to have the second part up within a day. Comments and feedback are always appreciated – I’d love to see what others would pick.

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Top anime 2011 Awards Part 0: Introduction and Anti-Awards
Top anime 2011 Awards Part 1: Cast and Character Awards <- you are here
Top anime 2011 Awards Part 2: Genre and General Awards
Top anime 2011 Awards Part 3: VMA Awards
Top anime 2011 Awards Part 4: The Misfit Awards
Top anime 2011 Awards: Top 13 Anime – #13 – #7
Top anime 2011 Awards: Top 13 Anime – #6 – #1

Filed under: anime, awards

Another year finished and another year the wannabe buzzards prognosticate the demise of anime even when the empirical data continues to defy their constructed narratives. I’d compare these people to climate scientists who close their eyes to the last decade plus of weather but I don’t want to get political here .

Instead I’ll point out that this year saw two young studios P.A. Works and Silver Fox create series which signaled their emergence as top quality anime studios. Also, this year saw two studios – Shaft and Brains Base –  take the plunge with original works and the resulting masterpieces pushed these already well-respected studios into the stratosphere.  Nor could it be forgotten how Kyoto Animation and Satelight, two veteran studios, stretched their creative legs and produce great series in genres that their not known for. Or how a quirky little studio, david production, that spun off from Gonzo a few years ago produced not one but two quirky quality series this year and finally attracted the attention of a large number of anime fans.

So, for those reasons and others, it’s easy to see that this was a banner year for anime –  one that I want to reminisce about and remember. There’s various formats that can be used to do so but the one I like involves ranking the anime in various categories because it just seems more orderly this way.

Before starting into the “nice” awards I first wanted to list the anime series that I watched from 2011 that are eligible for the various awards and to hand-out a few “not-so-nice” awards.

Winter Season

Carry-over shows watched this season (2): Star Driver, To Aru Majutsu no Index II

New shows watched this season (10): Fractale, Gosick, IS: Infinite Stratos, Kore wa Zombie Desu ka?, Level E, Puella Magi Madoka Magica, Mitsudomoe Zouryouchuu!, Moshidora, Rio – Rainbow Gate, Wolverine

Shows that got dropped (4): Dragon Crisis, Freezing, Onii-chan no Koto Nanka Zenzen Suki Janain Dakara ne!!, Yumekui Merry

Spring Season

Carry-over shows watched this season (1): Gosick

New shows watched this season (20): X-Men, Dog Days, Tiger and Bunny, Nichijou, Yondemasu yo Azazel-san, Hanasaku Iroha, Fireball Charming, Steins;Gate, Hyouge Mono, Hidan no Aria, A Channel, Denpa Onna to Seishun Otoko, Dororon Enma-kun Meeramera, Maria+Holic Alive, Ao no Exorcist, The World God Only Knows II, Seikon no Qwaser II, C – The Money of Soul and Possibility Control, Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai, Deadman Wonderland

Shows that got dropped (8): Hen Zemi, Oretachi ni Tsubasa wa Nai, Hoshizora e Kakaru Hashi, Sengoku Otome – Momoiro Paradox, 30-sai no Hoken Taiiku, Sket Dance, Sofuteni, Astarotte no Omocha!

Summer Season

Carry-over shows watched this season (6): Ao no Exorcist, Hyouge Mono, Steins;Gate, Hanasaku Iroha, Tiger and Bunny, Nichijou

New shows watched this season (13): Mawaru Penguin Drum, Kamisama no Memo-chou, Dantalian no Shoka, Nekogami Yaoyorozu, R-15, Sacred Seven, Ikoku Meiro no Croisee, Natsume Yuujinchou 3, Yuruyuri, Kamisama Dolls, Blood-C, Mayo Chiki, Itsuka Tenma no Kuro Usagi

Shows that got dropped (3): Usagi Drop, No. 6, The Idolm@ster

Fall Season

Carry-over shows watched this season (2): Hyouge Mono, Mawaru Penguin Drum

New shows watched this season (15): C3 – Cube×Cursed×Curious, Fate/Zero, Maji de Watashi ni Koi Shinasai!!, Kyoukai Senjou no Horizon, Hunter × Hunter, Phi Brain: Kami no Puzzle, Tamayura – Hitotose, Chihayafuru, Persona 4, Boku wa Tomodachi ga Sukunai, Shakugan no Shana III (Final), Last Exile — Ginyoku no Fam, Ben-to, Un-Go, Guilty Crown

Shows that got dropped (3): Shinryaku!? Ika Musume, Working’!!, Mirai Nikki

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Total New Series Watched 2011:       78

Total New Series Completed:              53

Total New Series Dropped:                  18

Total New Continuing Series:             07

Now it’s time for the Anti-Awards. These are awards that the winners probably wouldn’t like winning and instead of spreading them out in the various parts, I’m going to put them here. Also, the awards will have a higher level of spoilers then  I normally use but I will still try to keep them to minimum.

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Best Half and Half

Winner:  Denpa Onna to Seishun Otoko
Runner-up: Blood-C

Denpa Onna to Seishun Otoko was improved by having Shaft/Shinbou adapt it but it was also hindered by being attached to Shaft/Shinbou. Hindered because so much of what Shaft/Shinbou does occurs admidst finding the fantastic in the common everyday hustle-n-bustle of life to the point of this being the expectation. There was Natsu no Arashi:  about a boy whose first crush is a girl he meets working in a café who just so happens to be a ghost of a girl who died in WWII. Sore de mo Machi wa Mawatteiru features a normal high school girl that encounters time travelers, aliens, and visits the afterlife. Bakemonogatari has a typical high school boy getting turned into a vampire (then mostly back to human) meeting gods, spirits, and curses. Arakawa Under the Bridge has a typical salary-man fall for a woman that lives under a bridge and declares that she is from Venus (and might actually be an alien). So, when Denpa Onna to Seishun Otoko started with the main female character saying that she was an alien, this primed the viewers a certain way but then to throw this out for most of the series made it difficult to not compare it to other Shaft/Shinbou series and find it feeling a bit shallow.

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Worst Half and Half

Winner:  Fractale

Saying half of Fractale was okay is probably stretching it a bit but among all the problems that it had there were several good ideas and positive aspects floating about. It’s just that these ideas and aspects were very poorly put together and then buried under a mountain of incompetence. I’m still wondering how the creators were able to take one of my favorite voice actresses – the very talented Kana Hanazawa – and made her voice about as appealing as screeching fingernails on a blackboard.

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Most Disappointing Ending

Winner:  IS: Infinite Stratos

Why, oh, why did the creators of Infinite Stratos chicken out and try to tack on a boring “serious” ending to this show? Here’s how the show should have went – the climax should have been the reveal of Charlotte’s true gender and the build-up should have involved the generic male main character having to go to greater-and-greater lengths to hide the truth. It would have complimented the nature of the show much better and not have been such a letdown.

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Most Disappointing

Winner:  Guilty Crown

Any questions? Okay, moving on…

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Most in Need of Being Longer

Winner:  C – The Money of Soul and Possibility Control
Runner-up: Un-Go

One can’t look over the year in anime without complaining about the episode counts that noitaminA series get. Un-Go actually accomplished a fair amount over it’s 11 episode run which allowed C to slip past to win this dubious award. C had some very interesting things to say but the silly CG battles and the compression artifacts from trying to squeeze C into 11 episodes just overwhelmed those interesting ideas.

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The You’re-Doing-It-Wrong Award

Winner:  R-15
Runner-up: Nekogami Yaoyorozu

Both of these shows should have been fun, light entertainment – perfect for the hot summer season – but both failed on a fundamental level and left the viewers saying, “you’re doing it wrong.” The bigger failure was on the part of R-15; the set-up was that this anime took place in a school of geniuses but somehow these “geniuses” were just a pack of boring, cliché characters. (And the one that plays the clarinet, if she’s such a genius then why does she spend the entire series practicing the same simple piece of music?)

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The Best Almost Good Series

Winner:  Dantalian no Shoka
Runner-up: C3 – Cube×Cursed×Curious

In different hands I think both of these series could have been fabulous. C3 probably needed more work to get there since the source material needed a touch of help and the style was trying too hard to look Shaftian without adding anything unique to the animation style. Dantalian no Shoka was so very close. More episodes would have helped but if that was unobtainable then trimming down the number of cases covered and focusing on fleshing these cases out and developing the characters probably would have been all it needed. Even so, Dantalian no Shoka was an interesting experiment in visual style that will probably help Gainax in the future be a better studio.

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The Series That Most Left Me Wondering “Why Did I Waste My Time Finishing This?”

Winner:  Deadman Wonderland
Runner-up: Itsuka Tenma no Kuro Usagi

Itsuka Tenma no Kuro Usagi had the characters and story of a really generic fan-service series and the low level of fan-service that’s typically found in a “serious” anime. Watching it every week left me confused and wondering when it would decide to fully commit to being one type of series or the other. This series was topped by Deadman Wonderland, however. I should have seen the signs early that the creators wanted to make a “dark” anime – like what all the cool kids are doing now – but lacked the ability and talent to do so. I even remember getting a chuckle over how the creators wanted to vilify private prisons but thought nothing of the implications to how the story would unfold. I did learn, though, when Mirai Nikki started resorting to implausible, silly turns-of-events to advance the story and I quickly dropped it.

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Best Series I Dropped

Winner:  Usagi Drop

Usagi Drop was, is, and will be on many lists as a top 10 anime for 2011. Not mines and that’s because I broke a personal rule I have about not checking out the source material before the end of an anime series. Objections to how it ends was just part of the reason for dropping it. The other part was watching a few more episodes after spoiling myself and seeing how the author clearly had the ending in mind when laying out the story and how she forced the characters into that path instead of allowing the characters to develop naturally and organically. Which is a shame, there was much to like about Usagi Drop.

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And on that note, let’s end part 0 and tomorrow I’ll put up part 1, the character awards.

