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Winter 2012 Mid-Season Anime Report – Part 2: The Top Eleven

I wanted this to be a single post but when I finished, a quick word count showed roughly 3000 words which is just too much to ask people to read in one sitting and also, who wants to scroll through such a long post? So a hasty cut was in order and here we are.

Let’s pick up where the last post left off with number 11 …

(11) – Aquarion Evol

Rating for episodes 1 to 7 – 9/12  A-

Even more fun then Symphogear has been this anime, Aquarion Evol – a sequel set 12,000 years after the original series. Normally, I don’t try to jump into a series but I figured 12,000 years was long enough to reset the series. The story is moderately interesting at this point; I’m most curious about the reason why two different dimensions are linked together and what these two dimensions mean to each other. What pushes Aquarion Evol this high is an interesting cast of characters, the high production values, and occasionally its dialogue. The noteworthy dialogue might be more of a function of the translation but I loved two lines in particular. The first was, ‘You stink deliciously,” which was what one of the antagonists said to the main female character; this has to be one of the oddest pick-up lines ever. The other is, ‘He’ll fly for anyone,’ said by a couple of female characters about the male main character’s habit of floating when being excited by a female character.

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(10) – Last Exile – Ginkyou no Fam

Rating for episodes 1 to 16 – 9/12  A-

Gonzo has done a much better job with this sequel then I thought possible but, by being that good, this sequel of Last Exile is frustrating when it fumbles along when it clearly should be soaring. The world building is stellar; the politics is intriguing; the story is grand enough to showcase the world building and politics; and, the characters are a great mix of people who fit with the story and allow the story to accomplish what it wants to do. Yet, when examined closely, problems crop up with Last Exile 2. Probably the most disappointing is the vocal performance of two of the main characters – Aki Toyosaki and Aoi Yuuki. Both are personal favorites and have many great roles under their belts but here they are so lackluster. I don’t know if it’s that the characters are poor or if it’s the fault of the person in charge of the vocal recording for these lackluster performances but the result really saps the energy out of the show when either are on-screen. Many of the other problems with Last Exile 2 could be fixed if the person(s) behind the series composition and the individual episode scripts had been fired and more competent writers brought in.

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(9) – Hunter x Hunter

Rating for episodes 1 to 19 – 9/12  A-

I fall into the category of people who have not seen the original Hunter x Hunter anime series nor read the source manga it’s based on which leaves me in a different state of mind over Hunter x Hunter then the majority of the people I have read talking about the strengths and weaknesses of this anime. For example, at the beginning when I thought the pacing in the episodes was dragging the series out I was constantly reading people who complained about how quickly they were flying through the source material. To me, Hunter x Hunter has really started to hit it’s stride during the current winter season and, as a result, is slowly bubbling towards the top of it’s anime brethren. A good shounen series is a nice change of pace sometimes.

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(8) – Tantei Opera Milky Holmes 2

Rating for episodes 1 to 4 – 9/12  A-

The first season of Milky Holmes was a hilarious, subversive gem that flew under too many people’s radars. For a successful sequel, Milky Holmes needed to use everything good about the first season and infuse that with fresh, new awesomeness. I didn’t know if the creators had it in them but the first four episodes have shown that somewhere in the dark, twisted depths of their psyches they were able to summon new reserves of insanity to make Milky Holmes 2 even better.

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(7) – Another

Rating for episodes 1 to 6 – 10/12  A

I’m going to resist the urge to make a joke using this anime’s name – Another. It pains me to pass this over because I like jokes like that but we don’t need yet another blogger making the same joke. With Hanasaku Iroha, P.A. Works finally succeeded at producing a great anime series after a string of disappointing attempts. At the onset I was anxious to see if Another would continue in the footsteps of Hanasaku Iroha or would it fall back to being another frustratingly almost good series like their early works. Six episodes in and I’m relieved that, after a bit of stumble in the first couple episodes from trying to force the creepy/scary vibe, it’s found a pace that should end with Another being one of the best anime of the season.

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(6) – Mouretsu Pirates

Rating for episodes 1 to 6 – 10.5/12  Strong A

It is indeed time for some piracy. Bodacious Pirates is about a high school girl who finds out her absent father was a space privateer (legal pirate) and with his death she’s inherited his ship and his title, if she desires them. She does, of course, because it wouldn’t be a show if she declined but it does take a couple of episodes for her to reach that decision. This made the show feel like it started off slowly but by episode 5 it started showing it’s potential and, egads, does this anime have potential. What it does with this potential remains to be seen but this anime has become the anime that I most look forward too each week.

