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The Top Eight Anime of the Spring 2011 Season, #4 to #1

A part of me didn’t want to finish this post because then I’d be quasi-officially done with the spring season and I’ll miss it; it was a great season. I really shouldn’t be sad, though, the few new summer anime that I already checked out make the summer look like another promising season and there’s a number of great series continuing as well.

4 – Dororon Enma-kun Meeramera

Filled with tenacity and manliness, Brains Base’s adaptation of Dororon Enma-kun Meeramera does things it’s own way and demands it’s viewers to accept it for what it is and not what the viewers want. In this way it’s strongly reminiscent of Gainax’s Panty and Stocking. Also like P&S, Dororon Enma-kun Meeramera frequently uses fan service not to stimulate the senses but as a means to further push the show over-the-top and in completely random directions. This helped make Dororon Enma-kun Meeramera a unique experience and set it apart from most other anime of recent memory as did the age of the original source material. The age meant everything felt a bit rougher around the edges then what is generally expected of today’s stuff. That’s not necessarily a bad thing; for instance, the characters weren’t a group of random character traits thrown together to appease as many groups of fans as possible, like so much recent anime seems to be.

The age of the source material also injected a nostalgic undertone to the show that further made the show interesting. My innards were tickled when the main character’s fire staff stopped working at one point because the AA batteries that powered it died and he couldn’t find replacements. It reminded me when I was little and how all the cool toys seemed to run on batteries and it was a constant battle to convince my parents that I needed another set of batteries.

Brains Base also earns top marks for the care and attention they gave to Dororon Enma-kun Meeramera’s production quality. The vocal work, in particular, was particularly memorable. (For fans of Norio Wakamoto (and really, who isn’t a fan (I bet communists and people who don’t rewind their movies aren’t)), he’s in a few episodes as the King of Hell – as if to be the exclamation point on the quality of vocal work.)

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3 – Nichijou

A long time ago, when Yamakan was actually a rising star, Kyoto Animation had a comedy series called Lucky Star and many people, including myself, didn’t think it was all that funny at the beginning. Eventually it hit it’s stride, 8-9 episodes in, and became a pretty funny anime. Fast forward several years and KyoAni is getting around to doing another comedy series, this time called Nichijou Everyday Life. The first episode aired and it was light years better than Lucky Star’s first episode. From there, each episode has built upon the success of the last one and by mid-season it was regularily leaving me in stitches – gasping for breath – a pile of giggling goo. Which is the long way of saying I’m thoroughly enjoying Nichijou and I expect the second half of the series to push this series into becoming my favorite comedy from KyoAni. It probably won’t even be a real contest since, with Nano now being allowed to go to school, Nano is going to get loads more screen time and I shouldn’t need to remind people that Nano=Win.

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2 – Steins;Gate

Normally I wish the Japanese would stop using English punctuation marks in weird ways; but, I like the semicolon and personally use it more than I probably should so I’ll give Steins;Gate a pass on this one. Besides, Steinsgate sounds like a political scandal and that’s one area that this anime hasn’t touched upon, at least not yet. It has so far included conspiracies, mad scientists, computer hacking, murder threats, comedy, time travel, improbable science wrapped within cool sounding technobabble, shadow organizations, budding relationships, parallel world lines and one man’s quest to put right what once went wrong. In short, Steins;Gate has been an awesome ride so far; it’s even been able to use time travel without stepping on the toes of Puella Magi Madoka Magica and vice versa.

The ending could still be a big disappointment and drag down my opinion of the entire show but, for right now, it’s making a fast beeline towards becoming a classic anime. The first couple of episodes of the summer season really cement this as the show to beat this summer.

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1 – Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai

The anime that needs no introductions this season. I’m not going to act cool by being a contrarian for the sake of being contrary; AnoHana is a masterpiece and deserves all the accolades it has received and will receive. It showcases the power of anime series as a storytelling format, especially when freed from trying to fit a story told in another medium into the confines of an anime series.

With AnoHana’s win, the last three anime seasons have all had an original anime as it’s top anime. The first was Panty and Stocking for the Fall 2010 season, Puella Magi Madoka Magica for the Winter 2011 season and now AnoHana for the Spring 2011 season. Will summer see this trend continue? Only time will tell.