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Top anime 2011 Awards Part 0: Introduction and Anti-Awards <- you are here
Top anime 2011 Awards Part 1: Cast and Character Awards
Top anime 2011 Awards Part 2: Genre and General Awards
Top anime 2011 Awards Part 3: VMA Awards
Top anime 2011 Awards Part 4: The Misfit Awards
Top anime 2011 Awards: Top 13 Anime – #13 – #7
Top anime 2011 Awards: Top 13 Anime – #6 – #1

Filed under: anime, awards

A part of me didn’t want to finish this post because then I’d be quasi-officially done with the spring season and I’ll miss it; it was a great season. I really shouldn’t be sad, though, the few new summer anime that I already checked out make the summer look like another promising season and there’s a number of great series continuing as well.

4 – Dororon Enma-kun Meeramera

Filled with tenacity and manliness, Brains Base’s adaptation of Dororon Enma-kun Meeramera does things it’s own way and demands it’s viewers to accept it for what it is and not what the viewers want. In this way it’s strongly reminiscent of Gainax’s Panty and Stocking. Also like P&S, Dororon Enma-kun Meeramera frequently uses fan service not to stimulate the senses but as a means to further push the show over-the-top and in completely random directions. This helped make Dororon Enma-kun Meeramera a unique experience and set it apart from most other anime of recent memory as did the age of the original source material. The age meant everything felt a bit rougher around the edges then what is generally expected of today’s stuff. That’s not necessarily a bad thing; for instance, the characters weren’t a group of random character traits thrown together to appease as many groups of fans as possible, like so much recent anime seems to be.

The age of the source material also injected a nostalgic undertone to the show that further made the show interesting. My innards were tickled when the main character’s fire staff stopped working at one point because the AA batteries that powered it died and he couldn’t find replacements. It reminded me when I was little and how all the cool toys seemed to run on batteries and it was a constant battle to convince my parents that I needed another set of batteries.

Brains Base also earns top marks for the care and attention they gave to Dororon Enma-kun Meeramera’s production quality. The vocal work, in particular, was particularly memorable. (For fans of Norio Wakamoto (and really, who isn’t a fan (I bet communists and people who don’t rewind their movies aren’t)), he’s in a few episodes as the King of Hell – as if to be the exclamation point on the quality of vocal work.)

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3 – Nichijou

A long time ago, when Yamakan was actually a rising star, Kyoto Animation had a comedy series called Lucky Star and many people, including myself, didn’t think it was all that funny at the beginning. Eventually it hit it’s stride, 8-9 episodes in, and became a pretty funny anime. Fast forward several years and KyoAni is getting around to doing another comedy series, this time called Nichijou – Everyday Life. The first episode aired and it was light years better than Lucky Star’s first episode. From there, each episode has built upon the success of the last one and by mid-season it was regularily leaving me in stitches – gasping for breath – a pile of giggling goo. Which is the long way of saying I’m thoroughly enjoying Nichijou and I expect the second half of the series to push this series into becoming my favorite comedy from KyoAni. It probably won’t even be a real contest since, with Nano now being allowed to go to school, Nano is going to get loads more screen time and I shouldn’t need to remind people that Nano=Win.

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2 – Steins;Gate

Normally I wish the Japanese would stop using English punctuation marks in weird ways; but, I like the semicolon and personally use it more than I probably should so I’ll give Steins;Gate a pass on this one. Besides, Steinsgate sounds like a political scandal and that’s one area that this anime hasn’t touched upon, at least not yet. It has so far included conspiracies, mad scientists, computer hacking, murder threats, comedy, time travel, improbable science wrapped within cool sounding technobabble, shadow organizations, budding relationships, parallel world lines and one man’s quest to put right what once went wrong. In short, Steins;Gate has been an awesome ride so far; it’s even been able to use time travel without stepping on the toes of Puella Magi Madoka Magica and vice versa.

The ending could still be a big disappointment and drag down my opinion of the entire show but, for right now, it’s making a fast beeline towards becoming a classic anime. The first couple of episodes of the summer season really cement this as the show to beat this summer.

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1 – Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai

The anime that needs no introductions this season. I’m not going to act cool by being a contrarian for the sake of being contrary; AnoHana is a masterpiece and deserves all the accolades it has received and will receive. It showcases the power of anime series as a storytelling format, especially when freed from trying to fit a story told in another medium into the confines of an anime series.

With AnoHana’s win, the last three anime seasons have all had an original anime as it’s top anime. The first was Panty and Stocking for the Fall 2010 season, Puella Magi Madoka Magica for the Winter 2011 season and now AnoHana for the Spring 2011 season. Will summer see this trend continue? Only time will tell.

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I’d like to thank all the people who read my 5500+ word review of the Spring 2011 season; I hope you enjoyed it and maybe discovered an anime or two that you want to watch now.

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 2: Genre and Misfit Awards
Spring 2011 Awards Part 3: VMA Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5

Filed under: anime, awards

The end is fast approaching for The Null Set’s examination of the spring season; all that’s left is the countdown of the top shows of the season. I’ll readily admit that creating such a listing causes one to compare apples to oranges, as the saying goes, or maybe oil and water is a better description. The result probably speaks more about the preparer of the list then it does the actual merits of the shows involved but it seems hardwired into humans to continuously make these types of lists and give importance to the results.

So on that note, let’s head to the countdown and discover which series juuusst squeaked onto the list.

8 – Tiger and Bunny

My opinion of Tiger and Bunny has swung the widest of all the spring anime series; sometimes very high and other times it’s rather low. At various points it seems that Sunrise wants viewers to take Tiger and Bunny seriously and at other points it clearly wants Tiger and Bunny to be considered a silly, over-the-top series.  Done right, it’s possible to swing between both but Sunrise hasn’t done the best job getting the tonal shifts right which leaves Tiger and Bunny somewhat frustrating to watch. For example, am I supposed to see the completely ineffectual mayor of Sternbild City (the NYC-like setting of the anime) who looks good on camera but is completely overwhelmed by the demands of the jobs as thinly-veiled political commentary about the current President of the US when Sunrise resolves the Ouroboros storyline, rather absurdly, with the big bad villain having a helicopter fall on him and killing him?

So I’ve needed to do a bit of leveling the mountains and filling in the valleys to get a better read on where Tiger and Bunny actually stands independently and in comparison with the other anime of the season. The result was I realized Tiger and Bunny deserved to make the top anime list for this season because it does lots of things right (sometimes really right) but that it still hasn’t come close to it’s full potential yet and that it has a few elements holding it back.

I’m optimistic about the second half of Tiger and Bunny that airs this summer season. Now that the introductions, character development, and the true forming of the superhero duo of Tiger and Bunny are accomplished, Sunrise can really kick the story in gear. (More Lunatic, please. )

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7 – Hyouge Mono

One of the disappointments of this season is how Hyouge Mono has fallen through the cracks and ignored by most of the anime fans out there. I’m grateful that there is at least one group willing to sub this show, though it would be wonderful if they had more help, and for the 5 episodes I’ve seen so far. I know for certain that if I’d’ve seen 9 or 10 episodes at this point, I’d be ranking Hyouge Mono much higher.

The animation and vocal work are both above average but the real draw to this show is it’s characters. They are toned down from Sengoku Basara levels enough so that it’s possible to show the political side of the Sengoku time period while still keeping enough eccentricities that the characters are fun to watch. I particularly like the main character because of how conflicted he is and how he tries to balance everything. He prides himself as an aesthetic, particularly about all things related to tea, and he loves his wife and son but the only way to provide the lifestyle they deserve is to fight in the army and try to advance up the ranks to win prestige, power, and money while being totally not cutout for military service. He also realizes that it’s impossible to become a respected aesthetic until he has a collection of treasures showcasing his appreciation of art so he’s very bribable at this point but he seeks to be totally loyal to his lord, Oda Nobunaga aka the Demon King.

And the kicker about Hyouge Mono is how true to history it actually is.

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6 – Hanasaku Iroha

Hanasaku Iroha is the latest anime from PA Works who has shown in the past great animation quality but a consistent flatness to it’s characters that impedes the quality of their shows. (I’m still marveling at how I didn’t shed a single tear during Angel Beats but filled buckets over KyoAni’s AIR, Kanon, and Clannad.)  As a firm believer in the adage ‘Practice makes perfect,’ I figured at some point that PA Works would get it right and Hanasaku Iroha shows that they’re starting to get it right. It’s still not perfect but there’s tantalizing flashes of brilliance, for instance, pretty much all of episode 13 was perfectly awesome. If it could stay at that level then picking the top show of the season would have been a much tougher task.

One of the smart things they did was to have the main character, Ohana, quickly mature past the whinny, brat stage she was in at the beginning of the series. For one, I don’t think many could have tolerated watching her pout over the unfairness of life as the main character for too long before dropping it. For two, having a cool main character, as Ohana is at this point, increases the show’s overall coolness (always a good thing).

I’m not sure how Hanasaku Iroha will fill another season’s worth episodes, though a couple things have been hinted at, but I definitely will keep watching the daily adventures of the people that run what must be the best little hot springs inn in Japan.

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5 – Denpa Onna to Seishun Otoko

In hindsight, Denpa Onna to Seishun Otoko suffered from certain high expectations that have slowly formed about Shaft/Shinbou series. The largest expectation stemmed from the many past series from Shaft/Shinbou that have had a surprising amount of depth to them. When Erio exclaimed that she was an alien, it primed us to expect something like Arakawa Under the Bridge and when it didn’t deliver a show of that depth, it felt like a disappointment. ‘What is the point to this anime,’ was a comment I saw over and over. I thought the same thing but I kept watching and finally I realized the real purpose was just to have a fairly generic male lead spend his time with a variety of different girls/women doing fun things. It’s light entertainment; that’s it.

Once I straightened my expectations out it was a very fun series to follow and after Madoka, I’m okay with something a bit lighter from Shaft/Shinbou. I definitely wouldn’t mind a sequel but there are a few series from Shaft that I rather see a sequel done first.