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(5) – Ano Natsu de Matteru

Rating for episodes 1 to 6 – 11/12  A+

Over the last several years, J.C. Staff almost always has done its best work when Tatsuyuki Nagai is the director (Honey and Clover 2, Railgun, Toradora). Last year when he directed AnoHana for A-1 Pictures I wondered if he had left J.C. Staff for good and what that would mean for J.C. Staff’s future but with AnoNatsu I can stop worrying about J.C. Staff. at least partly. On paper, even though AnoNatsu is an original anime production, it doesn’t appear to be that ambitious of a project – as opposed to other recent anime originals like Penguindrum or Madoka – however, what it lacks in ambition has been more than made up with impeccable execution. J.C. Staff is in the odd position this season of fielding two of the top series of this season.

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(4) – Danshi Koukousei no Nichijou

Rating for episodes 1 to 6 – 11/12  A+

Extremely hilarious somehow still low-balls the comedic genius of Daily Lives of High School Boys. There are so many parts to this anime that are worthy of praise. There’s the comedy – it’s actually funny and there’s the characters – they capture high school boys and girls so realistically and the voice acting – they make the characters pop and then there’s the parts were NichiBros lightly lambastes common anime tropes to name but a few areas.

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(3) – Nisemonogatari

Rating for episodes 1 to 6 – 11.5/12  Near Perfect

Watching Nisemonogatari provides a yard stick to measure how much Shaft/Shinbou has improved in the last 2.5 years since Bakemonogatari and it’s almost scary to see the level of improvement that they’ve accomplished. Everything from the scripting to the visuals have been fine-tuned to be tighter, sharper, and better able to deliver the goods with less effort exerted. The only question left at this point is will Nisemonogatari outsell Bakemonogatari or not?

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(2) – Chihayafuru

Rating for episodes 1 to 19 – 12/12  Perfect

Residual respect for the animators, Madhouse, and my new-found respect for the voice actor Mamoru Miyano lead me to try Chihayafuru which is about a group of teens that play Karuta – a game where players compete over collecting cards featuring verses from 100 different poems. I’m glad I did because Chihayafuru started off excellently and has steadily gotten even better. Normally, I’m not a fan of “sports” anime but I love the characters and how they’ve grown over the course of the series and the creators have somehow even made a game like Karuta interesting to watch. The only potential fly-in-the-ointment is that the source material is a continuing manga and the animators have to give the anime some sense of conclusion while leaving the door open for a second season (fingers crossed for that).

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(1) – Natsume Yuujinchou Shi

Rating for episodes 1 to 6 – 12/12  Perfect

How does this series continue to find the room to get better? The creators should have already hit the asymptote of possible quality by the fourth season but they continue to push ever upwards. At this point, future seasons are probably a given and, though, I’m tempted to want countless more, I’ve started wanting to see an ending. I’ve even been thinking about how I’d love to see it end – an adult Natsume, happily married, sitting on the edge of one those short open porches that Japanese houses have and explaining to his young son/daughter not be afraid of the strange creatures he/she has started noticing and he then pulls out the now empty Book of Friends and starts into the story of his grandmother, Reiko, and the camera would pan up over a lovely bucolic scene, we’d hear Nyanko-sensei call out for some food item and the screen would fade out.

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Filed under: anime, first impressions

The Best Anime Of 2011 – Part 3: VMA Awards

Step three for awesome anime – after creating memorable characters and giving them a worthy stage – is to use every part of the production process to bring-out/enhance the positive aspects of the anime and hide the negative aspects. Getting the right seiyuu can be the difference between a character being a success or failure. Inappropriate music can ruin the climax of a series and nothing can make a whole anime series fail as assuredly as poor animation quality. Conversely, in the right hands, a small budget can be overcome through creating the right animation style. Stellar OP/ED with it’s combination of music and animation can build excitement and anticipation for the anime and ensure viewers come back next week.

There’s other parts to an anime’s production – like script writing, cinematography, sound editing, etc. – that won’t gets awards here because I’m not knowledgeable enough in these areas to put any confidence in picking winners. Which is why I call this set of awards the Voice, Music, and Audio awards. I’m hoping next year I’ll be able to include a few more areas of the production to these awards.

Before getting to the awards, as a reminder, I’ll try to keep spoilers to a minimum but there’ll be some because of how they’ll relate to specific awards. As for the continuing shows, only the part of the series that ran during this year is under consideration for this year’s awards.