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I’d like to thank all the people who read my 5500+ word review of the Spring 2011 season; I hope you enjoyed it and maybe discovered an anime or two that you want to watch now.

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 2: Genre and Misfit Awards
Spring 2011 Awards Part 3: VMA Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5


Filed under: anime, awards

Top Picks – Spring 2011 Anime, Part 3: VMA Awards

After looking at the characters in part 1 and then the show built around those characters in part 2, the third group of awards will focus on the extras in an anime; namely, the vocal work, music, and animation quality. These components aren’t among the core reasons why an anime is successful or not but they can exert a surprising amount of influence for either outcome.

Not that I’m implying correlation equals causation; maybe that’s something Okabe from Steins;Gate could study after he was done changing the world’s ruling power structure and defeating the secret organizations – he could study how integral are the vocal work, music, and animation quality towards an anime’s success or failure.

Best Male Seiyuu

Winner: Mamoru Miyano as Rintarou Okabe from Steins;Gate and Shinku Izumi from Dog Days

The best part of the rather uneven Star Driver was Mamoru Miyano’s vocal work for the main character, Takuto Tsunashi. As a result of that role, I decided this season that it was worth checking out both anime that he was voicing the main character, Dog Days and Steins;Gate. He was merely good as the Hero in Dog Days but that had more to do with limited nature of the role and the animators behind the show. The role as mad scientist in Steins;Gate gave him much more room to perform and he took advantage of that.

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Best Female Seiyuu

Winner: Aoi Yuuki  as Victorique from Gosick and Tooru from A Channel

Runner-up: Yuu Kobayashi as Mariya from Maria+Holic Alive and Undine from Yondemasu yo Azazel-san and Ruka Urushibara from Steins;Gate, Aya Hirano as Katja from Seikon no Qwaser II and Shizu Shidou from Maria+Holic Alive

The meteoric rise of Aya Hirano’s career opened many doors for her but it also attracted a lot of noise from detractors that sometimes makes it difficult to remember underneath everything Aya Hirano is a very good voice actress. Both of her roles this season were smaller then I’d like but combined they showed that she has it. As for Yuu Kobayashi, I’ve been a fan of her unique talent for awhile now. I like the wide assortment of voices that she can bring to a role and this season saw her utilizing many of those voices in her various roles. My favorite was the cross-dressing Mariya. However, the winner just had to go to Aoi Yuuki for carrying, not one, but two anime series she starred in with just her vocal work. If it wasn’t for her, I’d’ve dropped both Gosick and A Channel for being complete wastes of time. Instead, in the end, I found both decent enough shows.

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Best OP

Winner: Maria+Holic Alive

Runner-up: Nichijou, Denpa Onna to Seishun Otoko, Dororon Enma-kun Meeramera, AnoHana

If this award was based solely on the song itself AnoHana would have won; I’ve had Aoi Shiori by Galileo Galilei on heavy repeat for weeks now. However, I also have to factor in the animation and how well the two work together to create the right mood for watching the episode. Using the full criteria, Maria+Holic Alive edges out the competition for the win.

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Best ED

Winner: AnoHana

Runner-up: Denpa Onna to Seishun Otoko, Nichijou, Gosick

This time AnoHana does win, in part, because they did that thing where the ending song starts playing as the last climatic scene plays out before going to credits in just about every episode. So now I associate the song with all the best moments of the show and the song’s soothing, cathartic nature was perfect for the show’s ending.

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Best Background Music

Winner: Nichijou

Nichijou is just the latest in a long string of anime series by Kyoto Animation that feature stellar background music. I’m sure there were other series that had good background music but I can’t remember any other leaving much of an impression on me.

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Best Dressed Characters

Winner: Denpa Onna to Seishun Otoko

Runner-up: Hyouge Mono

I’m slightly disappointed that Nichijou didn’t win this award; it might even be the first KyoAni series that didn’t place since I started giving this award out. There chances dimmed primarily because we don’t see many characters ever wearing non-school clothes. On the other hand, Denpa Onna to Seishun Otoko, had a plethora of different outfits that the characters wore (having one of your main characters never attend school helps this); so, it was the obvious pick. Hyouge Mono earned the runner-up spot for it’s characters sporting a nice amount of wardrobe changes including the Demon King’s eclectic fashion sense.