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The top four come next and then it’ll be time to start examining the new summer season .

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 2: Genre and Misfit Awards
Spring 2011 Awards Part 3: VMA Awards
Spring 2011 Awards: Top 8 Anime – #4 – #1

Filed under: anime, awards

After looking at the characters in part 1 and then the show built around those characters in part 2, the third group of awards will focus on the extras in an anime; namely, the vocal work, music, and animation quality. These components aren’t among the core reasons why an anime is successful or not but they can exert a surprising amount of influence for either outcome.

Not that I’m implying correlation equals causation; maybe that’s something Okabe from Steins;Gate could study after he was done changing the world’s ruling power structure and defeating the secret organizations – he could study how integral are the vocal work, music, and animation quality towards an anime’s success or failure.

Best Male Seiyuu

Winner: Mamoru Miyano as Rintarou Okabe from Steins;Gate and Shinku Izumi from Dog Days

The best part of the rather uneven Star Driver was Mamoru Miyano’s vocal work for the main character, Takuto Tsunashi. As a result of that role, I decided this season that it was worth checking out both anime that he was voicing the main character, Dog Days and Steins;Gate. He was merely good as the Hero in Dog Days but that had more to do with limited nature of the role and the animators behind the show. The role as mad scientist in Steins;Gate gave him much more room to perform and he took advantage of that.

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Best Female Seiyuu

Winner: Aoi Yuuki  as Victorique from Gosick and Tooru from A Channel

Runner-up: Yuu Kobayashi as Mariya from Maria+Holic Alive and Undine from Yondemasu yo Azazel-san and Ruka Urushibara from Steins;Gate, Aya Hirano as Katja from Seikon no Qwaser II and Shizu Shidou from Maria+Holic Alive

The meteoric rise of Aya Hirano’s career opened many doors for her but it also attracted a lot of noise from detractors that sometimes makes it difficult to remember underneath everything Aya Hirano is a very good voice actress. Both of her roles this season were smaller then I’d like but combined they showed that she has it. As for Yuu Kobayashi, I’ve been a fan of her unique talent for awhile now. I like the wide assortment of voices that she can bring to a role and this season saw her utilizing many of those voices in her various roles. My favorite was the cross-dressing Mariya. However, the winner just had to go to Aoi Yuuki for carrying, not one, but two anime series she starred in with just her vocal work. If it wasn’t for her, I’d’ve dropped both Gosick and A Channel for being complete wastes of time. Instead, in the end, I found both decent enough shows.

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Best OP

Winner: Maria+Holic Alive

Runner-up: Nichijou, Denpa Onna to Seishun Otoko, Dororon Enma-kun Meeramera, AnoHana

If this award was based solely on the song itself AnoHana would have won; I’ve had Aoi Shiori by Galileo Galilei on heavy repeat for weeks now. However, I also have to factor in the animation and how well the two work together to create the right mood for watching the episode. Using the full criteria, Maria+Holic Alive edges out the competition for the win.

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Best ED

Winner: AnoHana

Runner-up: Denpa Onna to Seishun Otoko, Nichijou, Gosick

This time AnoHana does win, in part, because they did that thing where the ending song starts playing as the last climatic scene plays out before going to credits in just about every episode. So now I associate the song with all the best moments of the show and the song’s soothing, cathartic nature was perfect for the show’s ending.

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Best Background Music

Winner: Nichijou

Nichijou is just the latest in a long string of anime series by Kyoto Animation that feature stellar background music. I’m sure there were other series that had good background music but I can’t remember any other leaving much of an impression on me.

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Best Dressed Characters

Winner: Denpa Onna to Seishun Otoko

Runner-up: Hyouge Mono

I’m slightly disappointed that Nichijou didn’t win this award; it might even be the first KyoAni series that didn’t place since I started giving this award out. There chances dimmed primarily because we don’t see many characters ever wearing non-school clothes. On the other hand, Denpa Onna to Seishun Otoko, had a plethora of different outfits that the characters wore (having one of your main characters never attend school helps this); so, it was the obvious pick. Hyouge Mono earned the runner-up spot for it’s characters sporting a nice amount of wardrobe changes including the Demon King’s eclectic fashion sense.

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Best Animation Style

Winner:  Denpa Onna to Seishun Otoko

Runner-up: Hanasaku Iroha

These last few years has seen the Shaft/Shinbou style of anime mature and hit that sweet spot of being just right for the series being animated. For Denpa Onna to Seishun Otoko another layer was added – extremely attractive character designs. In most of Shaft/Shinbou series the characters will, at best, look decent but many series have down right fugly looking characters. (Natsu no Arashi is one example.) I actually like this since it will help make the characters seem more realistic but it’s a nice to see something new coming from them. Also working in Denpa Onna to Seishun Otoko’s favor is Shaft/Shinbou creates the absolutely nicest night sky shots – no other animation company can match them.

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Best Animation

Winner: Nichijou

Runner-up: AnoHana, Hanasaku Iroha

As for the highest animation quality, Kyoto Animation is still incredibly hard to beat when they go all-out and this season no one could make this category a competitive one.

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Top Animation Studio

Winner: A-1 Pictures

Though with the frequency of financial home runs that A-1 Pictures has so quickly racked up along with consistently nice animation, Kyoto Animation may have a serious contender in the near future. (And yes, for the record, I loved the animation style to Birdy Season 2 and I continue to rank it as probably having the best done fights of any tv series that I’ve watched.)

The one weakness they’ve shown so far is not having a core group of directors that can ensure a consistent level of quality from their anime series. This season they had two series; the first, AnoHana, was directed by Tatsuyuki Nagai. Normally he directs for J.C. Staff and for them he’s directed Honey and Clover 2, Toradora, and Railgun. Their other series is Ao no Exorcist, directed by Tensai Okamura who’s done Wolf’s Rain and Darker Than Black (two series I haven’t seen yet but hear much praise for). By this point it should be obvious how much I liked AnoHana but Ao no Exorcist has been a small surprise itself; as a shounen-series-set-in-a-school-with-kids-who-have-special-powers, I wasn’t expected to particularly like it but I’ve come to enjoy my weekly doses of Ao no Exorcist.

So for fielding two hits for the spring season, A-1 Pictures gets the Top Animation Studio award.

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That’s it for part 3 of my spring 2011 anime awards. Stay tuned for my top overall picks of the season.

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 2: Genre and Misfit Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5
Spring 2011 Awards: Top 8 Anime – #4 – #1

Filed under: anime, awards

After focusing on the characters that populate the various anime in part one, this – the second part – focuses on the parts of the show that are built around the characters (for the most part). This division is one that I’ve come to value when assessing a series. For example, series like Maria+Holic Alive have a strong core of characters stuck in mediocre constructed show and series like Deadman Wonderland have the tools for a well-constructed series but lack the characters to make it work.

Like I said last time, there was a pretty broad slate of shows this season but there always seems like a few genres are missing each season. Which genres that are missing change with the seasons; this time there was a surprising lack of quality fan-service series (the absence of series from AIC this season probably has something to do with this). And other genres never seem to have enough qualifying series to warrant the inclusion of a category. This time that meant no awards for best slice-of-life and SF series.

Okay, that’s enough rambling; let’s get to this group of awards and don’t worry I will explain the above screenshot.

Best Action

Winner: Nichijou

Runner-up: Tiger and Bunny, X-Men

Action equals money spent on extra frames of animation and this season there was no action series that was given a large enough budget to do more than show flashes of action. That wasn’t to say that the season was without a consistly action-packed anime series; we had Nichijou – a comedy series. German suplexes, epic chase scenes, explosions, festival shooting galleries, sisterly kendo matches over sweets, mosquito swatting and human missiles were just some of the action packed scenes from Nichijou this season.

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Best Fight

Winner: Ep.12 of Dororon Enma-kun Meeramera

The best fight was, without a doubt, episode 12 of Enma-kun. Brains Base took an already crazy show, jacked it up a couple orders of magnitude and removed all the restraints. The result was truly epic.

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Best Comedy

Winner: Nichijou

Runner-up: gg’s fansub of Hidan no Aria

The top image of this post is related to the runner-up for best comedy – the fansub group gg’s sub of Hidan no Aria. J.C. Staff has always been weak at improving a show when the source material is bad but this time it felt like they weren’t even trying to make Aria a better show. The result was a show that’s painful to watch and it’s here gg stepped in. The result provided almost as much laughs as Nichijou this season and Nichijou was positively bursting with laughs.

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Most Entertaining

Winner:  Dororon Enma-kun Meeramera

Runner-up: Tiger and Bunny, Hyouge Mono, Denpa Onna to Seishun Otoko

Comedy is definitely a subset of Entertaining but often the most entertaining shows are ones that only provide sparse comedy. Enma-kun was consistently entertaining by always coming up with some off-the-wall idea and keeping the viewers guessing. It was also entertaining because it’s retro feel made it a unique experience. I’m not complaining about the overabundance of anime that follow modern anime stereotypes and tropes but a little variety is nice.

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Most Interesting Setting

Winner: Hyouge Mono

Runner-up: Steins;Gate, C – The Money of Soul and Possibility Control

I fell in love with the Sengoku era of Japanese history after the completely over-the-top series Sengoku Basara turned out to be a pretty historical show so when the chance to watch another show set in the same time period came up I jumped on it. So far they’ve introduced an even wider cast of characters that couldn’t possibly exist but actually do and there’s been political intrigue, posturing and double-crosses all by the end of episode 5. Also in the mix is seeing how western influence is just starting to affect Japanese society which includes the viewers being introduced to a Christian warlord who’s destined to flee to the Philippines after Tokugawa clamps down on Christianity.

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Best Plot

Winner: Steins;Gate

Runner-up: Hyouge Mono

So far Steins;Gate has felt like X-Files when it was in it’s prime and that’s a great thing to be like. Hopefully, as more of the plot gets revealed it doesn’t follow X-Files into the boring mediocrity that was the ending of X-Files.