 

Top Seiyuu “Discovered”

Nominees:

Aoi Yuuki as Madoka from Puella Magi Madoka Magica

Kanae Itou as Ohana from Hanasaku Iroha

Mamoru Miyano as Takuto from Star Driver

Overall Winner: Aoi Yuuki

Very rarely does a new voice actor/actress get the chance to start their career with voicing a main character or even a memorable supporting character; instead they work on small parts, improving their skills, and waiting for their chance. Therefore, it might take a while for these seiyuu to come to the attention of a moderately well-versed anime fan like myself but when they do, it’s always like a bolt of lightning – where has this person been hiding, I ask myself. This year saw three such seiyuu appear. All three display a wide range of ability that served them well for these break-out roles and newer roles as well but the winner just had to be Aoi Yuuki.

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Best Performance by a Seiyuu

Seasonal Winners:

Winter – Chiwa Saitou as Homura from Puella Magi Madoka Magica

Spring – Kanae Itou as Ohana from Hanasaku Iroha

Summer – Mamoru Miyano as Rintarou Okabe  from Steins;Gate

Autumn – Akio Ohtsuka as Rider aka Iskander from Fate/Zero

Wildcard –  Hiroaki Hirata as Tiger from Tiger and Bunny

Overall Winner: Mamoru Miyano as Rintarou Okabe

Instrumental in making Okabe the epic character he became was the talent of Mamoru Miyano. The role required being able to do positively everything and he was able to do it and make it look easy. Right behind him was Chiwa Saitou. Her performance as Homura going from doe-eyed innocent into the brittle, empty killer in the span of one episode allowed episode 10 of PM3 to be the single best episode of anime in 2011. I sometimes forget how versatile she can be.

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Best Male Seiyuu

Seasonal Winners:

Winter – Mamoru Miyano as Takuto from Star Driver

Spring – Mamoru Miyano as Rintarou Okabe  from Steins;Gate

Summer – Mamoru Miyano as Rintarou Okabe  from Steins;Gate

Autumn - Hiro Shimono as You Satou from Ben-To

Wildcard –  Hiroshi Kamiya as Natsume from Natsume Yuujinchou 3

Overall Winner: Mamoru Miyano

There were plenty of great roles that Mamoru Miyano played in 2011; the ones listed above were just his best. He also starred in Dog Days (and was one of principal draws to that anime) as well as in Chihayafuru – to name but two more. While no danger to Mamoru Miyano here, both Hiroshi Kamiya and Hiro Shimono are no slouches themselves.  Hiroshi Kamiya was even my 2008 best male seiyuu pick after his roles in the first season of Natsume Yuujinchou and Sayonara Zetsubou-Sensei and continues to be one of my favorites.

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Best Female Seiyuu

Seasonal Winners:

Winter – Aoi Yuuki  as Madoka from Puella Magi Madoka Magica and Victorique from Gosick

Spring – Aoi Yuuki  as Victorique from Gosick and Tooru from A Channel

Summer – Kanae Itou as Ohana from Hanasaku Iroha

Autumn – Miyuki Sawashiro as Kuripaka from Hunter × Hunter and Fujiko from Lupin III

Wildcard –  Asami Imai as Christina from Steins;Gate, Marina Inoue as Rio from Rio – Rainbow Gate and Yozora from Boku wa Tomodachi ga Sukunai and Matsurika from Maria+holic Alive

Overall Winner: Aoi Yuuki  

I fear that I’m starting to sound like a broken record with my seiyuu winning picks but putting anything else would be dishonest. On the other hand voice acting seems like a volatile profession with who gets roles and who doesn’t being arbitrary (or more likely it’s a very political process and to this outsider it appears arbitrary) so I don’t feel bad about celebrating the stellar work of Aoi Yuuki this year. This year also saw Marina Inoue getting more roles than she’d been getting  – or, at least, more roles in anime that I watch – which was another good thing that happened in 2011 because she’s very talented.

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Best Seiyuu Cast

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Tiger and Bunny

Summer – Hanasaku Iroha

Autumn – Boku wa Tomodachi ga Sukunai

Wildcard –  Mawaru Penguin Drum

Overall Winner: Hanasaku Iroha

This is another category that was tough to pick and in the end I handed the award to the anime with a larger cast – Hanasaku Iroha – on the idea that it was more difficult to cast a large number of people versus a smaller cast. Shaft/Shinbou has for a long time reused voice actors from one anime to the next (PM3 is no different) and I think this is a practice more animation studios should adopt because Shaft/Shinbou seems to get a better performance from their seiyuu.