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Best Animation Style

Winner:  Denpa Onna to Seishun Otoko

Runner-up: Hanasaku Iroha

These last few years has seen the Shaft/Shinbou style of anime mature and hit that sweet spot of being just right for the series being animated. For Denpa Onna to Seishun Otoko another layer was added – extremely attractive character designs. In most of Shaft/Shinbou series the characters will, at best, look decent but many series have down right fugly looking characters. (Natsu no Arashi is one example.) I actually like this since it will help make the characters seem more realistic but it’s a nice to see something new coming from them. Also working in Denpa Onna to Seishun Otoko’s favor is Shaft/Shinbou creates the absolutely nicest night sky shots – no other animation company can match them.

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Best Animation

Winner: Nichijou

Runner-up: AnoHana, Hanasaku Iroha

As for the highest animation quality, Kyoto Animation is still incredibly hard to beat when they go all-out and this season no one could make this category a competitive one.

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Top Animation Studio

Winner: A-1 Pictures

Though with the frequency of financial home runs that A-1 Pictures has so quickly racked up along with consistently nice animation, Kyoto Animation may have a serious contender in the near future. (And yes, for the record, I loved the animation style to Birdy Season 2 and I continue to rank it as probably having the best done fights of any tv series that I’ve watched.)

The one weakness they’ve shown so far is not having a core group of directors that can ensure a consistent level of quality from their anime series. This season they had two series; the first, AnoHana, was directed by Tatsuyuki Nagai. Normally he directs for J.C. Staff and for them he’s directed Honey and Clover 2, Toradora, and Railgun. Their other series is Ao no Exorcist, directed by Tensai Okamura who’s done Wolf’s Rain and Darker Than Black (two series I haven’t seen yet but hear much praise for). By this point it should be obvious how much I liked AnoHana but Ao no Exorcist has been a small surprise itself; as a shounen-series-set-in-a-school-with-kids-who-have-special-powers, I wasn’t expected to particularly like it but I’ve come to enjoy my weekly doses of Ao no Exorcist.

So for fielding two hits for the spring season, A-1 Pictures gets the Top Animation Studio award.

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That’s it for part 3 of my spring 2011 anime awards. Stay tuned for my top overall picks of the season. :)

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 2: Genre and Misfit Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5
Spring 2011 Awards: Top 8 Anime – #4 – #1


Filed under: anime, awards

Top Picks – Spring 2011 Anime, Part 2: Genre and Misfit Awards

After focusing on the characters that populate the various anime in part one, this – the second part – focuses on the parts of the show that are built around the characters (for the most part). This division is one that I’ve come to value when assessing a series. For example, series like Maria+Holic Alive have a strong core of characters stuck in mediocre constructed show and series like Deadman Wonderland have the tools for a well-constructed series but lack the characters to make it work.

Like I said last time, there was a pretty broad slate of shows this season but there always seems like a few genres are missing each season. Which genres that are missing change with the seasons; this time there was a surprising lack of quality fan-service series (the absence of series from AIC this season probably has something to do with this). And other genres never seem to have enough qualifying series to warrant the inclusion of a category. This time that meant no awards for best slice-of-life and SF series.

Okay, that’s enough rambling; let’s get to this group of awards and don’t worry I will explain the above screenshot. :)

Best Action

Winner: Nichijou

Runner-up: Tiger and Bunny, X-Men

Action equals money spent on extra frames of animation and this season there was no action series that was given a large enough budget to do more than show flashes of action. That wasn’t to say that the season was without a consistly action-packed anime series; we had Nichijou – a comedy series. German suplexes, epic chase scenes, explosions, festival shooting galleries, sisterly kendo matches over sweets, mosquito swatting and human missiles were just some of the action packed scenes from Nichijou this season.

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Best Fight

Winner: Ep.12 of Dororon Enma-kun Meeramera

The best fight was, without a doubt, episode 12 of Enma-kun. Brains Base took an already crazy show, jacked it up a couple orders of magnitude and removed all the restraints. The result was truly epic.

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Best Comedy

Winner: Nichijou

Runner-up: gg’s fansub of Hidan no Aria

The top image of this post is related to the runner-up for best comedy – the fansub group gg’s sub of Hidan no Aria. J.C. Staff has always been weak at improving a show when the source material is bad but this time it felt like they weren’t even trying to make Aria a better show. The result was a show that’s painful to watch and it’s here gg stepped in. The result provided almost as much laughs as Nichijou this season and Nichijou was positively bursting with laughs.