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Best Story

Winner: AnoHana

Runner-up: Tiger and Bunny

After creating a group of flawed, compelling characters the creators needed a good story to fully realize the potential of the characters and trying to fulfill the final wish of a young girl was just that sort of story. It’s not that complex or unique of a story but in the right hands it didn’t need to be. AnoHana had those hands in the name of Tatsuyuki Nagai and everything just came together.

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Best Villain

Winner: Heaven from Dororon Enma-kun Meeramera

Runner-up: CERN from Steins;Gate

Heaven was featured in another anime, Yondemasu yo Azazel-san, this season and there it was merely presented in a very unflattering light but Enma-kun takes it a step further and turns them into the villain that our rag-tag group of heroes (4 demons and 1 human) must  stop before a global apocalypse occurs. It reminded me of the Terry Pratchett & Neil Gaiman classic Good Omens, a book I highly recommend. Having heaven show up as the villain provided a nice twist like how the demons in Panty and Stocking were the law-abiding rule following citizens.

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Best Final Episode

Winner:  Dororon Enma-kun Meeramera

Runner-up: AnoHana, C – The Money of Soul and Possibility Control

I didn’t think it possible that an anime could squeeze through with a better final episode then AnoHana but Enma-kun did it. I already mentioned a few reasons why this episode was so awesome earlier when it won best fight but there were so many other reasons. For instance, this episode actually tied-up many of the story threads that got introduced earlier in the series, giving this series a real sense of closure. There were several elements to C that prevented it from reaching it’s full potential but it was still able to cobble together a very interesting final episode and ending. It didn’t make total sense but it was at least interesting.

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Best Ending

Winner:  AnoHana

Runner-up: Dororon Enma-kun Meeramera

Overall, though, AnoHana had the best ending and it goes back to how well the show was executed. The biggest thing that helped the show was that AnoHana didn’t attempt an overly complex story that couldn’t be finished satisfactorily in 11 episodes like several recent Noitamina series. *cough*Fractale*cough*C*cough

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Most in Need of a Sequel

Winner:  Denpa Onna to Seishun Otoko

Runner-up: Dororon Enma-kun Meeramera

I’d definitely watch a sequel to either of these anime but in both of these cases there are other series I’d rather see first animated by their respective animation studios. Enma-kun comes from Brains Base and I’d really like to see a third season of Spice and Wolf first (now that Natsume’s Book of Friends is getting a sequel). Denpa Onna to Seishun Otoko comes from Shaft and I’d like to see a third season of Arakawa Under the Bridge or a fourth season of Hidamari Sketch and Sayonara Zetsubou Sensei first.

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That’s it for part 2, the next part is the VMA awards.

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 3: VMA Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5
Spring 2011 Awards: Top 8 Anime – #4 – #1

Filed under: anime, awards

The near-totality of Puella Magi Madoka Magica’s dominance in the various categories made writing up a winter seasonal awards post pretty pointless. This season, however, saw a more diverse and larger group of noteworthy anime to choose from.  There was shows about ghostly girls, alien girls, superheroes both in America and Japan, demons of Hell with undemon-like behavior (4 different ways), conspiracies,  cautionary tales about monetary policies and privately owned prisons, the everyday life of various people from metaphorical trolls to lesbian stalkers to high school girls, historical tales set in the Sengoku period (both genderbent and tea-centric) and an alternative 1920’s where Victorian fashions were still worn along with the standard handful of decent to poor shounen series and low-budget/low-quality fan service shows that every anime season seems to have. So let’s take a look back the spring anime season.

Before starting, below is a listing of the shows that I watched this season and are the pool from which the picks for all the awards are coming from.

Also, as a reminder, I’ll try to keep spoilers to a minimum but there’ll be some because of how they’ll relate to specific awards. As for the continuing shows, only the part of the series that ran during this season is under consideration for this season’s awards.

Carry-over shows watched this season (1): Gosick

New shows watched this season (20): X-Men, Dog Days, Tiger and Bunny, Nichijou, Yondemasu yo Azazel-san, Hanasaku Iroha, Fireball Charming, Steins;Gate, Hyouge Mono, Hidan no Aria, A Channel, Denpa Onna to Seishun Otoko, Dororon Enma-kun Meeramera, Maria+Holic Alive, Ao no Exorcist, The World God Only Knows II, Seikon no Qwaser II, C – The Money of Soul and Possibility Control, Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai (AnoHana), Deadman Wonderland

Shows that got dropped (8): Hen Zemi, Oretachi ni Tsubasa wa Nai, Hoshizora e Kakaru Hashi, Sengoku Otome – Momoiro Paradox, 30-sai no Hoken Taiiku, Sket Dance, Sofuteni, Astarotte no Omocha!

Best Female Main Character(s)

Winner: Nano from Nichijou, The Professor from Nichijou

Runner-up: Ohana from Hanasaku Iroha

Nano’s eternal quest to slow how quickly The Professor gets into trouble, pass as a human and go to school makes her an obvious pick for this award but leaving out the other half of this comedic duo dynamo – The Professor – with her precocious intelligence bent on world snack domination just felt wrong. They beat out Ohana; she was a character that I was sure at the beginning that I would detest but she turned out to be the exact opposite.

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Best Male Main Character

Winner: Rintarou Okabe from Steins;Gate

Runner-up: Tiger from Tiger and Bunny, Furuta Sasuke from Hyouge Mono

Early on, when I was still unsure how the plot to Steins;Gate would play out, the reason I kept watching was mad scientist Rintarou Okabe was an absolute treat to watch. I was worried, however, that he’d become boring after a while if the “mad scientist” shtick got old but, with every episode, we learn more about him and what makes him tick and he’s pure distilled awesomeness.

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Best Supporting Character

Winner: Grandma from Hanasaku Iroha

Runner-up: Matsurika from Maria+Holic Alive

A couple of years back I wrote a short post about how anime needs more old characters. One of the reasons is their age instantly gives them the a body of experience that quickly and easily gives them a depth to their character that younger characters have to struggle to obtain. The grandma, Sui Shijima, from Hanasaku Iroha is another great example of this and is easily the best part of the show.

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Best Screen-grabber

Winner:  Meme from Denpa Onna to Seishun Otoko

Loud, brash, and egocentric Meme becomes a screen-grabber whenever she’s onscreen, even if the other characters would rather her not be. I still don’t particularly like Meme because of her complete lack of decent parenting shown at the beginning of the series but throughout the series she’s shown that there is a decent human being inside.

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Best Couple

Winner: Prince Enma and Princess Yukiko from Dororon Enma-kun Meeramera

I keep this award just to actual couples in the anime so that sadly left AnoHana out of the running, even with it’s tantalizing hints at how the characters would couple-up after finally moving on from the memory of Menma. Instead, I choose the oddball couple of Prince Enma of Hell and Princess Yukiko, the ice demon. I’m not sure how it’ll work out but this relationship was on the smaller reasons for how good Dororon Enma-kun Meeramera ended up being.

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Best Character Ability/Power

Winner: Rintarou Okabe’s ability to remember past world lines from Steins;Gate

Runner-up: The ability to control an element from Seikon no Qwaser II

By rights, being able to control an element should win this category but, much like the alchemy in Full Metal Alchemist, it’s never exploited to it’s full potential. (For example, who cares if one can make cool iron scythes; let me see that person fight if his lungs are full of helium or that person has all the calcium drawn out of his bones, breaking them, and then having a heart attack from having way too much calcium in the blood or that person’s sodium levels are changed causing diarrhea, disorientation, lethargy, seizures and a coma or one of my sister’s favorite, the nursing student one, have his potassium levels changed causing paralysis, a heart attack and an inability to breathe among other fun things.) Rintarou Okabe’s ability to remember past world lines in a normal person wouldn’t be that noteworthy except he happens to be studying time travel and one of the side-effects of the type of time travel he’s perfected causes him to jump to alternative world lines.

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Best Cast of Characters

Winner: AnoHana

Runner-up: Hyouge Mono, Tiger and Bunny

This was almost as easy to pick the winner as the next award but Hyouge Mono and Tiger and Bunny put up a spirited charge. I could even see Hyouge Mono edging AnoHana but there’s only been 5 episodes subbed so far and the characters are just now getting a chance to shine.

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Best Character Development for Cast

Winner:  AnoHana

This is the easiest award to pick for this season and should be self-evident.

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Best Character Development of a Single Character

Winner:  Rintarou Okabe from Steins;Gate

I love how Steins;Gate started out with a great character, Rintarou Okabe, and has slowly built him up even more. Episode 13 gave us some tantalizing hints at how much room there still in for Rintarou Okabe to grow. I could very well be back next season calling him one of the greatest characters of the year (if the ending doesn’t stink and he gets the chance to continue improving).

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That’s the end of part 1; I hope to have the second part up within a day. Comments and feedback are always appreciated – I’d love to see what others would pick.

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Spring 2011 Awards Part 2: Genre and Misfit Awards
Spring 2011 Awards Part 3: VMA Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5
Spring 2011 Awards: Top 8 Anime – #4 – #1

Filed under: anime, awards

Well, it’s the final day of our awards, and after covering the music and characters awards, then the special interest ones, we come the actual meat of them, the genre and medium awards. Here are the shows we considered to be the very best in their respective genres or mediums. The ones that we could point to and say, “This is what other anime should strive to be like.” The ones that we fell in love with. The ones that left us wanting more or overwhelmingly satisfied. In short, these were the best anime of 2010.

Note: due to a dearth of good OVAs this year, we have decided to omit that category and to create a new one, Best TV Show With An OVA-like Release Format. (I’ll give you 12 guesses as to which show won that one).

Best Action: Evangelion 2.22: You Can (Not) Advance

It’s cliche to say, but Evangelion 2.22 was a jaw dropping tour de force of high octane action with eye popping visuals that kept you on the edge of your seat. Feel free to quote me on any part of that. From Mari’s delightful romp to begin the movie to the desperate last stand to protect NERV by 3 Evas against Zeruel, Evangelion 2.22 was chock full of the most intense, beautiful, and exciting action scenes in any anime, not just last year, but ever. For that reason, it receives Borderline Hikikomori’s Best Action of 2010 award.