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Best OP

Seasonal Winners:

Winter – Level E

Spring – Maria+Holic Alive

Summer – Nichijou OP2

Autumn – Shakugan no Shana III

Wildcard – Kamisama Dolls, Mawaru Penguin Drum OP2

Overall Winner: Nichijou OP2

Some awards are more subjective than others and this category definitely falls hard into the subjective pile. Deciding on how to balance the mix of music and the animation sequence plus accounting for what “best OP” actually means makes it tough to be subjective. To make this even more subjective I’ll add that I think Nichijou OP2 is probably the best OP that KyoAni ever made.

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Best ED

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – AnoHana

Summer – Episode 7 of Nekogami Yaoyorozu

Autumn – Un-Go

Wildcard –  Denpa Onna to Seishun Otoko, Hidamari Sketch SP

Overall Winner: Puella Magi Madoka Magica

Ditto that idea for this award. One time I played with the idea of splitting this award and the last into two separate like this “Best ED – Music” and “Best ED – Visuals” but decided I was making too many awards as is. So, instead, I balance it all out beforehand and hope no one asks to see the rubric I used :) . For this award both Un-Go and Denpa Onma to Seishun Otoko had stronger visuals than the eventual winner but the song for PM3 made up more than enough to win.

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Best Background Music

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Nichijou

Summer – Nichijou

Autumn – Ben-Tou

Wildcard –  Ikoku Meiro no Croisee, Ao no Exorcist

Overall Winner: Nichijou

If those reading could see me at this moment of writing they’d see someone grimacing over the dread that a person with actual expertise in the area of anime background music won’t come along and explain why Nichijou was the wrong choice. Actually, I’ve been trying to listen to the background music more this year and I have slightly more confidence with this pick this year then I have had in the past. I thought Nichijou’s BGM perfectly complemented the show and helped heighten the enjoyment of the series as a whole.

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Best Animation Style

Seasonal Winners:

Winter – Puella Magi Madoka Magica

Spring – Denpa Onna to Seishun Otoko

Summer – Mawaru Penguin Drum

Autumn – Chihayafuru

Wildcard –  Ikoku Meiro no Croisee, Steins;Gate

Overall Winner: Puella Magi Madoka Magica

Puella Magi Madoka Magica was the culmination and perfection of the Shaftian anime style. (Of course the Shaft/Shinbou style was an outgrowth of older animators but since they’ve been the ones pumping out the series of late they get credit for the Shaftian style of animation. How Penguins is connected to Shaft/Shinbou and vice versa is a fascinating topic to anyone that noticed the similarities.) Scholars and fans alike in future will probably point to this anime as influencing the growth of anime over the coming years and the proof will be seen in the adoption of elements of Shaft’s animation style, which we’re already seeing.

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Best Animation

Seasonal Winners:

Winter – Star Driver

Spring – Nichijou

Summer – Nichijou

Autumn – Fate/Zero

Wildcard –  Hanasaku Iroha, Tiger and Bunny

Overall Winner: Nichijou

I remember reading an interview given by someone at KyoAni saying that Nichijou contains the most animation cuts (I think that was the technical term) of any series that KyoAni has worked on. I believe it, the proof of this appears in Nichijou winning an award like best action. The other contenders all fielded efforts that 5-6 years ago would have made an anime fan salivate but in 2011 they all came up a little short. Hanasaku Iroha comes in second and might have beaten Nichijou had it been given a slightly larger budget to work with.

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Top Animation Studio

Seasonal Winners:

Winter – Shaft

Spring – A-1 Pictures

Summer – Brain’s Base

Autumn – David Production

Wildcard –  Kyoto Animation, P.A. Works

Overall Winner: Brain’s Base

This year marked a big step for Brain’s Base when it animated not one, not two, but three series at once during the Summer season and having two become top titles of the year and the third being above average. Before this point they’d only handle one series at a time and this limited the number of series that they could get too – to the mumbling of fans that want various sequels like Baccano 2 or Spice and Wolf 3. I can’t wait to see what 2012 holds for Brain’s Base.

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That’s it for part 3 of my 2011 anime awards. Stay tuned for part 4: The Misfit Awards.

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Top anime 2011 Awards Part 0: Introduction and Anti-Awards
Top anime 2011 Awards Part 1: Cast and Character Awards
Top anime 2011 Awards Part 2: Genre and General Awards
Top anime 2011 Awards Part 3: VMA Awards <- you are here
Top anime 2011 Awards Part 4: The Misfit Awards
Top anime 2011 Awards: Top 13 Anime – #13 – #7
Top anime 2011 Awards: Top 13 Anime – #6 – #1


Filed under: anime, awards



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