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Most Entertaining

Winner:  Dororon Enma-kun Meeramera

Runner-up: Tiger and Bunny, Hyouge Mono, Denpa Onna to Seishun Otoko

Comedy is definitely a subset of Entertaining but often the most entertaining shows are ones that only provide sparse comedy. Enma-kun was consistently entertaining by always coming up with some off-the-wall idea and keeping the viewers guessing. It was also entertaining because it’s retro feel made it a unique experience. I’m not complaining about the overabundance of anime that follow modern anime stereotypes and tropes but a little variety is nice.

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Most Interesting Setting

Winner: Hyouge Mono

Runner-up: Steins;Gate, C – The Money of Soul and Possibility Control

I fell in love with the Sengoku era of Japanese history after the completely over-the-top series Sengoku Basara turned out to be a pretty historical show so when the chance to watch another show set in the same time period came up I jumped on it. So far they’ve introduced an even wider cast of characters that couldn’t possibly exist but actually do and there’s been political intrigue, posturing and double-crosses all by the end of episode 5. Also in the mix is seeing how western influence is just starting to affect Japanese society which includes the viewers being introduced to a Christian warlord who’s destined to flee to the Philippines after Tokugawa clamps down on Christianity.

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Best Plot

Winner: Steins;Gate

Runner-up: Hyouge Mono

So far Steins;Gate has felt like X-Files when it was in it’s prime and that’s a great thing to be like. Hopefully, as more of the plot gets revealed it doesn’t follow X-Files into the boring mediocrity that was the ending of X-Files.

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Best Story

Winner: AnoHana

Runner-up: Tiger and Bunny

After creating a group of flawed, compelling characters the creators needed a good story to fully realize the potential of the characters and trying to fulfill the final wish of a young girl was just that sort of story. It’s not that complex or unique of a story but in the right hands it didn’t need to be. AnoHana had those hands in the name of Tatsuyuki Nagai and everything just came together.

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Best Villain

Winner: Heaven from Dororon Enma-kun Meeramera

Runner-up: CERN from Steins;Gate

Heaven was featured in another anime, Yondemasu yo Azazel-san, this season and there it was merely presented in a very unflattering light but Enma-kun takes it a step further and turns them into the villain that our rag-tag group of heroes (4 demons and 1 human) must  stop before a global apocalypse occurs. It reminded me of the Terry Pratchett & Neil Gaiman classic Good Omens, a book I highly recommend. Having heaven show up as the villain provided a nice twist like how the demons in Panty and Stocking were the law-abiding rule following citizens.

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Best Final Episode

Winner:  Dororon Enma-kun Meeramera

Runner-up: AnoHana, C – The Money of Soul and Possibility Control

I didn’t think it possible that an anime could squeeze through with a better final episode then AnoHana but Enma-kun did it. I already mentioned a few reasons why this episode was so awesome earlier when it won best fight but there were so many other reasons. For instance, this episode actually tied-up many of the story threads that got introduced earlier in the series, giving this series a real sense of closure. There were several elements to C that prevented it from reaching it’s full potential but it was still able to cobble together a very interesting final episode and ending. It didn’t make total sense but it was at least interesting.

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Best Ending

Winner:  AnoHana

Runner-up: Dororon Enma-kun Meeramera

Overall, though, AnoHana had the best ending and it goes back to how well the show was executed. The biggest thing that helped the show was that AnoHana didn’t attempt an overly complex story that couldn’t be finished satisfactorily in 11 episodes like several recent Noitamina series. *cough*Fractale*cough*C*cough

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Most in Need of a Sequel

No one does a better night sky then Shaft/Shinbou

Winner:  Denpa Onna to Seishun Otoko

Runner-up: Dororon Enma-kun Meeramera

I’d definitely watch a sequel to either of these anime but in both of these cases there are other series I’d rather see first animated by their respective animation studios. Enma-kun comes from Brains Base and I’d really like to see a third season of Spice and Wolf first (now that Natsume’s Book of Friends is getting a sequel). Denpa Onna to Seishun Otoko comes from Shaft and I’d like to see a third season of Arakawa Under the Bridge or a fourth season of Hidamari Sketch and Sayonara Zetsubou Sensei first.