Dissenting Opinion: Panty & Stocking with Garterbelt
Episodes 1b and 6. Seriously, that’s all the explanation you need. Starting from the introduction of the demon sisters, episode 6 was just a nonstop roller coaster ride, a perfect blend of CG and cartoony action with a nice mix of vehicular chases and crude gun-kata. And all of it had simply perfect cinematic timing. Panty & Stocking with Garterbelt was yet another affirmation that, more than anything, action is Gainax’s main thing, and they’re really, really good at it.
 

Best Comedy: Seitokai Yakuindomo

While I’m not really a fan of shows adapted from 4 komas, this show was an exception in my book. Did a lot of the jokes fall flat? Yeah. Did I understand all of the cultural references? No. But it didn’t matter. Seitokai Yakuindomo was an express train full of jokes, one after the other, and there was bound to be more than enough jokes each episode for anyone over the age of 14 to enjoy. Plus, it’s blatantly perverted, and you can never go wrong with that.

Dissenting Opinion: Working!!
Milder and warmer than Seitokai Yakuindomo, Working!! really hit its stride later on in its run (with the appearances of Yamada and Kotori). Like the winner of this award, the series knew its characters well, using their established quirks to good effect. It was a real treat to watch the staff members of Wagnaria interact, fall in love, wreak havoc and have fun. Here’s hoping for a second season!
 

Best Drama: Rainbow

Drama is what Rainbow does. It starts by following seven young men in a detention facility. This is not just a crash course in survival, not just the fast track to growing up, but also an eye opening example of corruption in those who profess to uphold the law. It continues to follow them afterwards as they struggle to make headway in the world. They seek out their dreams even amidst heartbreaking failures at every turn. Sometimes it does overplay the drama, especially towards the beginning, but overall it tells a very strong story set in 1950s Japan.

Dissenting Opinion: The Disappearance of Haruhi Suzumiya
Disappearance is a work that succeeds in many genres, such as science fiction or mystery, but what defined the movie was, as expected, the relationship between Kyon and Haruhi. After all, the purpose of the entire premise was to set up Kyon’s quest to find Haruhi after her mysterious disappearance. Though Haruhi was indeed missing for most of the movie, the effects of her relationship with Kyon could be felt throughout. The powerful climax did not concern Yuki or the mystery, but rather came when Kyon finally worked past all the layers of his internal denial and accepted his own feelings with regards to Haruhi. The Disappearance of Haruhi Suzumiya was not only a magnificent piece of entertainment, it was also an exceptional work of human drama.
 

Best Thriller: Shiki

Shiki began slowly and fairly quietly, with a tremendously menacing atmosphere and lots of general eeriness. As the weeks went by, these elements were gradually built upon, and things became more and more tense. This all led up to a nerve-fraying, horrifying, relentless, and truly memorable final act. At times brutal and heartbreaking, and often chilling, Shiki‘s strength lay in its exploration of the courses of action its characters took when times turned dark. It sits comfortably among the best works of 2010.

Dissenting Opinion: Durarara!! First Half
The first half of Durarara!! was an impressive accomplishment in narrative, taking us through the maze of the players of Ikebukuro as well as their conflicts, weaving a complicated and multifaceted tale that kept us hooked the whole time. We fell in love with Celty’s unending search for her head, learned to respect Izaya’s detestable sociopathic tendencies, were creeped out by the unhealthy obsessions of the Yagiri siblings. All the while, a remarkable tale about the power of today’s social networks unfolded around these characters, leading to an unforgettable climax as the Dollars finally made their move. Though the second half of this show left plenty to be desired, the first half was an excellent tale on its own that displayed the best of how an anime can tell a thrilling, complex, modern tale.
 

Best Movie: Evangelion 2.22: You Can (Not) Advance

Come on, it’s Evangelion, in movie form, with less moping, plus it goes in a completely new direction. Sure there is the stellar animation, music, and story, but if you’re reading a site like this, do you really need me to say anything you haven’t already heard about Eva?

Dissenting Opinion: The Disappearance of Haruhi Suzumiya
For a more complete explanation, you can read my full review of this astounding movie. See, Evangelion 2.22 was a fine movie. But it was building upon a franchise that was already on a roll. Disappearance had the challenge of resurrecting what once used to be a great franchise – possibly the biggest of the decade – from a disastrous 2nd season that had taken it straight from the top all the way to the bottom. And somehow, it did it. It made Haruhi good again. Not only good, it reached levels of greatness that equaled that of 2006′s Melancholy, the one that had started it all. And it used no gimmicks, no tricks, no smoke and mirrors. It just did all the traditional stuff: narrative, pacing, writing, humor, art design, cinematography, music, and did them all exceptionally well, easily up to the standards of any movie, anime or no.
 

Best TV Show With An OVA-Like Release Format: Katanagatari

Over twelve months, Katanagatari presented us with an epic journey driven in equal measure by its plot, its characters, and its dialogue. Banter between Togame and Shichika shed light on their personalities, their thoughts and their feelings, and discussions between them and the antagonists shed light on insecurities, mental states and more. The story itself was also a success; the format would have become dull had it not been for variation between months, but Katanagatari delivered a tremendous amount of that. Indeed, things were consistently made interesting thanks to the colourful cast and storytelling and thanks to author Nisio Isin’s desire to both subvert and embrace all sorts of tropes. Admittedly, though, it was the finale that ended up making the series; it capped off the quest and the personal growth of the characters in a manner that was grand, memorable, and terrifically fitting. It was perfect for the show, and was a wonderful way to finish a wonderful series.

Dissenting Opinion: Katanagatari
Katanagatari has gotten a lot of recognition in this post because it’s done a lot of things right. It tells a story of anti-heroes and anti-villains, all with their unique and memorable characteristics. Few are truly evil are truly good. Instead, everyone is firmly planted in a moral grayness that makes you question who, if anyone, is truly right. Even the ending doesn’t answer the question; it only tempers it. It has a very nice art direction going for it, filled with vibrant and full color pallets and fluid animation. Actually, the style of the series is what first drew me into the series. Much of Katanagatri is fought with a war of words, with excellent voice acting. However, when it finally comes to blows, the short battle sequences are still quite impressive. Even the broadcasting style is a bit unique. It easily tops my list of series watched in 2010, and I wish someone would pick it up for release in the overseas markets.
 

Best TV Show (Traditional): The Tatami Galaxy

With its narrative, The Tatami Galaxy succeeds in doing what most anime don’t even attempt, but which is required for any work of fiction truly to be great: it tells us something meaningful about the human condition. There are many messages that it successfully delivers, most of them banal, about taking personal responsibility, the complexity of humans, appreciating what you have. But the most powerful message of this show ties perfectly with the show’s central Groundhog Day concept, regarding second chances: in real life, there are none, but there is nothing wrong with that, because it is never too late to reach for happiness. In ending the show with the protagonist starting a new life after his wasted 2 years, this is the message that it leaves us with. Of course, The Tatami Galaxy succeeds in all the more typical things as well. It has a wonderfully distinct and expressive art style. The stories it tells with its cast of characters are consistently interesting and entertaining. The writing is funny, aided by the lightning quick delivery of the protagonist. In combining this endlessly fun product with a set of powerful and relevant messages about humanity, life, and the pursuit of happiness, The Tatami Galaxy is deservedly Borderline Hikikomori’s Best TV Show (Traditional) of 2010.

Dissenting Opinion: Angel Beats!
I laughed, I cried, it was better than Cats. Seriously, this show had everything you could have ever possibly wanted in an anime (and if it didn’t, you’re dead inside). From Yui’s antics to Kanade’s quest for Mapo Tofu to GirlsDeMo, it was almost as if the creators used a checklist to make sure that every anime trope was present and accounted for. Was it perfect? No. But then again, isn’t it life’s imperfections that remind you of how great life really is? Sure, there were a lot of things that seemed random and out of place in the show, but I assure you that this was no accident.
In a way, Angel Beats took a path that was remarkably similar to its characters. Perhaps the randomness of it all, the checking off of the standard character types and situations, the confusion, the loudness, and yes, even the infamous love scene, were meant to convey to us what exactly was going on in these character’s minds. And then, it all came to an end rather quickly, much like a lot of things in life.
Alas, I wasn’t able to convince my comrades here at Borderline Hikikomori that Angel Beats deserved to be the best show of the year. In fact, they all seemed to all have some level of contempt for it. But I know better, and now, you do to.
 
 

Well, there you have it. That’s it for our 2010 awards. If you’re keeping score at home, Katanagatari was the big winner, with 4 wins in some of the most important categories: Best Female Character, Best Characters Overall, Best Ending, and Best TV Show (its own category). It also garnered a dissenting opinion, for Best Concept, which it lost to The Tatami Galaxy, which won the Best TV Show (Traditional) category. The Tatami Galaxy also got the nod for its Best Concept and Best ED, while playing second fiddle Best Characters Overall and Best Male Character, which it lost to Durarara!!‘s deserving villain/anti-hero Orihara Izaya. Durarara!! also impressed us with its Best OP, while its impressive 1st half was enough to earn a dissenting opinion for Best Thriller.

Among movies, the two big guns, Evangelion 2.22: You Can (Not) Advance and The Disappearance of Haruhi Suzumiya were the story. Besides taking the spots in the Best Movie award, they managed to impress with their Art (Disappearance), Action (Eva 2.22), Drama (Disappearance, dissenting), and Music (Eva 2.22). Perhaps overshadowed was Angel Beats! which, despite not winning anything, managed to get a dissenting opinion both for its Music and Best TV Show (Traditional).

Anyway, I write again, 2010 is in the books, and it was a good year for anime, we like to think. Here’s to hoping that this year will be even better!