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That’s it for part 2, the next part is the VMA awards.

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Spring 2011 Awards Part 1: Cast and Character Awards
Spring 2011 Awards Part 3: VMA Awards
Spring 2011 Awards: Top 8 Anime – #8 – #5
Spring 2011 Awards: Top 8 Anime – #4 – #1


Filed under: anime, awards

Ranking The Good, The Bad and the Ugly of the Spring 2011 Anime Season – Part 2: The Top Fifteen

Two of the best things that aired in April, conveniently in a single picture.

Looking at both halves of this countdown/first impressions list I noticed two interesting features that I hope become trends. The first is that there’s only a very small handful of sequels this season. Which is a good thing since a high level of sequels can signal timidness (and an aversion to risk) by those that pay to create anime and the truly great anime are the first victim of overly timid producers. Having a low amount of sequels also allows viewers to watch a greater number of series and it also quiets – a bit – those that whine about “the end of anime”. (Sorry zzeroparticle, Kaiji happens to be one series that I missed the first time around and didn’t watch this season.)

The second feature is the high number of oddball series this season. Oddball probably isn’t the best term because they aren’t actually strange but seem to signal either the further diversification of what anime “is” or the decision to attract non-traditional viewers of anime to anime. If this continues, this is bad news for those people (including R1 anime executives) that like to watch and license the same shows year-in and year-out; but, for everyone else, it’s great news. I’m ready to welcome the oddness be it tea-sipping feudal lords, pizza-eating aliens, management book-reading baseball managers or pantsu-less ice princesses.

(15) – X-Men

Rating for episodes 1 to 4 – 6/12  B-

The adaptation of X-Men by Madhouse marks the third time in three seasons that they’re working on an anime version of an American comic franchise. I didn’t watch the first one because the reviews of Iron Man were just too brutal but I decided to give the second series, Wolverine, a shot. I reasoned that it’s exceedingly difficult to muddle a show built around someone uncomplicated like Wolverine and it turned out that I was basically right. The animation quality was on the very low-end for what Madhouse can do but it was a decent anime overall. So, for X-Men, I hoped Madhouse could, at a minimum, repeat. Four episodes in and I’m glad to see a much better effort with the animation but I’m not quite won over with the story (and plotting) yet. On the plus side the Japanese mutant that is introduced in this series appears to already be a character in the “X-Men universe” so there’s a better chance she won’t get killed off in the end like what happened in Wolverine but, on the negative side, the show’s been a little too talky and not enough actiony. There’s still plenty of time for this anime to get even better and I’m definitely going to keep watching.

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(14) – Fireball Charming

Rating for episodes 1 to 3 – 6/12  B-

A micro-series from Disney (!!, seriously it’s from Disney) about a robotic princess and her adventures as a princess; Fireball Charming is a fun little series that I wish would run longer than it’s 2 minutes episodes. In fact, really the only reason it’s ranked so low is because it’s format makes it problematic to accurately rank and grade it.

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(13) – A Channel

Rating for episodes 1 to 4 – 6/12  B-

A Channel is like the made-for-TV version of a blockbuster movie that gets made after the fact with about a tenth of the budget, a tenth of the acting, a tenth of the writing, and a tenth of the quality. On paper the two might be very similar but no one will actually remember the made-for-TV version a couple of years later and the blockbuster movie becomes everyone’s favorite guilty pleasure for years-and-years to come. The only thing that saves A Channel from falling any further into complete mediocrity is Aoi Yuuki’s excellent vocal work (much like how she makes watching Gosick worth it).

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(12) – Tiger and Bunny

Rating for episodes 1 to 5 – 7/12  B

Initially, I was very impressed with Tiger and Bunny. I like how the main character, Tiger, is an over-the-hill superhero that still actually believes in what he does even though it’s so cynically commercialized. I like the idea about how superheroes are being manipulated for commercial reasons. I like how the show seems to take place in an alternative Manhattan. I initially liked what Sunrise was doing with the story but with a few more episodes watched I’m no longer that keen on what they’re doing. It’s pretty much a given that a show like Tiger and Bunny will see Tiger and Bunny overcome their differences, become an awesome hero duo and both of them will get what they most need or want: Tiger gets the admiration of his daughter/the respect of the public and Bunny finds a family to belong to/learns the meaning of friendship. This type of story has been done to death so the execution needs to be stellar to make the show great and it hasn’t. Which is what separates it from That Really Long-titled Flower Anime. Everyone knows how that’s going to end but everyone is still enchanted by it.

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(11) – Maria+Holic Alive

Rating for episodes 1 to 4 – 7/12  B

Maria+Holic is one of the weaker Shaft/Shinbou anime offerings and one of most disappointing series that they’ve done. (The set-up was perfect for Shaft/Shinbou; it should have been a home run but it was a big miss.) So, while, I’d prefer one of their better series like Arakawa Under the Bridge or Soredemo Machi wa Mawatteiru, that are in more of a need of a sequel, to be getting a sequel now; I am willing to try any anime from the joyfully demented minds at Shaft. So far, I am pleasantly surprised with Maria+Holic Alive. In the two years since the first season of Maria+Holic, it’s apparent that Shaft/Shinbou has become better at making anime. The show’s biggest liability – Kanako, the main character – has significantly less screen time in the sequel and the two best characters – Maria, the abrasive cross-dressing boy who attends an all-girl school, and Maria’s maid get a corresponding boost in screen time. It’s still far from perfect but it’s now a pretty decent anime.

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(10) – Dororon Enma-kun Meeramera

Rating for episodes 1 to 4 – 7/12  B

Brains Base takes the animation quality and polish of a modern anime and applies it to a 40 year-old manga in Dororon Enma-kun Meeramera. The result was about what I expected; it looked good but the content felt completely different then everything else that I’ve watched in recent memory. I imagine what I felt was akin to an anime fan that’s only watched Naruto or Bleach before, watching Bakemonogatari for the first time. I wasn’t scared off, partially because I like and respect Brains Base; but, before the fourth episode I wasn’t sure what to really think about this anime. Then episode 4 arrived and suddenly something clicked in my brain and Dororon Enma-kun Meeramera became a fun series to watch. It’s got this energetic vibe to it that leaves little time for character development so far but that’s okay. Dororon Enma-kun Meeramera  has been too busy with demon attacks, absurd situations, fan service and making the viewers laugh to explain the sad back-story (because it always has to be sad) of the kappa that helps capture demons or fleshed out the talking, flying hat beyond him/it being a bit lecherous. I see this anime getting stronger as time passes and getting included among the top series of the season. Next I demand a modern reboot of the Lupin the Third franchise.

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(9) – Moshidora

Rating for episodes 1 to 4 – 8/12  B+

I realize at this point that most of Moshidora has aired due to it’s unique release schedule but I wanted to include it here so I stopped watching it after the fourth episode until I finish writing this post. The rest of the long-winded title of Moshidora encapsulates the premise of the show; namely, what would happen if a baseball manager read one of the classic books about business management theory and applied it to baseball. I’m not much of a fan for sports anime when the focus is on the sport itself but when anime, like Bamboo Blade and Cross Game, make the sport secondary – I’m willing to give the show a chance. Moshidora turns out to be, much like Bamboo Blade and Cross Game, not really about the sport. Now, it’s not quite as good as either Bamboo Blade or Cross Game (both anime I highly recommend) but it’s still pretty good and better than a good portion of the anime this season. Definitely worth a look for people looking for something slightly different.

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(8) – The World God Only Knows II

Rating for episodes 1 to 4 – 8/12  B+

I have to credit Manglobe for doing their absolute best with TWGOK2. The result has been better than the first season and an all-around pretty entertaining show. I still don’t think it’s ever going to compete for a spot among the best anime of the season; though, the introduction of a second spirit-catching demon seems to signal that the show will begin moving away from merely focusing on the main characters capturing spirits and developing a deeper story. So, maybe it’s still possible.

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(7) – Steins;Gate

Rating for episodes 1 to 5 – 8/12  B+

After the ending to Chaos;Head burned me a couple of years ago, I approached Steins;Gate (from the same people) with a fair amount of trepidation. I didn’t want to get burned again. The first episode was really cool; cool enough that I started thinking maybe this time will be different. Then episodes 2-4 aired, and it started feeling like the show was going to just wander around and not make good on it’s promises. I gave Steins;Gate one more episode to re-interest me and, wouldn’t you know-it, episode 5 got me hooked again. So, that’s where it stands; I love conspiracies, time-travel, people with secrets and shadow organizations and when this anime delivers that, it’s wonderful. Depending on how the ending, this could still make it’s way further up the list or it could crash-and-burn. Time will tell.