Yesterday, we kicked off our 2010 awards with the Music and Characters section. We continue today with the special interest awards. This is for all the niche categories, for works that we enjoyed or suffered through in some notable and specific manner. As promised, Biggest Letdown is among them, but to complement it, we also have the Biggest Pleasant Surprise, as well as a bunch of others. But why don’t we start off with what is surely the most obvious of the special interest categories…

Best Fanservice: Highschool of the Dead

For the inventive use of machine guns, aprons, and “I’m Wet,” if nothing else.

Dissenting Opinion: Yosuga no Sora
I admit that Highschool of the Dead had some epic and innovative fanservice. But, come on, Yosuga no Sora had straight-up, on-TV sex. Twin sister servicing you under the table sex. Glasses wearing “onee-sama” having her way with you when you’re 12 sex. It was dirty, crass, blunt, and shameless. And in the end, isn’t that what fanservice is all about?
 

Most Fabulous: Star Driver

It’s overflowing with camp, filled with symbolism and faux-symbolism and an abundance of fanservice of the (mostly) non-sexual kind. The characters interest and amuse, and there are shipteases of the yaoibait, yuribait and hetbait(?) varieties. There’s an immense amount of fun to be had theorising, mulling over, laughing at and laughing with. And there’s fabulousness. So much fabulousness. Even though it’s barely into its second half, surely Star Driver deserves some recognition for that.
 

Best Concept: The Tatami Galaxy

Of course, the concept of a character repeating the same time period over and over again is not a new one. It even has a label: “Groundhog Day,” named after the well known and excellent Bill Murray movie from 1993. But what makes the concept of The Tatami Galaxy so powerful is its own twist that it puts on this well worn formula. At first, each universe is distinct, a separate “what if” story starring the same set of characters with no continuity in between. It’s only when you’ve gotten comfortable with that formula that it pulls the rug out from under you, connecting all these stories together into a strong, cohesive narrative. It was a supremely clever twist to an already great formula, allowing the show to have as much philosophical and emotional impact as it had.

Dissenting Opinion: Katanagatari
12 episodes. 12 months. 12 swords. 12 owners. 12 lands. 12 Maniwanis. The number 12 gets thrown around a lot in Katanagatari. This show really isn’t about the battles, it’s about the journey: a quality played up by the seas of dialogue in every episode. That might push some people away, but it also gives everyone a chance to shine, even the villain of the week. It’s worth noting that 12 signifies organizational completeness. The series doesn’t disappoint in that department, as it’s a complete and sweeping epic in the traditional sense of the word.
 

Best Art: The Disappearance of Haruhi Suzumiya

While not everything that was wrong with the second season of Haruhi was fixed in Disappearance, the art sure took a big step up. Most importantly, the animators did a good job of setting a mood with the animation that helped us feel more drawn into the story. Plus, the long haired version of Haruhi is just awesome.

Dissenting Opinion: Bungaku Shoujo
Bungaku Shoujo could look absolutely breathtaking at times. Clean character designs stood out against phenomenally beautiful backgrounds, while the use of colour and light was top-notch. Particularly impressive, too, was the amazing attention to detail. All this made for an immersive movie-watching experience… albeit one we felt the need to pause quite a few times (to take in the art, of course).
 

Biggest Letdown: Black Rock Shooter

The pre-release hype surrounding this was overwhelming. Perhaps too overwhelming for an OVA that took its inspiration from the illustrations accompanying a Vocaloid song and one that was animated by a studio producing their debut solo work. But the previews showcased gorgeous art, fluid animation and fantastic action scenes. Fans were preparing for something epic. Instead, we got something much more bland and laid-back, something disjointed and messy. The art was still gorgeous, the animation was still fluid, yes, but Black Rock Shooter was distinctly lacking. One gets the feeling that, even if expectations had been lower all around, it still would have felt that way.

Dissenting Opinion: Baka to Test to Shoukanjuu
I’m probably generating some anger for this, but the more I think about it, the more Baka to Test to Shoukanjuu disappointed me. It started off exactly how I wanted. I was really looking forward to the battles, and it delivered. Then they put the battles on a bus to hell and took a right turn on romantic comedy. It degenerated into generic territory. Episode 8 was a ray of brilliance, but it only reminded me of what the show could have been. Then there was the ending, which made me want to punch a baby. It had a fantastic gimmick to exploit. Instead, it completely lacked direction and never rose out of mediocrity. So disappointing.
 

Biggest Pleasant Surprise: Working!!

We really didn’t expect much beyond your typical 4koma fare out of Working!!. Of course, we figured some restaurant related comedy would be a bit amusing. It went beyond our expectations. It utilized all the character’s personalities well and managed to keep the running gags fairly fresh through the entire run. Yes, even Mahiru’s kneejerk reaction to men. It even delivered a coherent and highly relevant romantic subplot that developed naturally. This is one we’re glad we didn’t miss during the Spring season.

Dissenting Opinion: Baka to Test to Shoukanjuu
I had no expectations for this series going into it, and I suppose that is where my vote comes from. Some might say that a lot of the jokes were repetitive and that you could see them coming from a mile away, but the show offered something new every week in terms of settings, characters, and well placed references that always got a belly laugh or two out of me.
 

Worst Ending: Black Rock Shooter

Just when Black Rock Shooter looked like it was taking a turn for the better, just when it looked like the various threads of the story were going to be pulled together, just when it looked like we were going to get some pay-off out of all that build-up, things fell short and crumbled. Instead of a powerful conclusion, we got a miserable failure of a denouement, “I am… Black Rock Shooter,” unanswered questions and unaddressed emotions. Thanks, Ordet. (And with this, Black Rock Shooter sweeps the “worst” awards!)

Dissenting Opinion: Amagami SS
Amagami SS didn’t have any one ending as spectacularly bad as Black Rock Shooter‘s. But what it didn’t have in quality, it more than made up for in quantity, with no fewer than SEVEN endings that ranged from downright offensive (Haruka) to just plain bad (Rihoko). Sex Hair‘s and Ai‘s endings could hardly even be called endings, but rather just lazy stops with no conclusion, no climax, no denouement. The only one that could be excused was Sae‘s, and only because her entire arc was a joke. And as for the whole show, Risa’s episode served as an ending to the series that showed off everything about why it sucked.
 

Best Ending: Katanagatari

“[Shichika Yasuri] may have died by the roadside in the middle of his journey, or he may have completed the map of Japan, then sailed to a foreign country and continued his journey. But even after everything was over, after the historical plan connecting man and swords failed, be it for a long or a short period, he certainly lived. That was something everyone surely wanted.

“The ones who failed at revenge, the ones who failed at their goals, the ones who fell before achieving their aspirations, the ones who didn’t succeed, the ones who lost, the ones who stumbled, the ones who rotted, the ones who fought with all their might, sacrificed everything, just to have their work be for naught, yielding fruitless results, who died unfairly, or perhaps illogically, tragically, without face, full of regrets; the story which offers a happy future for them, filled with hopes and dreams, ‘Katanagatari,’ quietly lowers its curtains here.”

-Narrator, closing lines of Katanagatari

There are several reasons to like Katanagatari’s ending. Some people liked listening to Togame’s speech, and some liked to see Shichika finally cut loose without any limitations. To appreciate it, though, takes a bit more time and effort. An incredibly intricate plan is unfolding throughout the series, and all the pieces fall into place starting in episode 10. Even after the finale’s end, it’ll take a while to absorb everything. When you finally do though, you’re not just rewarded with a sense of accomplishment, but a much better understanding of the journey. Few endings have made us think as much as this one. And the beauty of it all made us settle on it as the best.

Dissenting Opinion: Bakemonogatari

“I may meet more oddities in the future. But that’s okay. Now I know. There are dark places in this world, as well as things that inhabit them. For example, even within my own shadow. The culture festival finally starts tomorrow. Our class’s project is… a haunted house.”

-Koyomi Araragi, closing lines of Bakemonogatari

I already wrote a bit on this during our 12 Days of Christmas last year. The 15th episode of Bakemonogatari had the impossible task of providing a worthy ending to 2009′s most popular series nearly a year after the 1st episode had aired on TV. The difficulty was compounded by episode 12, which had provided a stunning and memorable finale to the show’s TV run, as well as by the way the different arcs of the show were separate from each other. Well, it somehow managed to do it. It tied together the different arcs with the central theme of human cynicism and provided closure with a beautiful montage of the show’s high schoolers celebrating Meme Oshino’s memory after his departure. At the same time, Bakemonogatari forgave the cynicism, making its final message one of moving on with hope in life regardless of what troubles might lie ahead. The final scene of Koyomi and Hitagi going on their second date is beautiful and served as a fitting finish to one of the most significant anime of the past 2 years.
 
 
Well, that’s it for all our special interest awards. As you can tell, Black Rock Shooter came out quite the winner (loser) last year, while Nisio Isin showed the anime world how stories should be wrapped up with his double whammy of Katanagatari and Bakemonogatari. Working!! really caught us by surprise, while Baka to Test to Shoukanjuu failed at winning the top spot for either being unexpectedly great or unexpectedly bad.

Come back tomorrow for our Genre and Medium awards, where we’ll list and talk about what really were the best of anime in 2010.

So 2010 is in the books and has been for almost 3 weeks now. And just like last year, we here at Borderline Hikikomori have come together to decide on which works of anime released last year we liked the most – and sometimes the least – and in what ways (Because this is an English language blog run and read primarily by English speakers, we considered works that only became widely available to the English speaking public in 2010 as well, even if they had been released earlier).

In order to properly reflect the variety of opinions of the 4 different bloggers here, each category also has a “dissenting opinion” portion in which one of us who might disagree strongly with our selection makes his case for another one that he deems more or just as worthy (It also helped to prevent us from wanting to tear each other’s eyes out during our discussion).

Unlike last year, due to the sheer number of awards, we’ve decided to split this up into 3 parts. We’re starting today with Music & Character awards, while we’ll present the more niche Special Interest awards tomorrow, and finally finish up with the more classic best-in-class Genre and Medium awards the day after.

So, without further ado, let’s look at our Music and Character category winners for 2010.

Best OP: Uragiri no Yuyake (Theatre Brook, Durarara!!)

You’d expect a good OP from the same people who brought you Baccano!, and Durarara!! did not disappoint. It does an excellent job, not just establishing the boatload of characters you’re going to see throughout the series, but also the world in which they live. In addition, the short summary of the previous episode fit well into the opening. The kicking rock beats of Theatre Brook’s Uragiri no Yuyake back the animation. The title can translate to Sunset of Betrayal, which is apt considering the content of the series.
Dissenting Opinion: God Only Knows (Ontario, The World God Only Knows)

Don’t get me wrong, Durarara!!‘s first opening is good, but I liked it better the first time when I watched Baccano!. I need more than well done transitions between characters. Instead, I vote for The World God only Knows as I think that it had the better song, and the way Keima’s environment shifted was far more appealing.
 

Best ED: Kami-sama no Iutoori (Etsuko Yakushimaru, The Tatami Galaxy)

This ED has the whole package. Etsuko Yakushimaru’s voice is gorgeous and clear, and the synths that act as her backing are precise and strangely lovely. These components of the song merge brilliantly together, with neither overwhelming the other and both sounding fantastic. The accompanying animation, too, is simple but elegant, and it fits the show perfectly.
Dissenting Opinion: Maids Sanjou! (Chiaki Omigawa, Aoi Yuuki, Rieka Yazawa, Ryouko Shiraishi, Yet the Town Keeps Going)

The ED from Yet the Town Keeps Going isn’t very flashy on the visuals, but it really works for the series. I loved how the characters personalities are brought out in the lyrics each one contributes to the song. It’s got a rather unorthodox rock arrangement. The violin is increasingly appearing in this genre, but certainly not the accordion. In addition, this is Rieka Yazawa’s (Futaba Kon) first contribution to an ED, and I feel like she, as the lead vocalist, knocked it out of the park. I’m definitely looking for more from her in the future.
 

Best Music Overall: Evangelion 2.22: You Can (Not) Advance

On its own, Eva’s music is good, but it isn’t genuinely mind blowing. However, when you combine the music with the stunning visuals and awesome story, you get something amazing. While I could speak to how awesome Today is the Time for Goodbye (played during the dummy plug scene) was or how relaxing the water treatment’s plant theme music was, I am only going to tell you to YouTube the final scene in the movie with the song Give Me Wings (Tsubasa Wo Kudasai), as that will make my point for me. Assuming you have already watched it of course.
Dissenting Opinion: Angel Beats!
The whole premise behind Girls Dead Monster was flimsy at best, and the music isn’t going to rewrite the book on how music should be made. Still, songs like Little Braver, Rain Song, Thousand Enemies, My Soul, Your Beats!, and Crow Song are all good songs that I haven’t even thought about deleting from my YouTube playlist.
 

Best Male Character: Izaya Orihara (Durarara!!)

Izaya garnered love, hate, and everything in between from all corners of the fandom. A manipulative bastard with humour, energy and intelligence, his personality was complemented by a sharp character design by Suzuhito Yasuda. Importantly, Izaya continues to be very memorable over a year after his anime debut; this is perhaps owed to the fact that he seemed near omnipresent around the ‘sphere during Durarara!!‘s run and beyond. In any case, we found every scene he was in to be a joy to watch, and we know many others did as well.
Dissenting Opinion: Ozu (The Tatami Galaxy)
One of the main themes of The Tatami Galaxy was the complexity of humans, and though it had plenty of good candidates, no one exemplified that as well as Ozu. He was depicted for the vast majority of the show as an evil force meant to keep the protagonist from achieving his goal of the “rose-colored” campus life. But during the protagonist’s epiphany, he – and we – learn to appreciate him for who he really is, just another lovestruck fool who was trying his best to enjoy his own life.
 

Best Female Character: Togame (Katanagatari)

As far as Katanagatari goes, some people loved her, and some loved to hate her. We fell into the first camp. She talks big by labeling herself as a “strategian,” and she actually has the skills to back it up. Shichika slowly changes her character over the course of the series, but in the end, she simply can’t shake the shadows of her past. Her speech in episode 12 caps off a very complex and conflicted woman. We’re still not entirely sure where she really stood. Oh, and her constant “Cheerios” were pretty endearing.
Dissenting Opinion: Hotori Arashiyama (Yet the Town Keeps Going)
No other female character had as much character as our favorite blowfish cheeked maid. She was not particularly perceptive, downright dumb at times, and always a whiner, but in everything she did, she gave it her all. And that made watching her really really fun. Her best moments came when she didn’t let logic or rules stand in her way, such as calling out the Egyptian god for his unfair technique of judging humans or giving her math teacher a lateral thinking puzzle as a challenge. Her strong personality built up to the powerful ending, when, as we watched her family and friends mourn that they would never see her again, we realized that we felt the same way. Hotori Arashiyama, you and your thousand reaction faces will be missed.
 

Best Hideyoshi Character: Hideyoshi Kinoshita (Baka to Test to Shoukanjuu)

Perhaps one of the most forced characters in some time. Still, it was responsible for a lot of funny jokes on the show, and a bunch more less funny memes online.
 

Best Characters Overall: Katanagatari

Katanagatari wins this award more for how it used its characters than for its characters themselves (though they were wonderful as well). Throughout the series’ twelve months, we were introduced to a multitude of people, all of whom were made fascinating; characterisation was both strong and memorable. The development of Shichika in particular was a constant, important thread throughout the show, and it culminated in a glorious finale. As well, expectations were subverted and challenged with regards to all those who appeared, making for an excellent watch.

Dissenting Opinion: The Tatami Galaxy
I state again, the complexity of humans was one of the core messages of The Tatami Galaxy, and it couldn’t have delivered it effectively without its strong cast of characters. They at first appeared as mere caricatures, but the show revealed their complex, human sides slowly through various exposures. All this was aided by the unique character designs, showing the ugly and beautiful sides to each person with highly flexible artwork. The protagonist, Ozu, Akashi, Higuchi, even Hanuki and Jougasaki, all were unique, flawed but likable in their own way and served their roles perfectly for the larger narrative. Plus, this show had Johnny as the protagonist’s sex drive, along with the best depiction of masturbation in anime.
 
 

Well, that’s it for all the awards for today. Come back tomorrow for part 2, Special Interest, where we’ll give out the rather niche and quirky awards, including some not so good ones such as Biggest Letdown!

Eagle-eyed readers will notice that I intend to review not just the most recent anime season but also the previous season as well. The reason for this is two-fold. The first reason is because these awards are my short-cut method in highlighting which anime I would recommend to potential viewers and I’d be failing in what I see as my duty if I passed over a season that contained praise-worthy shows. (Even though by now I’m incredibly late in covering the summer season. ) The second reason is writing this post will help me better remember this batch of anime shows in the future and it will also serve as a written record I can use if need be.

So, sit back, relax – it’s time to cover 32 anime over 2 seasons with 29 award categories and one countdown bursting at the seams with awesomeness.

Summer Season

Carry-over shows watched this season (4): Katanagatari, Kaichou wa Maid-sama!, Rainbow – Nisha Rokubou no Shichijin, K-On!!

New shows watched this season (10): Ookami-san to Shichinin no Nakamatachi, Amagami SS, Densetsu no Yuusha no Densetsu, Mitsudomoe, Highschool of the Dead, Seikimatsu Occult Gakuin, Shiki, Asobi ni Iku yo!, Sengoku Basara 2, Moyashimon Live Action

Shows that got dropped (1): Seitokai Yakuindomo

Fall Season

Carry-over shows watched this season (4): Katanagatari, Densetsu no Yuusha no Densetsu, Amagami SS, Shiki

New shows watched this season (14): Ore no Imouto, Panty and Stocking with Garterbelt, Sora No Otoshimono Forte, Tantei Opera Milky Holmes, Otome Youkai Zakuro, Soredemo Machi wa Mawatteiru, Hyakka Ryouran Samurai Girls, Shinryaku! Ika Musume, The World God Only Knows, Arakawa Under the Bridge 2, Kuragehime, Star Driver, To Aru Majutsu no Index II, Yosuga no Sora

Shows that got dropped (3): Bakuman, Hakuouki Hekketsuroku, Shinrei Tantei Yakumo

Note: For shows that run multiple seasons, only the part that ran during the season is under consideration for that season’s awards. (s) denotes the summer season and (f) denotes the fall season

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Best Female Main Character

Winner: (s) – Azunyan from K-On!! ~ (f) – Nino from Arakawa Under the Bridge 2

Runner-up: (s) – Togame from Katanagatari, Yui from K-On!! ~ (f) – Stocking from Panty and Stocking, Tsukimi from Kuragehime, Nymph from Sora No Otoshimono Forte, Togame from Katanagatari

Azunyan was the linch pin that held K-On!! together and she gave it the needed dimension to turn K-On!! into one of the best slice-of-nostalgia anime ever. (Slice-of-life is just too broad of a term since it covers at least three different types of shows: the nostalgic like K-On! and Hidemari Sketch, the relaxing like Ichigo Mashimaro and Aria, and the contemplative/ambiance type like Natsume Yuujin-chou and Haibane Renmei.) And she was just so likable as a character, as was Nino, the fall season winner. Nino squeaked past a very tough field of contenders this season to repeat her win of this award. It seems like the more time she spends with Ric, the more expressive and human she becomes.

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Best Male Main Character

Winner: (s) – Shichika from Katanagatari ~ (f) – Kuranosuke from Kuragehime

Runner-up: (s) – Mario from Rainbow ~ (f) – Tomoki from Sora no Otoshimono, Takuto Tsunashi from Star Driver, Shichika from Katanagatari

Shichika turned out, much like Katanagatari, to be a lot more interesting then those first couple of episodes that ran last winter lead us to think. He almost won this award twice but couldn’t quite overcome the cross-dressing, protector of interesting historical buildings – Kuranosuke.