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(6) – Yondemasu yo, Azazel-san

Rating for episodes 1 to 4 – 9/12  A-

I’m not a fan of 15 minute shows when it crimps the overall quality of the show and that’s the case with Yondemasu yo, Azazel-san. From Production I.G., the story revolves around a young woman who has become the assistant to a private detective that makes pacts with devils to accomplish tasks that clients need done like stopping a cheating husband from cheating or stopping a stalker of an idol. The third and fourth episodes really showcase how well-done and funny Yondemasu yo, Azazel-san is. It got bonus points for casting Yuu Kobayashi as a mermaid demon that personifies jealousy and uses this jealousy to drive her magic. She’s fabulously perfect for the role and it’s nice to see someone other than Shinbou/Shaft understanding how to use her (her special talents were completely wasted playing Clain in Fractale).

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(5) – Hyouge Mono

Rating for episodes 1 to 3 – 9/12  A-

The lack of buzz around this anime is truly criminal. Set in Japan’s Warring States era (think Sengoku Basara), the main character is a feudal lord under Oda Nobunaga (yeah, that guy though not quite as cool here) and lives his life pursuing the beautiful things of the world which includes tea and tea ceremonies. It’s not a comedy, per say, but more like a historical drama with a healthy dose of comedy, mainly centered around the main character’s lack of restraint around all things tea. Perspective viewers should note that Hyouge Mono is set to run 39 episodes so the pacing is a bit slower than a typical one season series. This is definitely one of this season’s gems and I hope more people will give Hyouge Mono a chance.

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(4) – Hanasaku Iroha

Rating for episodes 1 to 5 – 9/12  A-

I’ve already wrote a first impressions post for this and I don’t really have that much to add now.

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(3) – Denpa Onna to Seishun Otoko

Rating for episodes 1 to 4 – 10.5/12  Strong A

The second Shinbou/Shaft series of the season and the best way to sum Denpa Onna to Seishun Otoko up is by saying it’s a typical Shinbou/Shaft anime. There’s the head tilts, the strange girl claiming something fanciful which might be true but probably is just covering over a tragic past, the clueless guy that falls for the strange girl, the awesome backgrounds and the best done night sky scenes, the dialoguing that fills so much of the episode up yet still is so insanely interesting and the little things that tell the viewer that once again Shinbou/Shaft is trying to do too much with too little time. In short, another winner for Shaft/Shinbou. The most notable thing about this anime, in comparison to past Shaft works, is the character designs are probably the most visually appealing of any Shaft series that I can remember. After last season, I’m glad I can get my Shinbou/Shaft fix and not have to worry about the heat death of the universe.

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(2) – Nichijou

Rating for episodes 1 to 5 – 11/12  A+

Between it’s placement and it’s rating, I, obviously, happen to really like Kyoto Animation’s latest series – Nichijou. Truthfully, I’m scratching my head after reading the vast majority of other posts about this show. I think it’s great that people are forming their own opinions about this anime but I’ve started wondering if I’m watching the same show as everyone else. Episode 5 made me laugh so hard that I was like an asthmatic fish flopping around at the bottom of a fishing boat trying to breathe after watching it. Nichijou is just so effortlessly funny and well put together all-the-while having this season’s best animation quality. Luckily for my sanity, I’m watching this with my younger sister and she’s loving Nichijou as much as I am so my chance of just being insane falls significantly.

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(1) – Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai

Rating for episodes 1 to 4 – 11.5/12  Near Perfect

Whereas, I’m almost assured not to catch any flak over picking this as the early top anime of the season. Nor, are there many people who have not heard of this anime at this point. After making Railgun vastly superior to Index, I’ve been wondering and impatiently waiting for when Tatsuyuki Nagai would show up again. I’m glad the wait is over but I’m surprised it’s not with another J.C. Staff series. Having him helm this anime and the resulting awesomeness goes a long way to proving, in my mind, the idea that A-1 Pictures is really only as good as the director is. (Which is why their last great work was the second season of Birdy the Mighty Encode.)

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Wow, that was way more writing then what I was planning to do. I hope you enjoyed this double post.


Filed under: anime, first impressions



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