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Best Supporting Character(s)

Winner: (s) – Assistroids from Asobi ni Iku yo! ~ (f) – The Phantom Thief Empire (Arsene, Twenty, Rat, and Stone River) from Tantei Opera Milky Holmes

Runner-up: (s) – Ui from K-On!! ~ (f) – Kuroneko from OreImo, Sugata from Sora No Otoshimono Forte, Briefers Rock from Panty and Stocking

Asobi ni Iku yo! was a really fun series to watch in part because the people behind it knew their SF and the assistroids were a great example of this knowledge. Likewise, Milky Holmes was a really fun series in part because it was so over-the-top and that included the villains which made picking just one villain impossible.

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Best Screen-grabber

Winner: (s) – Father from Mitsudomoe ~ (f) – Kurara from Kuragehime

Runner-up: (s) – Microbes from Moyashimon Live Action ~ (f) – Mom from Ore no Imouto, The spirits of Sherlock Holmes and Hercule Poirot from Tantei Opera Milky Holmes, Amazoness and Billy from Arakawa Under the Bridge

Just because a character has a small part doesn’t mean he/she/it can’t become a memorable part of that show. Both winners (Father and Kurara) were prime examples of this.

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Best Couple

Winner: (s) – Togame and Shichika from Katanagatari ~ (f) – Togame and Shichika from Katanagatari

Runner-up: (s) – none ~ (f) – Ko and Nino from Arakawa Under the Bridge 2

Togame and Shichika made a good couple but I wanted to take this chance to mention the worse couple was definitely Usui and Misa from Maid-sama, not because I wanted some other pairing but because I really didn’t like how this shoujo series depicted the relationship between the two of them – you’d think a series aimed at girls would show the main female in a more empowering light.

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Best Character Ability/Power

Winner: (s) – Seeing microbes from Moyashimon Live Action ~ (f) – The ability to make super-powered samurai with only a kiss from Samurai Girls

Runner-up: (s) – Glasses girl’s ability to get mixed up with the supernatural from Seikimatsu Occult Gakuin ~ (f) – Arsene’s Toys of Resplendence from Tantei Opera Milky Holmes

Moyashimon Live Action is only here because of where it ran and because the microbes were animated. It wasn’t a particularly good show but the ability to see and communicate to microbes remains a very cool power. And speaking of squandered potential, Samurai Girls was set in a very interesting world with a very interesting animation style and it wasted both by being a boring harem show. It was still a cool power, though.

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Best Cast of Characters

Winner: (s) – K-On!! ~ (f) – Arakawa Under the Bridge 2

Runner-up: (s) – Sengoku Basara 2, Rainbow ~ (f) – Kuragehime, Sora No Otoshimono Forte

These were two relatively easy picks to make. I just noticed that Kuragehime is the only completely new show (neither a sequel or continuing from an earlier season) listed. In a certain way, that makes it the best because it accomplished the most.

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Best Character Development for Cast

Winner: (s) – Highschool of the Dead ~ (f) – Kuragehime

Runner-up: (s) – Rainbow ~ (f) – Arakawa Under the Bridge 2

Count me as the odd one that enjoyed Highschool of the Dead not for the fan-service or for the zombies but for it’s social commentary and character development. My favorite example was the gun otaku who went from social outcast in modern society to local hero and ladies man when the zombies arrived. Thinking about it, both of the winners share a commonality; if it wasn’t for the extraordinary event at the beginning – zombies appear and Kuranosuke saving the jellyfish – neither cast of characters would have had the opportunity for growth that they had.

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Best Character Development of a Single Character

Winner: (s) – Sanada Yukimura from Sengoku Basara 2 ~ (f) – Tsukimi from Kuragehime

Runner-up: (s) – Scam from Rainbow ~ (f) – Garterbelt from Panty and Stocking with Garterbelt

One of the most important threads in Sengoku Basara 2 was the development of Sanada Yukimura into a man capable of being a general. It wasn’t always pretty to watch but it turned him into a real man; a really cool and epic one that can fight the Japanese equivalent of a Archimedes’s Death Ray and win. And for a complete change of pace, Kuragehime’s Tsukimi was the obvious pick for the fall season. All the characters in Kuragehime have had the chance to grow but Tsukimi’s transformation has been the most pronounced and the most heart-warming to see.

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That’s the end of part 1; I hope to have the second part up within a day. Comments and feedback are always appreciated – I’d love to see what others would pick.

 

Filed under: anime, awards

I love doing these seasonal awards but I have to admit to feeling a weight falling off my shoulders now that I’m about to finish. But let’s not terry, it’s time to countdown anime.

4 – Full Metal Alchemist: Brotherhood

At the beginning of FMA:B there was no mention of it animating the whole manga (or that the manga was ending) so I kept wondering how Bones would finish the show without repeating the debacle that was the first Full Metal Alchemist. I figured there was a good chance at another poor ending since so many of their otherwise great shows end so terribly. Prior to the Spring season this wondering became worrying and started to intrude upon how much I enjoyed the show. I was relieved when it became known that the manga was ending and Bones was on-track to animate the ending.

I breathed a big sigh of relief; not only did I not have to worry about the ending, getting the manga ending promised to see Full Metal Alchemist go out with a bang.

Which ended up happening, gloriously so. And I even loved how they managed to make the ending completely satisfying while leaving themselves with an angle for a sequel (which I really, really hope they do).

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3 – The Tatami Galaxy

When I found out about The Tatami Galaxy, I was giddy because it was being directed by Masaaki Yuasa who’s last series was Kaiba, my pick for the top anime of 2008. I tried to keep the giddiness in check since sky high expectations often only result in disappointment but I was only partially successfully. Good thing for me that The Tatami Galaxy was able to beat my high expectations. It had the interesting animation style that hid how well-animated it was animation that I expected. It had the intellectually interesting premise while not forgetting to have good characters, solid character development and an entertaining story that I expected as well. It had that unique quality to it that set it apart from everything else even while reminding me of so many other books and shows vibe that I expected from an accomplished master of storytelling like Masaaki Yuasa.

I also expected that The Tatami Galaxy would be largely unwatched by people like Kaiba was but that turned out not to be the case. It was shown (as many people know) on the TV block Noitamina in Japan which has earned a fan following around the globe for it’s consist high-quality anime programing. This pushed many people to give the show a shot and, in a not very shocking to me turn-of-events, they liked it. Now, I hope the popularity of The Tatami Galaxy will spill over to Masaaki Yuasa’s other works and get people watching them as well (hint, hint go watch Kaiba ).

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2 – Rainbow – Nisha Rokubou no Shichinin

In the rush of trying to catch all the new shows at the start of a new season, invariably, there’s a few that I miss. During the spring season one of those shows that I intended to catch was Rainbow because Madhouse was animating but it somehow slipped through the cracks. Several weeks later, after the dust had settled some, I looked around at the various blogs to see which shows I missed and if t
hey were worth sampling. There wasn’t much coverage of Rainbow and most of what there was considered the show way too melodramatic to be any good. Star-Crossed had a more positive outlook about the show so I decided to give it a shot.

And I’m glad I did, Rainbow is an awesome show.

I had a moment of cognitive dissonance when I started watching Rainbow; I kept waiting for the absurd, over-the-top drama and waiting and thinking that surely I was watching some other show then everyone else. The moment passed and I realized that I was watching the same show but I got it. Granted, I was maybe more ready to watch Rainbow then some. I had just finished reading Samurai! and it touched on the brutal hardships faced by many after the war and how the war disrupted the basic fabric of Japanese society. Which fit well with what I learned of the time period from reading and from anime like Millennium Actress, Magical Arcade Abenobashi and Natsu no Arashi. I think the portrayal of the time period is accurate and anything less would be a fanciful fantasy that would paint over the despair and grittiness of the time period.

If I had to pick an anime to compare Rainbow to, I’d pick Gurren Lagann. The two share many of the same qualities that made Gurren Lagann more then just a dumb movie with giant robots. For starters there’s the single-mindedness of our main characters to overcome the perceived wrongs of their world with hard work and self-determination and the help of their friends. And let’s not forget that society is often a poor judge of people as both anime remind us as well as the hardships of trying to be a hero. Rainbow and Gurren Lagann also show the power, beauty, and majesty of a courageous person which always warms my heart to see.

It’s comes juuusst a bit short of the top spot but if it can continue on this same level over the summer season, it might just be snagging the top spot. Before moving on there’s another similarity the two anime shared that I want to mention. It was how both far surpassed what I imagined the end point of the anime to be. For Gurren Lagann, I thought it was going to end with the defeat of the Spiral King and for Rainbow, I thought it was going to end with the kids getting out of prison. I know I wasn’t the only person who thought this of Rainbow and it sounded like it might have kept some from giving Rainbow a chance which is why I wanted to mention it.

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1 – Arakawa Under the Bridge

Inching ever so slightly ahead of everyone else this season is Arakawa Under the Bridge. When Shinbou and Shaft get it right, they really get it right; not only was this my top show of the season, it was the one I would most look forward to between episodes.

It’s perfect. That’s the only word that feels right when describing why this show deserves to place in front of so many other fine shows but it’s not terribly descriptive. It’s perfect in the same way that the perfect way to end the day is eating your favorite ice-cream, on the beach, listening to the waves lap at your feet, as you watch a spectacular sunset with family and friends. Which is still not very descriptive but will have to do.

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So there it is. I finished the spring awards just in time to start considering the summer seasonal awards . I’d like to thank all the people that read my 5000+ word review of the Spring 2010 season; I hope you enjoyed it and maybe discovered an anime or two that you want to watch now.

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Spring 2010 Awards Part 1: Cast and Character Awards
Spring 2010 Awards Part 2: Genre and Misfit Awards
Spring 2010 Awards Part 3: VMA Awards
Spring 2010 Awards: Top 8 Anime – #8 – #5

Filed under: anime, awards